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Saturday, December 7 7:00pm

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Performance

Punctures | Kite’s Everything I Say Is True

Saturday, December 7, 2019, 7pm
$7 General, $5 Members, free for ArtsAccess pass holders

Performance artist, visual artist, and composer Kite will perform a piece integrating dress, sound, video, and emerging technologies with her family’s ephemera and historical documents. Join us for this special performance of Everything I Say Is True, tied to Kite’s installation in the gallery, followed by a Q&A with the artist and Jolene Rickard.

Kite aka Suzanne Kite is an Oglala Lakota performance artist, visual artist, and composer raised in Southern California, with a BFA from CalArts in music composition, an MFA from Bard College’s Milton Avery Graduate School, and is a PhD student at Concordia University and Research Assistant for the Initiative for Indigenous Futures. Her research is concerned with contemporary Lakota epistemologies through research-creation, computational media, and performance practice. Recently, Kite has been developing a body interface for movement performances, carbon fiber sculptures, immersive video & sound installations, as well as co-running the experimental electronic imprint, Unheard Records.

Dr. Jolene Rickard is a recipient of a Ford Foundation Research Grant and is conducting research in the Americas, Europe, New Zealand and Australia culminating in a new journal on Indigenous aesthetics, and has a forthcoming book on Visualizing Sovereignty. She served as Interim Chair for the Art Department 2009-2010 and is an affiliated faculty member in the American Indian Program at Cornell University. She is a 2010-2011 recipient of a Cornell University Society of the Humanities Fellowship on the thematic topic of “Global Aesthetics.”

This performance is part of Punctures: Textiles in Digital and Material Time. Consisting of three exhibitions and public programs that weave into each other, Punctures features artists who are invested in the intersections and history of textile practices, media art, and critical and liberatory politics, including trans fashion and domesticity; gendered and immigrant labor under global racial capitalism; Gelede women’s commemoration, protest and power as represented in textile work; speculative future-casting through Oglala Lakota knowledge systems, and more. The exhibition features installations by Betty Yu, Cecilia Vicuña, Charlie Best, Eniola Dawodu, Kite, and Sabrina Gschwandtner, performances by Charlie Best, Jodi Lynn Maracle, and Kite, and screenings of work by Jodie Mack, Pat Ferrero, Sabrina Gschwandtner, and Wang Bing. Punctures design by Kelly Walters.