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DTSTART;TZID=America/New_York:20200713T130000
DTEND;TZID=America/New_York:20200717T160000
DTSTAMP:20260505T112404
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SUMMARY:House Alive! - Stop Motion Animation Virtual Workshop
DESCRIPTION:July 13–17 \n1 pm–4 pm  \nCost: $160 | Members $140  \nInstructor – Amanda Long \nThis workshop will introduce the art of animating readymade and found objects with stop motion animation. Participants will create a series of animations exploring the potential for everyday items to come alive and move magically. Anthropomorphic objects will be introduced as a theme. How do artists give inanimate objects an emotion\, a personality? Frame by frame we will find out. \n  \nTech Requirements – Camera enabled iPad\, Tablet\, or Smartphone\, with Stop Frame Studio installed on it.  \nDownload Stop Frame Studio here: iOs\, Android  \n \nBack to Summer Schedule \n  \nTeaching Artist \n \nRegistration must occur at least three days prior to the start date of the workshop. There is a fee of $50 for any cancelations. Cancelations with less than one-week notice of the start of the workshop will not receive a refund. No walk-ins accepted. Limited scholarships are available to students. Please contact kevin@squeaky.org for more information. \nLooking for more! Check out our creative neighbor CEPA gallery for virtual offerings this summer!
URL:https://squeaky.org/event/house-alive-stop-motion-animation/
LOCATION:NY
CATEGORIES:Tech Arts for Youth,Virtual
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DTSTART;TZID=America/New_York:20200713T090000
DTEND;TZID=America/New_York:20200717T120000
DTSTAMP:20260505T112404
CREATED:20251230T191332Z
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SUMMARY:Creative Code & DIY tools Virtual Workshop
DESCRIPTION:July 13–17 \n9 am–12 pm  \nCost: $160 | Members $140  \nInstructor – Luke Williams \nCost: Non-member $160 I Member $140   \nWhen we make art\, we are always collaborating with our tools. How does that change when we make our own? In this workshop\, we’ll learn just enough code to hack together our own unique digital tools for making art and music in Processing. \n  \nTech Requirements: access to a computer\, laptop\, or tablet with a keyboard. \n \nBack to Summer Schedule \n  \nTeaching Artist \n \nRegistration must occur at least three days prior to the start date of the workshop. There is a fee of $50 for any cancelations. Cancelations with less than one-week notice of the start of the workshop will not receive a refund. No walk-ins accepted. Limited scholarships are available to students. Please contact kevin@squeaky.org for more information. \nLooking for more! Check out our creative neighbor CEPA gallery for virtual offerings this summer!
URL:https://squeaky.org/event/creative-code-diy-tools/
LOCATION:NY
CATEGORIES:Tech Arts for Youth,Virtual
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DTSTART;TZID=America/New_York:20200608T180000
DTEND;TZID=America/New_York:20200608T200000
DTSTAMP:20260505T112404
CREATED:20251230T191331Z
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SUMMARY:Virtual Workshop: Adobe After Effects
DESCRIPTION:After Effects \nJune 8 \n6 pm–8 pm \nJune 12 *Tech Meetup \nCost: $50 | Members $45 \n  \nNeed more pizazz in your business’s social media platforms? Want to up Youtube video game? Adobe After Effects is a powerful motion graphics editor that allows you to create all kinds of branding and special effects. This introductory course you will learn how to navigate and work with this software and learn the fundamentals of motion and file formating for best use.  \n*Each of our Virtual Media Arts Workshops will have an additional hour of tech meetup on the Friday of the week the class runs. The time of the meetup will be determined by the instructor and participants at the end of the session.  \n  \nRegister here
URL:https://squeaky.org/event/adobe-after-effects/
LOCATION:NY
CATEGORIES:Education,Virtual
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DTSTART;TZID=America/New_York:20200601T180000
DTEND;TZID=America/New_York:20200601T200000
DTSTAMP:20260505T112404
CREATED:20251230T191331Z
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SUMMARY:Virtual Workshop: Intro to Photoshop
DESCRIPTION:Intro to Photoshop \nJune 1 \n6 pm–8 pm \nJune 5 *Tech Meetup \nCost: $50 | Members $45 \n  \nThe ability to edit and craft your photos is what makes a simple snapshot transform it into a photographic work of art. This intro to editing in Photoshop will introduce you to color correction\, black and white conversion\, cropping\, file formatting\, and introduction to layers.  \n*Each of our Virtual Media Arts Workshops will have an additional hour of tech meetup on the Friday of the week the class runs. The time of the meetup will be determined by the instructor and participants at the end of the session.  \n  \nRegister here
URL:https://squeaky.org/event/intro-to-photoshop/
LOCATION:NY
CATEGORIES:Education,Virtual
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DTSTART;TZID=America/New_York:20200525T180000
DTEND;TZID=America/New_York:20200525T200000
DTSTAMP:20260505T112404
CREATED:20251230T191331Z
LAST-MODIFIED:20251230T191331Z
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SUMMARY:Virtual Workshop: Podcasting from Home
DESCRIPTION:Podcasting from Home \nMay 25 \n6 pm–8 pm \nMay 29 *Tech Meetup \n  \nCost: $50 | Members $45 \nNow is the time to record and produce that podcast you have always wanted to make! Join us in this DIY virtual workshop that will give you all the tips and tricks to get you started on your audio odyssey.  \n*Each of our Virtual Media Arts Workshops will have an additional hour of tech meetup on the Friday of the week the class runs. The time of the meetup will be determined by the instructor and participants at the end of the session.  \n  \nRegister here
URL:https://squeaky.org/event/podcasting-from-home/
LOCATION:2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Education,Virtual
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DTSTART;TZID=America/New_York:20200501T180000
DTEND;TZID=America/New_York:20200801T200000
DTSTAMP:20260505T112404
CREATED:20251230T191331Z
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SUMMARY:Virtual Exhibition: SIMULATION
DESCRIPTION:May 1st – August 1st\, 2020 \nSIMULATION is a virtual exhibition created and designed by Saturday Cafe that explores the feelings of uncertainty\, changing perceptions of time\, and increased digital interactions since the beginning of social distancing measures to prevent the spread of COVID-19. The exhibition consists of generated “gifalage’s” (.gif + collage) created by Cafe members using various software and sourced imagery. The process utilizes accessible technologies that allow the members to adapt and create media arts having low access to digital processes. The exhibition reflects on how our students are adapting to virtual learning\, collaboration\, socializing\, and the unfamiliar and surreal nature of their daily lives during this time. \nSaturday Cafe is an experimental advanced track youth media education project\, that provides students with artistic mentorship\, professional development and learning opportunities. \nClick to Image to enter the gallery. \n \nFAQ’s for joining our virtual gallery \nWe are hosting our virtual gallery in Mozilla’s Hub rooms\, please watch the video below for a full set of instructions for entering. \n-The Gallery will be viewable on any browser. \n-Click on the linked image above and you will be taken to a page where you will see the gallery\, this is known as the “lobby” \n-Click “enter room” and you will be prompted to create an avatar. One will be generated for you and you can just accept or have some fun making your own. \n-Once you have created your avatar\, click in the text box directly above to add your name\, and accept. User Setting FAQ can be found here \n-Click “enter room” and you will be prompted to allow permissions to your device’s camera and microphone. \nAfter you have entered the space you will be placed at one of many “spawn points” throughout the space. \n-To move use the directional keys of W (forward) A (Left) D (Right) and S (Backwards) \n-Simply use these keys and your cursor to point and click in the directions you want to move. Full “Controls” FAQ for desktop and mobile can be found here \n–Full Hub Room FAQ can be found here \n \n \n  \n  \n  \n  \nImage: Raymarri Hugh\, SIMULATION (2020) \n\nAbout Saturday Cafe \nSaturday Cafe is an experimental advanced track youth media education project\, that provides students with artistic mentorship\, professional development and customized learning opportunities. \nAbout the Artists: \n \nJolie Criscione is a multi-disciplinary media artist and humorist interested in social justice. Her satirical and meticulously crafted work often utilizes puns. Showcasing a sensitive approach to internet culture\, Criscione’s works display a subtle beauty and humor. \n \nMatthew Dearmyer is a hopeless multimedia “illustrator” with too much time and zero motivation to pick up a pencil\, Matthew is a relentless believer in representation for all. Through digital and traditional storytelling and experimentation\, he finds a pedestal for himself. He’s most inspired by pop culture and music you don’t hear on the radio. He isn’t hesitant to explore dark topics and push the comfort zone of his viewers. \n \nZaire Goodman is a fantasy writer and media artist. Goodman’s work utilizes gaming and anime stories to investigate the real world. His work has been included in numerous screenings and exhibitions across the country. \n \nRaymarri Hugh is a video maker and young media educator. He is known for his inventiveness and systematic method of creating work and is a consummate perfectionist and collaborator. His work is driven by compassion for and curiosity of spaces of injustice. \n \nFiona Rigney is a polymath moonlighting as an illustrator\, animator\, and experimental filmmaker. Her work ranges from the absurd to the deeply thoughtful all while maintaining a high degree of aesthetic prowess. Her pursuits are limited only by imagination. The central focus of her work revolves around the beauty in humor and digital social spaces from the past and present. \n \nBreanna Roberts is an experimental filmmaker and motion graphic artist. Her works focus on the impacts of governmental policies on underrepresented communities. Roberts’ videos have been exhibited and screened in numerous festivals around the country\, with her recent work\, Flint II (2019) being included in the Albright Knox Future Curators 2019 exhibition. \n \nDominique Scruggs is an experimental media maker and artist. Her work addresses intimate loss and structures of power. She is interested in playfully destroying elements to create new ones. The textures in her work often communicate their emotions. Scruggs’ work has been screened nationally at numerous film festivals. \n  \nMember illustrations: Matthew Dearmyer \n  \nSqueaky Wheel Educational Programming is made possible in part by the generous support of the Wendy Pierce Simple Gifts Fund\, Adobe’s TakingITGlobal Equity and Access\, M&T Charitable Foundation\, First Niagara Foundation\, Josephine Goodyear Foundation\, Cameron & Jane Baird Foundation\, Children’s Foundation of Erie County\, Marks Family Foundation\, Margaret L. Wendt Foundation\, Best Buy Foundation\, Erie County Cultural Funding\, City of Buffalo\, National Endowment for the Arts\, and New York State Council on the Arts.
URL:https://squeaky.org/event/virtual-exhibition-simulation/
LOCATION:NY
CATEGORIES:Exhibition,Virtual
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200424T190000
DTEND;TZID=America/New_York:20200501T210000
DTSTAMP:20260505T112404
CREATED:20251230T191332Z
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SUMMARY:Sindhu Thirumalaisamy’s The Lake and The Lake
DESCRIPTION:Online Screening | Friday\, April 24\, 7 pm\nFree or suggested donation. Registration required.\nClick here to register \nClick here to view the post-screening Google Docs Q&A with Sindhu Thirumalaisamy \nSindhu Thirumalaisamy’s 2019 film ಕೆರೆ ಮತ್ತು ಕೆರೆ (The Lake and The Lake)  dwells in the peripheries of a polluted lake in Bangalore\, “India’s Silicon Valley”\, where the act of observation is interrupted by flying foam\, noxious gases\, daydreams\, and questions from passers-by. Despite its spectacular toxicity\, the lake remains a valuable resource and refuge for counter-publics. The Lake and The Lake will be preceded by Thirumalaisamy’s short film Different Colourful Designs (2016) on state-sponsored murals in Bangalore. We are excited to host filmmaker Sindhu Thirumalaisamy\, who will be present for an introduction and Q&A. \nDifferent Colourful Designs\, 15 mins\, SD video\, 2011–2016\nDescribed as “a beautification exercise”\, the Bangalore Beautification Project is a city-sponsored effort to prevent posters and advertisements from being pasted on public walls. In 2009 the Bangalore Bruhat Mahanagra Palike (BBMP) hired sign-painters to produce a number of prescribed murals on public walls across the city. Familiar symbols of myths\, heroes and nature—cursory tales of national identity and pride—were chosen to greet Bangalore’s residents and guests. But there are several gaps between instruction and realization in this beautification exercise. The resulting images complicate the official narratives that they try to portray. Fantastical images\, fearful images\, duplicitous images\, and incomplete images all stand together in trying to keep the walls clean. Different Colourful Designs takes a closer look at these images and the city that etches over them. Footage was shot over several years\, adding to the film over the years\, observing the decay of these murals. It was completed at a time when the BBMP voiced intent to repaint the walls in the spirit of Swachh Bharat. \nಕೆರೆ ಮತ್ತು ಕೆರೆ (The Lake and The Lake)
\, 38 mins\, HD video\, India/USA\, 2019\nThe Lake and The Lake dwells in the peripheries of a polluted lake in Bangalore\, “India’s Silicon Valley”\, where the act of observation is interrupted by flying foam\, noxious gases\, daydreams\, and questions from passers-by. Despite its spectacular toxicity\, the lake remains a valuable resource and refuge for counter-publics. Standing alongside fishing communities\, migrant waste workers\, private security guards\, street dogs\, and children\, it is evident that there is no nature that doesn’t also include all of us. Hindi\, Tamil\, Kannada\, English\, and Bangla\, are spoken and sung in the film amidst a chorus of non-human sounds. \nBiography\nSindhu Thirumalaisamy is an artist working across video\, sound\, text\, and installation. Sindhu holds an MFA in visual art from the University of California\, San Diego\, is a participant of the Whitney Independent Study program\, an almunus of the Skowhegan School of Painting and Sculpture\, the Robert Flaherty Film Seminar\, and the SOMA Summer program. Sindhu’s work has been exhibited at The Museum of Contemporary Art San Diego\, San Diego Museum of Art\, Current:LA Public Art Triennial\, Montreal International Documentary Festival (RIDM)\, Artists’ Television Access\, Los Angeles Asian Pacific Film Festival\, Edinburgh Festival of Art\, Flux Factory\, Kunsthaus Langenthal\, Khoj International Artists’ Association\, International Documentary and Short Film Festival of Kerala\, and Dharamshala International Film Festival. \nImage: Sindhu Thirumalaisamy\, The Lake and The Lake (2019). Co-presented with PLASMA at the Department of Media Study\, SUNY University at Buffalo.
URL:https://squeaky.org/event/sindhu-thirumalaisamys-the-lake-and-the-lake/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Screenings,Virtual
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DTSTART;TZID=America/New_York:20200415T200000
DTEND;TZID=America/New_York:20200415T220000
DTSTAMP:20260505T112404
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SUMMARY:Tiara Roxanne's I cannot decolonize my body
DESCRIPTION:Online Screening & Artist Talk | Wednesday\, April 15\, 8 pm\nFree or suggested donation\nClick here to get your tickets\nTo help keep our communities safe and healthy and reduce the spread of COVID-19 this event has moved online. Live Introduction and presentations by the artist begin at 7:10 pm. You will receive an email with information on how to view the event live. Roxanne’s film will be available to view through April 22\, 2020\, 6:59 pm. \nA short film that serves to highlight the disvowal and silencing Indigenous peoples encounter historically\, presently and futuristically in social\, political and technological paradigms\, I cannot decolonize my body\, was made as an incantation for recovery and transformation. The short film is accompanied by a new text by the Berlin-based cyberfeminist\, scholar and artist titled Data Colonialism: Decolonial Gestures of Storytelling. Following the short film\, the artist will be in conversation with writer and curator Nora Khan on her work with the audience invited to participate in the Q&A. \nBiographies\nDr. Tiara Roxanne is an Indigenous cyberfeminist\, scholar and artist based in Berlin. Her research and artistic practice investigates the encounter between the Indigenous Body and AI. More particularly\, she explores the colonial structure embedded within artificial intelligence learning systems in her writing and her performance art through textile. Currently her work is mediated through the color red. She received the Zora Neale Hurston Award from Naropa University in 2013 where she graduated from with her MFA. Under the supervision of Catherine Malabou\, Tiara completed her dissertation\, “Recovering Indigeneity: Territorial Dehiscence and Digital Immanence” in June 2019. Tiara has presented her work at SOAS (London)\, SLU (Madrid)\, Transmediale (Berlin)\, Duke University (NC)\, re:publica (Berlin)\, Tech Open Air (Berlin)\, AMOQA (Athens)\, among others. She is currently a Researcher at DeZIM-Institut in Berlin\, Germany. \nNora N. Khan is a writer of criticism. Her research practice extends to a large range of artistic collaborations\, from librettos to a tiny house. She is a critic on the faculty at Rhode Island School of Design\, in Digital + Media\, teaching critical theory\, artistic research\, writing for artists and designers\, and technological criticism. She has two short books: Seeing\, Naming\, Knowing (The Brooklyn Rail\, 2019)\, on machine vision\, and with Steven Warwick\, Fear Indexing the X-Files (Primary Information\, 2017). Forthcoming this year is The Artificial and the Real through Art Metropole. She is a longtime editor at Rhizome and publishes in Art in America\, Flash Art\, Mousse\, and California Sunday. She has written commissioned essays for exhibitions at Serpentine Galleries\, Chisenhale\, the Venice Biennale\, Centre Pompidou\, Swiss Institute\, and Kunstverein in Hamburg. This year\, as The Shed’s first guest curator\, she organized the exhibition Manual Override\, featuring Sondra Perry\, Simon Fujiwara\, Morehshin Allahyari\, Lynn Hershman Leeson\, Martine Syms. Her writing has been supported by a Critical Writing Grant given through the Visual Arts Foundation and the Crossed Purposes Foundation (2018)\, an Eyebeam Research Residency (2017)\, and a Thoma Foundation 2016 Arts Writing Award in Digital Art. \nThis event is co-presented with Trinity Square Video\, Images Festival\, and PLASMA at the Department of Media Study\, SUNY University at Buffalo. \nImage courtesy of Tiara Roxanne\, by Charlotte de Bekker.
URL:https://squeaky.org/event/tiara-roxannes-red-contd/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Screenings,Virtual
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DTSTART;TZID=America/New_York:20200325T190000
DTEND;TZID=America/New_York:20200325T210000
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SUMMARY:Miko Revereza’s No Data Plan
DESCRIPTION:Online Screening | Wednesday\, March 25\, 7 pm\nLive Q&A at 8:30 pm.\nFree or suggested donation. Click here to get tickets.\nA private link will be sent to your email account upon registration.\n \nClick here to view the introduction to the film by curator Ekrem Serdar and Justice for Migrant Families’ Anna Porter \nClick here to view the post-screening Google Docs Q&A with Miko Revereza \nMiko Revereza’s acclaimed feature documentary No Data Plan features a narrator rehashing details about his mother’s affair as he crosses America by train. “Mama has two phone numbers. We do not talk about immigration on her Obama phone. For that we use the other number with no data plan.” Taking place entirely within a three day trip upon a train—including a tense stop near Buffalo—Revereza’s film evokes images and thoughts from far away\, illustrating an undocumented subjectivity\, a site of precarious movement\, migration\, and fugitivism in the United States. \nThis screening is co-presented with Justice for Migrant Families. JFMF is a 501(c)(3) nonprofit agency that promotes justice for migrant families by providing support to individuals in the federal detention facility in Batavia\, information and resources to families in the community\, and advocacy both within and beyond the local community.\nJFMF is currently seeking donations to allow detainees in the Batavia Detention Center to make phone calls to their loved ones as all visitations have been cancelled due to COVID-19. Find out about JFMF current activities on their Facebook page and donate to them here. \nBiography of the filmmaker\nMiko Revereza (b.1988 Manila\, Philippines) is an experimental filmmaker and undocumented immigrant. Since relocating from Manila as a child\, he has lived illegally in the United States for over 25 years. This life long struggle with documentation\, assimilation and statelessness informs his films\, DROGA! (2014)\, DISINTEGRATION 93-96 (2017) and his debut feature\, No data plan (2018). Miko’s films have been widely screened and exhibited internationally at festivals such as\, International Film Festival Rotterdam\, Yamagata International Documentary Film Festival\, International Short Film Festival Oberhausen\, True/False Film Festival\, Images Festival\, and Berwick Film & Media Arts Festival. DISINTEGRATION 93-96 was featured and streamed on MUBI.com. He is listed as Filmmaker Magazine’s 2018 25 New Faces of Independent Cinema. \n\nImage: Miko Revereza\, No Data Plan\, 70 minutes\, digital video\, 2019. Courtesy of Sentient Art Film.
URL:https://squeaky.org/event/miko-reverezas-no-data-plan/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Screenings,Virtual
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