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SUMMARY:Infiltrators: Films on borders and resistance
DESCRIPTION:Begins March 4\, 2026\nScreenings take place at Burning Books. Artist talk with Alex Rivera and Khaled Jarrar online.\nSqueaky Wheel presents four films\, by Alex Rivera\, Alex Rivera and Cristina Ibarra\, and Khaled Jarrar\, that take on the human toll of borders and the organized and individual ways people evade and resist them. Featuring both cult classic works and acclaimed documentaries\, the films – with Rivera’s work focusing on the maintenance and violence of the US border\, and Jarrar’s focusing on power struggles\, in particular as they relate to Palestine and the Palestinian diaspora – showcases the logistical\, ethical\, and bureaucratic logics of border regimes\, and points to intertwined solidarities. \nAll screenings will take place at our friends at Burning Books. This event series is supported by Teiger Foundation and the Andy Warhol Foundation for the Visual Arts. Thank you to our co-presenters at Jewish Voice for Peace – Buffalo. Khaled Jarrar’s Infiltrators is courtesy of Third World Newsreel\, and his film Notes on Displacement is courtesy of Cinema Politica. Special thank you to Paige Sarlin and Leo Goldsmith. \nFor attendees\nThe screenings will take place at Burning Books located at 420 Connecticut Street\, Buffalo\, NY 14213. Street parking is available. For transportation by bus\, it is near stops for the 3\, 19\, 22\, and 101 bus lines. Seating is first-come\, first-serve. \nThe artist talk with Alex Rivera and Khaled Jarrar will take place online. The films and artist talk will be available online for a weekend on March 27–March 29. \nEvent dates\nWednesday\, March 4th\, 7pm\nKhaled Jarrar’s Notes on Displacement \nWednesday\, March 11th\, 7pm\nAlex Rivera & Cristina Ibarra’s The Infiltrators \nThursday\, March 19th\, 7pm\nAlex Rivera’s Sleep Dealer \nTuesday\, March 24th\, 7pm EST\nVirtual artist talk: Alex Rivera & Khaled Jarrar \nWednesday\, March 25th\, 7pm\nKhaled Jarrar’s Infiltrators \nFriday\, March 27–Sunday\, March 29\nOnline access | Infiltrators: Films on borders and resistance \nBiographies of the artists\nAlex Rivera is an award-winning filmmaker whose work explores themes of globalization\, migration\, and technology. Rivera’s first feature film\, Sleep Dealer\, a cyberpunk thriller set on the U.S./Mexico border\, won awards at the 2008 Sundance Film Festival and the Berlin International Film Festival\, was screened at the Museum of Modern Art\, and had a commercial theatrical release in the U.S\, France\, Japan\, and other countries. Rivera’s second feature\, The Infiltrators\, won the NEXT: Audience Award and the Innovator Award at the 2019 Sundance Film Festival. The Infiltrators uses documentary and scripted forms to tell the true story of Dreamers who ‘infiltrate’ a detention center to get immigrants out. Rivera is currently developing a few new cyberpunk projects and\, with support from the Ford Foundation\, a feature documentary on the history of deportation titled Banishment. Alex Rivera is a 2021 MacArthur Fellow\, Sundance Fellow\, Creative Capital Grantee and was The Rothschild Lecturer at Harvard University. He studied at Hampshire College and lives in Los Angeles. He is an Associate Professor of Filmmaking Practice at ASU’s Sidney Poitier New American Film School. \nCristina Ibarra is a Sundance award-winning filmmaker with a 20-year practice rooted in her border crossing roots along the Texas-Mexico border. The Infiltrators is a docu-thriller about undocumented activists on a secret mission inside a detention center is currently being distributed by Oscilloscope. It won the Audience and the Innovator Award in the NEXT section at the Sundance Film Festival in 2019\, among other notable festival awards. The New York Times calls her previous award-winning documentary\, Las Marthas\, about wealthy South Texas border debutantes who honor George Washington in Laredo\, Texas “a striking alternative portrait of border life”. It premiered on PBS’s Independent Lens in 2014 and is distributed by Women Make Movies. The Last Conquistador\, a documentary about the racially conflicted construction of a monument to a conquistador in El Paso\, Texas\, was broadcast on POV in 2008. USA Today describes it as “Heroic”. Her award-winning directorial debut\, Dirty Laundry: A Homemade Telenovela\, was broadcast on PBS in 2001. She is the recipient of fellowships from Soros\, Rauschenberg\, Rockefeller\, NYFA\, CPB/PBS\, NALIP\, Firelight\, the Sundance Women’s Initiative and Creative Capital\, among others. \nKhaled Jarrar was born in Jenin\, Occupied Palestine in 1976. He lives and works in Ramallah. Jarrar completed his studies in interior design at Palestine Polytechnic University in 1996. Upon graduating he smuggled himself to work as a carpenter in Nazareth\, living as an underground “illegal” worker. In 1998 Jarrar enlisted in an intensive military training which resulted in working for Arafat as a personal body guard until Arafat’s death in 2004. Attempting to create a life between the military and an artistic practice\, Jarrar entered the field of photography in 2005. Jarrar graduated from the International Academy of Art – Palestine\, Ramallah in 2011 and completed an MFA in fine art from the University of Arizona in 2019. \nJarrar\, a multidisciplinary artist\, explores modern power struggles and their sociocultural impact on ordinary citizens through highly symbolic photographs\, videos\, film\, and performative interventions. His State of Palestine project was featured in the 7th Berlin Biennale. Where We Lost Our Shadows\, his filmic collaboration with Pulitzer prize winning composer Du Yun\, was shown at Carnegie Hall and the Kennedy Center for Performing Arts. Jarrar’s work has been featured at Maraya Art Centre\, Sharjah; the New Museum\, New York City; the University of Applied Arts\, Vienna; the 15th Jakarta Biennale; 52nd October Salon\, Belgrade; Al-Ma’mal Foundation\, Jerusalem; and the London Film Festival. Infiltrators\, Jarrar’s first feature length film\, was a documentary about the business of Palestinian’s “illegally” crossing and won the FIPRESCI Award for Best Documentary\, Jury Special Award and the Muhr Arab Documentary Special Jury Prize at the Dubai International Film Festival in 2012. Notes on Displacement\, his second feature length\, about a Palestinian refugee’s flight from Syria to Germany\, received a world premiere at the IDFA Envision Competition in November 2022. \nBanner image: A bright orange background with a jagged white line and white text. The text states “Screenings series | Starts March 4\, 2026 at Burning Books. INFILTRATORS. Films on borders and resistance”
URL:https://squeaky.org/event/infiltrators-films-on-borders-and-resistance/
LOCATION:Burning Books\, 420 Connecticut Street\, Buffalo\, 14213\, United States
CATEGORIES:Event Series
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DTSTART;TZID=America/New_York:20241108T190000
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SUMMARY:The Big Picture Event: Vague Questions by Nick Mass and Silas Rubeck
DESCRIPTION:Friday\, November 8\, 7 pm\nFree\nAs part of The Big Picture series\, Squeaky Wheel is excited to screen Vague Questions by Nick Mas and Silas Rubeck. \nVague Questions is an interview series conducted by Nick Mass and Silas Rubeck. Together they have compiled a series of interviews documenting the reactive minds of their respective peers and members of the community. Through a series of Rorschach tests and an auto didactic interview process that gives control of the questions to the interviewee\, what answers might you find? This project is supported by The Generator Fund\, a grant for artists administered by The Buffalo Institute for Contemporary Art and funded by the Andy Warhol Foundation for the Visual Arts. \nThe Big Picture is a Squeaky Wheel access program initiative designed to provide local artists a platform to showcase their projects; to impact and be impacted by the community of makers\, viewers\, critics & supporters and to grow from the experience.
URL:https://squeaky.org/event/the-big-picture-event-vague-questions-by-nick-mass-and-silas-rubeck/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Event Series,Screenings
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DTSTART;VALUE=DATE:20231017
DTEND;VALUE=DATE:20240226
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SUMMARY:[Speaking in Foreign Language]
DESCRIPTION:[Speaking in Foreign Language] brings together several of Squeaky Wheel’s Fall/Winter 2023 activities–screenings\, presentations\, and a solo exhibition–within a curatorial framework on how voice and language function across borders and power. \nThe series was developed through an engagement with\, and brings together\, the work of several former Squeaky Wheel Workspace residents–including Emily Watlington\, Jordan Lord\, Johann Diedrick\, Olivia Ong Evans\, and Saif Alsaegh–within a larger media arts context\, including feature films by Sharlene Bamboat and Trinh T. Minh-ha\, and short films by Alex Dolores Salerno\, Astria Suparak\, champoy\, JJJJJerome Ellis\, Nadia Shihab\, and Sky Hopinka. Additional events TBA. \n\n \nScreening | Tuesday\, October 17\, 7 pm ET\, in-person and online \nEcholocations: Films in Translation and Transcription\nGroup screening with work by Alex Dolores Salerno\, Astria Suparak\, champoy\, JJJJJerome Ellis\, Johann Diedrick\, Nadia Shihab\, Olivia Ong Evans\, Saif Alsaegh\, and Sky Hopinka \n\n \n  \nExhibition opening | Friday\, November 10\, 5–8 pm \nJordan Lord’s The Voice of Democracy\nOn view through February 10. Featuring a newly commissioned essay by Amy Ching-Yan Lam. \n\n \nScreening | Tuesday\, December 5\, 7 pm ET @ Journey’s End Refugee Services and online \nTrinh T. Minh-ha’s Surname Viet Given Name Nam\n\n \nScreening | Wednesday\, December 6\, 7 pm @ Hallwalls Contemporary Art Center and online \nSharlene Bamboat’s If From Every Tongue it Drips\nPresented by Humanities Institute/Distinguished Visiting Scholars Program Film Series at the University at Buffalo \n\n \nPresentation | Friday\, December 8\, 7 pm ET\, in-person @ Squeaky Wheel and online \nEmily Watlington presents The Radical Accessibility of Video Art (for Hearing People)\n\nImage descriptions from top to bottom:\nA still from Identity Karma by Olivia Ong Evans. A bright blue and turquoise video still. There are multilayered legal documents and forms that are abstracted and blurry\, with only some words visible. The legible text includes “Declares her wish to change her name\,” “Name\,” and “Surname.”\nA still from Impediment is Information by JJJJJerome Ellis. A video still shows conifers in a snowy Wyoming landscape. A saxophone rests in a stand in the snow. The words “they try to fell black being” appear in white text overlaid on the video. The sky is blue.\nA still from the film The Voice of Democracy shows a dim living room\, in which a tv hangs on the wall. The tv displays two older white people\, the filmmaker’s parents\, sitting with a gold lamp in between them. The filmmaker’s father looks angry and their mother looks concerned. The tv image is paused on a Youtube window\, which reads: “Mom and Dad interview selects\,” below which a series of other videos are recommended including “The Biggest Snubs of the Olivier Awards\,” “Top 25 Roller Coasters\,” and “Food & Wine Festival.” Reflected in a mirror below the television are the filmmaker’s parents sitting in the same set-up as their image on the television\, with the same gold lamp between them. They are looking across the room at the filmmaker\, a 30-something white person with a buzzcut and a beard\, who looks back at them with their arms folded and legs crossed\, with a serious and sympathetic look. Their father is pointing at the television\, saying something. In the center of the image\, between the mirror and the television\, is a caption that reads\, “Why?”\nA still from Trinh T. Minh-ha’s Surname Viet Given Name Nam. A mostly dark image\, with a barely lit woman with black hair looking to the left of the image.\nA still from If From Every Tongue It Drips by Sharlene Bamboat. A person sits on a wooden rocking chair in a bright orange room sunshine spilling in. The person in the chair is half out of frame arms holding a piece of paper. Yellow caption on screen reads: “hence\, matter is an infolding\, an in-volution. hmmmmmmmmmmm”. Image and description courtesy of the artist.\nLiza Sylvestre\, Captioned-Channel Surfing (still)\, 2016. Courtesy of the artist. A movie still\, close-up of a white man and woman wearing summer clothes in a rural setting looking excited in a phone booth. A caption reads “They are so young and excited and happy.”
URL:https://squeaky.org/event/speaking-in-foreign-language/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Event Series
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DTSTART;VALUE=DATE:20230728
DTEND;VALUE=DATE:20231104
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SUMMARY:Celebrating 20 years of our Animation Fest!
DESCRIPTION:Squeaky Wheel is celebrating 20 years of our Animation Fest and you’re invited! Ahead of the 20th edition taking place this November\, you can visit Squeaky Wheel to see highlights from our past editions in the Retrospective Exhibition\, and join us on September 28 at the North Park Theatre for the Retrospective Screening. Click the links below for all the details! \n \nAnimation Fest at 20: A Retrospective Exhibition\nOn view through September 30 at Squeaky Wheel\, Tuesday–Friday\, 12–5pm and by appointment \n \nThe Animation Fest: A Retrospective @ North Park Theatre\nThursday\, September 28\, 7 pm ET @ the North Park Theatre and online \n \nSqueaky Wheel’s 20th Animation Fest\nFriday\, November 3\, 6 pm ET @ Buffalo AKG Museum and online. The full lineup will be announced in August. Stay tuned! \n\nSqueaky Wheel’s Animation Fest is presented with generous support from the Richard W. Rupp Foundation\, FGI Landscaping\, PUSH Buffalo\, TriMain Center\, Rigidized Metals\, BreadHive\, Buffalo Expendables\, Buffalo State College Communication Dept\, Rose Jade Consulting Coop\, Lumpy Buttons Gifts\, Good Neighbors Credit Union\, and Villa Maria College.
URL:https://squeaky.org/event/celebrating-20-years-of-our-animation-fest/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Event Series
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DTSTART;VALUE=DATE:20201016
DTEND;VALUE=DATE:20201210
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SUMMARY:Timeline(s) of Care
DESCRIPTION:Timeline(s) of Care is comprised of five virtual single-night screenings\, artist talks\, and interactive events taking place throughout Fall 2020. The series focuses on illness\, disability\, and care work across generations\, crisscrossing timelines\, and the minutiae of personal\, social\, political\, and institutional life. These works acknowledge the lives and work of those who came before us to create different tomorrows. \nAll events in this series will be available to access and view for 24 hours. Squeaky Wheel members will have access to the event for 72 hours. Please see the individual event pages for access information. \n  \n\nFriday\, October 16\, 2020\, 7 pm\nScreening | Lana Lin’s The Cancer Journals Revisited\nFollowed by a conversation and Q&A between Lana Lin and Dessane Lopez Cassell \n \nWednesday\, October 28\, 2020\, 7 pm\nScreening | Hala Lotfy’s Coming Forth by Day\nFollowed by a conversation and Q&A between Hala Lotfy and Ekrem Serdar \n \nFriday\, November 6\, 2020\, 7 pm\nScreening | Jordan Lord’s Shared Resources\nFollowed by a conversation and Q&A between Jordan Lord and Emily Watlington \n \nFriday\, November 20\, 2020\, 7 pm\nWorkshop | What Would an Uprising Doula Do?\nAn interactive workshop by the What Does a HIV Doula Do? Collective \n \nWednesday\, December 9\, 2020\, 7 pm\nPresentation and Q&A | Taraneh Fazeli on Sick Time\, Sleepy Time\, Crip Time \nA presentation and conversation with Taraneh Fazeli and Amalle Dublon.
URL:https://squeaky.org/event/timelines-of-care/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Event Series,Virtual
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SUMMARY:Punctures: Textiles in Digital and Material Time
DESCRIPTION:September 20\, 2019–February 7\, 2020 \nSqueaky Wheel is pleased to announce Punctures: Textiles in Digital and Material Time. Drawing from the little-known but expansive history connecting media arts and textile production\, the exhibition features artists invested in the material\, critical and liberatory politics of their intersections. \nFrom the Lumière brothers taking the intermittent motion of a sewing machine to create the cinematograph\, to the punch cards of the Jacquard loom forming the basis of modern computation\, and the role of sewing and gendered labor in jobs like editing and dyeing in film production\, textile production remains an essential\, but insufficiently unacknowledged formal and social influence on media arts. These underpinnings aim to not only explicate an alternate history\, but are meant to find ways to speculate new futures for media practice. \nConsisting of three exhibitions and public programs that weave into each other\, audiences will engage with artworks exploring a wide range of practices including\, trans fashion and domesticity; gendered and immigrant labor under global racial capitalism; Gelede women’s commemoration\, protest and power as represented in textile work; speculative future-casting through Oglala Lakota knowledge systems\, and more. \nThe exhibition features installations by Betty Yu\, Cecilia Vicuña\, Charlie Best\, Eniola Dawodu\, Kite\, and Sabrina Gschwandtner\, performances by Charlie Best\, Jodi Lynn Maracle\, and Kite\, screenings of work by Jodie Mack\, Sabrina Gschwandtner\, and Wang Bing\, and guest speakers such as Jasmina Tumbas and Jolene Rickard. \n Additional Punctures events in 2020 to be announced. Punctures design by Kelly Walters. See the schedule below. \n \nFriday\, September 20\, 2019\, 6–10 pm\nPerformance at 9pm\nOpening | Punctures: Cecilia Vicuña and Charlie Best\nCecilia Vicuña on view through November 8\, 2019\nCharlie Best on view through February 7\, 2020 \n \nWednesday\, September 25\, 2019\, 7 pm\nScreening | Punctures: Wang Bing’s Bitter Money \n \nFriday\, November 22\, 2019\, 6–9 pm\nOpening | Punctures: Eniola Dawodu and Kite\nOn view through December 21\, 2019 \n \nSaturday\, December 7\, 2019\, 7 pm\nPerformance | Punctures: Kite’s Everything I Say Is True \n \nWednesday\, December 11\, 2019\, 7 pm\nScreening | Punctures: Jodie Mack’s The Grand Bizzare \n \nFriday\, January 10\, 2020\, 6–9pm\nOpening | Punctures: Betty Yu and Sabrina Gschwandtner\nOn view through February 7\, 2020 \n \nSaturday\, January 11\, 2020\, 12–2 pm\nSpecial Workshop | Punctures: Threading Roots with Augmented Reality \n \nWednesday\, January 15\, 2020\, 7 pm\nScreening | Punctures: no idle hands and Hearts and Hands \n \nWednesday\, January 29\, 2020\, 7 pm\nScreening | Punctures: Threading Histories \n \nFriday\, February 7\, 2020\, 7 pm\nArtist Talks & Closing | Punctures: Charlie Best and Jodi Lynn Maracle \n\nPunctures is made with generous support by the County of Erie and County Executive Mark Poloncarz\, the National Endowment for the Arts\, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature\, the Andy Warhol Foundation for Visual Arts\, the Creative Arts Initiative at the University at Buffalo\, and individual members\, businesses\, and supporters. The curator would like to thank 5harfliler\, Independent Curators International and the SAHA Foundation\, Aily Nash\, Claire Schneider\, Elisa Auther\, Faraz Anoushahpour\, Herb Shellenberger\, Patrick Friel\, Rachel Adams\, RAW Material Company\, Steve Polta\, and Tina Rivers Ryan.
URL:https://squeaky.org/event/punctures-textiles-in-digital-and-material-time/
CATEGORIES:Event Series
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