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SUMMARY:Video Production: DIY Effects
DESCRIPTION:Tech Arts for Girls\nFall 2026\nSaturdays\, October 3-24 (4 weeks)\n10am – 1pm\nSliding scale fee: $0-$120 (No one turned away for lack of funds)\n  \nTAG is for girls+ (including nonbinary and trans students) in grades 6-9. \nJoin us to learn video production\, and how to make your own DIY props and effects from ordinary materials like cardboard. From lighting to camera to sound\, you’ll gain hands on experience with professional equipment. Then you’ll edit your work into an experimental short film! \n  \nWe have developed a sliding scale fee system to ensure that the class is still affordable for everyone\, so please choose the ticket that fits your budget (including $0). Let us know if you have any questions! \nTicket options for each four-week session are:\n$0\n$30 ($7.50 per week)\n$60 ($15 per week) \n$90 ($22.50 per week) \n$120 ($30 per week) \n  \nScroll down to “get tickets” to register. \nTech Arts for Girls has received generous support from the New York State Council on the Arts\, Children’s Foundation of Erie County\, and Cameron and Jane Baird Foundation.
URL:https://squeaky.org/event/video-production-diy-effects/
LOCATION:NY
CATEGORIES:Tech Arts for Girls,Youth Program
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SUMMARY:Digital Art and Technology Access
DESCRIPTION:DATA is a media arts and technology program designed for neurodivergent individuals ages 13-19. A series of year-round workshops builds creative and social skills. Students learn a range of media-based practices like illustration\, animation\, and game design to support individual and collaborative projects. We value long term relationships with students\, families\, and teachers.\nIn DATA we provide a minimum 4:1 student-to-instructor ratio\, noise-canceling headphones\, snacks\, and a separate sensory-friendly space outside the classroom for breaks. Most participants have Autism Spectrum Disorder and related diagnoses\, but a formal diagnosis isn’t required for participation. If you aren’t sure if your teen is a fit for DATA\, please reach out and we can help. Our patient and passionate instructors have extensive experience working with neurodivergent teens\, and all have relevant combined training and/or degrees in fields like fine art\, special education and social work. \nDATA is tuition free and space is limited. Fall session application is open now.\n\nOctober 3-December 12\n(10 classes\, no class Nov 28)\nSaturdays\n10am-1pm\nat Squeaky Wheel\n  \nThis fall we are thrilled to welcome back Teaching Artist Jake Reber. We will use a range of digital tools for drawing\, animation\, and game design. Students will have the option of incorporating projects they are already working on\, or starting with fresh ideas.  \nScroll down to “tickets” to complete the simple application form.  Please note that this is an application that must be reviewed\, not a first-come first-serve registration. \nIf this is your first time applying to DATA\, you’ll hear from Caroline\, our Education Director\, to schedule a phone call or meeting to discuss the program in greater detail\, and to ensure that we are a good fit for each other. From there\, the Education team will review all approved applicants and fill any open spots. Preference is given to returning students\, those already on the waitlist\, and new applicants with the strongest interest. Anyone we aren’t able to invite to the fall session will be automatically added to the waitlist for future sessions. \nWhile we welcome all skill levels\, DATA is usually the best fit for students who can confidently work independently and who already know they have a strong interest in computer-based digital arts. We unfortunately aren’t able to support individuals with high one-on-one needs. \nQuestions? Please email caroline@squeaky.org\, or call 716-884-7172. \n\n  \nDATA is generously supported by The Children’s Guild Foundation\, The Peter and Elizabeth C. Tower Foundation and the Golisano Foundation\, with nutrition support from Wegmans. Thank you!! \n  \n 
URL:https://squeaky.org/event/digital-art-and-technology-access-2/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:DATA,Education,Free,Youth Program
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SUMMARY:Youth Film Lab
DESCRIPTION:Youth Film Lab\nOctober 6-November 24\nTuesdays & Thursdays\n4-6pm\n8 weeks\ngrades 8-12\n  \nSqueaky Wheel’s Youth Film Lab is an intensive and fun filmmaking program for teens in grades 8-12. Located at Squeaky Wheel\, in the TriMain Center\, 2495 Main St. Suite 310\, in Buffalo. Join us to collaborate on every aspect of the filmmaking process – scriptwriting\, storyboarding\, acting\, camera\, lighting\, sound\, editing\, and special effects. You’ll work with professional equipment and software\, highly experienced instructors\, and amazing guest artists. You’ll take field trips to local film sets and production studios. You’ll have the opportunity to submit your films to film festivals\, and you’ll build skills that will prepare you prepare for college and for jobs in the film and television industry. \nQuestions? email caroline@squeaky.org or call 716-884-7172 \n  \nSliding scale fee:  $0 – $240 \nIn order to keep this program accessible to everyone\, we have implemented a sliding scale fee. \n \nPlease choose the ticket price that fits your budget\, including $0. \nIf you would like to contribute an amount that isn’t listed\, please register for the $0 ticket and email caroline@squeaky.org for instructions. \nNo one will be turned away for lack of funds. \n  \nYFL is supported in part by the Josephine Goodyear Foundation and the Community Foundation of Greater Buffalo.
URL:https://squeaky.org/event/youth-film-lab-3/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Education,Youth Program
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SUMMARY:A/V Club October
DESCRIPTION:Wednesday\, October 21\, 6:30-8:30pm\nFree\, sign up below\nWe’ve added preceding Saturdays as A/V Studio days where members are encouraged to convene and work on projects in our lab to present for the meetup. Future dates will be: \n  \nSaturday\, October 17\, 2-5pm A/V Studio \nWednesday\, October 21\, 6:30-8:30pm A/V Club Meetup \nSaturday\, November 14\, 2-5pm A/V Studio \nWednesday\, November 18\, 6:30-8:30pm A/V Club Meetup \nSaturday\, December 5\, 2-5pm A/V Studio \nWednesday\, December 9\, 6:30-8:30pm A/V Club Meetup \n  \nJoin us for the next round of Squeaky’s A/V Club\, a monthly meetup for digital artists\, media artists\, sound artists\, video artists\, filmmakers\, animators\, game designers\, etc etc.  Come share works in progress\, talk skills and experiences\, and embrace the challenges of making media work in an informal\, constructive and exploratory environment. New members are always welcome and appreciated- we want to see your work! \n  \nHave a skill you want to share with the group? We’re looking for ways to share the little tidbits of wisdom we’ve picked up along the way from the various working methods we’ve employed while toiling in the studio. If you’ve found an interesting art hack\, have a passion for technical skill\, or find yourself knowledgeable in a topic you think might be good to pass along to fellow artists\, fill out this form and let us know! We’d like to include informal skill sharing as part of the A/V Club structure in the future. \n  \nNote: This is an interdisciplinary group\, so if you’re only interested in talking about a single art form\, then this might not be the right group for you. If you’re interested in sharing\, learning\, exploring\, and experimenting across forms\, genres\, styles\, processes\, and mediums\, then you’ll be right at home! \n 
URL:https://squeaky.org/event/a-v-club-october/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Open Call,Skill Share
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SUMMARY:Comics & Illustration
DESCRIPTION:Tech Arts for Girls\nFall 2026\nSaturdays\, October 31-November 21(4 weeks)\n10am – 1pm\nSliding scale fee: $0-$120 (No one turned away for lack of funds)\n  \nTAG is for girls+ (including nonbinary and trans students) in grades 6-9. \nJoin the incredible Mikayla Kempski once again to draw comics and zines and more! You’ll learn to use Krita\, an amazing free\, open source digital drawing and painting program. You’ll also learn to draw with a pressure sensitive pen and drawing tablet for amazing detail and control – just like the pros! \n  \nWe have developed a sliding scale fee system to ensure that the class is still affordable for everyone\, so please choose the ticket that fits your budget (including $0). Let us know if you have any questions! \nTicket options for each four-week session are:\n$0\n$30 ($7.50 per week)\n$60 ($15 per week) \n$90 ($22.50 per week) \n$120 ($30 per week) \n  \nScroll down to “get tickets” to register. \nTech Arts for Girls has received generous support from the New York State Council on the Arts\, Children’s Foundation of Erie County\, and Cameron and Jane Baird Foundation.
URL:https://squeaky.org/event/comics-illustration-2/
LOCATION:NY
CATEGORIES:Tech Arts for Girls,Youth Program
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DTSTART;TZID=America/New_York:20261204T190000
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SUMMARY:Squeaky Wheel's 23rd Animation Fest!
DESCRIPTION:Friday\, December 4\, 7 pm ET\nIn-person at the Buffalo AKG Art Museum and online\nIn-person is free as part of M&T First Fridays.\nOnline is free or $10 suggested donation\nSqueaky Wheel is excited to present the 23rd annual Animation Fest! With 11 short animated films from filmmakers and artists from Buffalo and beyond\, this year’s edition features work by: \nanivides (Cristal Buemi and Franci Duran)\, Heidi Stavrevski\, Lysander Wong\, Mahda Purmehdi\, Martha Griffith\, Natalia Ryss\, Sanam Sheriff and Sonali Gulati\, Scarlet Thibodeau\, Suzanne L. Schulz\, Tony Nash\, and Wendy Cong Zhao \nTo attend in-person: The screening will take place at 7:00 pm at the Buffalo AKG Art Museum’s auditorium. Just show up! \nTo attend online: Get your ticket below! Upon check-out\, you will receive an email titled “Your Squeaky Wheel Film & Media Art Center order has been received!”. A private link will be included in that email; the event will be available at the link at the start date and time. You will have access to the event for 24 hours; Squeaky Wheel members receive 72 hour access. Not a member yet? Sign up here. \nThis year’s Animation Fest was curated by Carra Stratton\, Mark Longolucco\, Donte McFadden\, Dorothea Braemer\, and Kalmia Strong. \n  \nThank you to our generous sponsors: Daemen University\, Buffalo Spree\, Tri-Main Center\, Council Member Joel Feroleto\, West Herr\, Harlequin Pet Services\, Rich’s\, Rigidized Metals Corporation\, Hodgson Russ\, Stephens & Stephens\, Rose Jade Consulting\, Marketing Tech\, Evolve Fitness\, Jody LaFond\, Media Production at Buffalo State\, Lumpy Buttons\, Larkin Development Group\, eco_LOGIC studio\, Buffalo Toronto Public Media\, Anderson’s Frozen Custard\, and the University at Buffalo Department of Art! \nAnd to our generous host: Buffalo AKG Art Museum \n \n            Program                        \nDuration: Approximately 55 minutes. Content notes: Light flicker in the first and last film (diario de verano and Machine’s Dream)\, body dysmorphia\, mourning the death of a loved one. \nanivides\, diario de verano\n3:39 min\, 16mm and 35mm on digital video\, sound\, 2025\ndiario de verano is an exploration of neighborhood flora in Tkaronto\, focusing on Kensington Market\, Parkdale and Wallace – Emmerson\, areas we live and move through. Experimentation with abstract movement and the physical\, compositional properties of foraged materials\, strengthened our community/kinship to the land and each other. Artistic practices were explored and shared through gathering rituals\, stop motion animation and phytograms\, creating complex layers of ourselves intertwined through our latinx identities in this short film. \nMahda Purmehdi\, Noli me tangere\n4:29 min\, digital video\, silent\, 2025\nAn excavational inquiry through photographs\, touch\, and looking at times and places far from here and now\, animating and conjuring a link between past and present. My film poses questions about distance\, visual and physical accessibility\, and what these limitations and shortcomings say about subjugation of bodies\, history\, and images. Using the vertical perspective of a downshooter\, I operate a visual excavation to form a correlation between personal history and wider political history of my home country Iran. Currently based in the United States\, I cannot travel outside the country without losing the right to re-enter due to my travel limitations based on my nationality. Returning to Iran means losing the right of leaving the country\, forcing me into a state of involuntary immobility. I work with limited secondhand modes of visual access such as satellite imagery\, Google Maps street view\, historic photographs gleaned from the internet\, and my own personal digital archive of family photographs. Through printing\, these images become somewhat tangible objects—my only way of interacting with places and beings in distance to create a moving image of a place I can no longer encounter with my own body and camera. This silent piece moves and digs through a vertical perspective\, as if on an archeological site\, trying to uncover or draw connections by examining how these images lead to one another. This process of making meaning is one of overlaps\, displacement/replacement\, and jagged movement—pondering the glitches and inefficacies of digital images at our disposal and the political and psychological ramifications of exilic existence\, distance\, and living with ghosts. \nMartha Griffith\, Menders \n3:58 min\, digital video\, sound\, 2025 \nWhat story do the marks of time tell? Menders is a three-minute animation following a female art conservator restoring Velázquez’s Rokeby Venus. Using creative methods that reveal imperfections and embrace fragmentation\, she navigates the tension between a polished ideal and an unvarnished history. As she reflects on both the artwork’s past and her own identity\, she asks: Can the beauty of art be found in its scars? This film invites viewers to see restoration as a dynamic process of making\, unmaking\, and remaking. \nLysander Wong\, Foreign Bodies \n3:30 min\, digital video\, sound\, 2025 \nA simple itch descends into an outbreak with many legs. Certain things will always find their way to the surface. An exploration into the horror of having a body\, of unbelonging. The film aims to capture the sense of dissociation between the physical being and the mind\, drawing from my trans experience. Content Warning: Body horror. \nSonali Gulati and Sanam Sheriff\, Our Body Ours \n7:40 min\, embroidery on fabric\, hand-drawings on paper\, stop-motion\, rotoscoping\, digital 2-d animation\, and 16mm film on digital video\, sound\, 2026\nOur Bodies Ours is a short poetic animated film that explores the nuance and beauty of trans becoming from a diasporic lens. Leaning on the music of lyric\, it reframes gender affirming care as intricate\, intimate\, and meandering act. What does it take to stitch our bodies into their true and ever-changing shapes; to migrate between who we are and who we may become? \nHeidi Stavrevski\, Gleemond \n1:35 min\, digital video\, sound\, 2026\nBased on the two-page comic I created for the RICE 2026 Anthology\, the animation of Gleemond tells the story of Gloria\, a little girl with big dreams of becoming an astronaut. One night\, as she listens to the radio while getting ready for bed\, the broadcaster recaps the day’s latest discovery of water on Earth’s moon\, and how there is a potential for life beyond our planet. Bursting with excitement and wonder\, she is tucked into bed by her mom\, and begins to drift off to sleep. This transitions to Gloria dreaming of her own breakthrough discovery: Glowing moon fish\, swirling around Earth’s moon\, providing its signature glow. But Gloria doesn’t stop there. She continues to soar in-and-around our solar system\, discovering more exciting creatures along the way. The animation closes with a panned-out view of Gloria’s dream sequence\, revealing the happy moon. This ending scene directly ties into the title\, as Gleemond is a combination of the English word for joy (glee) and the German word for moon (Mond). Inspiration for this project draws from the support my parents gave me to pursue my dreams of becoming an artist\, while also reflecting on childhood nostalgia. My goal was to create a visual experience on several different levels\, achieved via a printed comic\, and an animation set to an original song\, complete with custom foley. Overall\, my hope is that this story encourages viewers to engage with their imaginations\, and to dream beyond the stars. \nScarlet Thibodeau\, Jeff and the Moon Have Tea \n1:01 min\, digital video\, sound\, 2025\nA man named Jeff is having a tea party with the moon but has an unusual and dramatic reaction to the tea. \nTony Nash\, Dumpster Fire\n2:44 min\, digital video\, sound\, 2026\nA short story about a small fire. \nSuzanne L. Schulz\, The I Need More Time Machine \n10:38\, digital video\, sound\, 2026\nThe I Need More Time Machine is a short experimental documentary that incorporates animation and imagines alternatives to gendered overwork and exhaustion. The film weaves together the interviews of twelve female and nonbinary artists who are caretakers and full-time workers. From the vantage point of commuting\, the film dwells in spaces of fatigue and repetition and then draws on forgotten feminist and utopian housing blueprints to create science fiction-inspired\, fantasy-imbued sites for gendered flourishing. \nWendy Cong Zhao\, A Grieving Heart \n12:18 min\, digital video\, sound\, 2025\nA Grieving Heart is an animated short film about an immigrant woman examining her past in the wake of her American ex-boyfriend’s death. \nNatalia Ryss\, Machine’s Dream \n4:18 min\, digital video\, sound\, 2025\nA robot that wanted to have dreams. \n                        Biographies of the filmmakers                        \nanivides is the interweaving experimental works of multidisciplinary artists Cristal Buemi and Francisca Duran focusing on analog and digital frame-by-frame approaches to showcase their abstract\, study and practices. Exploring the idea of weight on our structures due to environments\, experiences and their direct relations to trauma\, healing and transformation. With a focus on collages of bodily works both in human and plant forms from a diasporic immigrant\, bipoc\, femme\, queer and intergenerational perspective. anivides’ recent film diario de verano has screened at Playhouse Cinema and will show at Dawson City Film Fest and Les Sommet Du Cinema D’animation this spring. \nHeidi Stavrevski is a multidisciplinary artist and graphic designer based in Buffalo\, NY. With her inspiration deeply rooted in nature\, she creates vibrant\, whimsical work that is both sincere and silly. Some of her most notable works include stories such as Traffic Wizard\, and Gleemond. \nLysander Wong is an award-winning animation director working predominantly in paper cutout\, mixed media\, and other stop-motion techniques\, aiming to connect the visual and physical to evoke a sense of tangibility and fragility. His films often investigate the ways we see\, navigate\, and inhabit the world\, exploring identity and body through a queer and trans perspective. \nMahda Purmehdi (b. 1994\, Tehran\, Iran) is an experimental filmmaker\, writer\, and educator. He works across the mediums of 16mm\, Super 8\, and digital video\, often integrating original images\, words\, and sounds with reconfigured literary and audio-visual material. At the heart of his filmmaking practice are questions of modes of film production and the political implications of image-making. His films are characterized as visually tactile and handmade evocations\, colliding archive and memory\, visible and invisible\, the living and ghosts\, history (especially film history) and the forgotten. Mahda is pursuing a practice-based PhD as a Presidential Fellow with the Department of Media Study at the University at Buffalo. He holds a BFA in Film from Tehran University of Art and an MFA in Film from the University of Colorado Boulder. \nMartha Griffith was born in Toronto\, and studied Film Animation in Montreal at Concordia University. Martha currently works with a variety of materials\, including: sculpture\, mixed media and film animation. Her work has been supported by the National film Board of Canada\, the Ontario Arts Council\, and the Canada Council for the Arts. \nNatalia Ryss: Creator of animated and experimental shorts. Works as an independent filmmaker and in collaboration with different producers. Prefers non-conventional narration\, expressive editing and mixing of art-styles. Participant and awardee of numerous festivals. Was born in Rostov-on-Don. Graduated from Art College and VGIK. Since 2015 lives in Israel. \nSonali Gulati is a desi independent filmmaker\, a feminist\, a queer rights activist\, and an educator. They teach film at Virginia Commonwealth University’s School of the Arts. They have an MFA in Film & Media Arts from Temple University and a BA in Critical Social Thought from Mount Holyoke College. Gulati grew up in New Delhi and has made several films that have screened at over five hundred film festivals worldwide. Gulati is a Guggenheim Fellow and has received support from the Creative Capital Foundation\, VMFA\, CAAM\, and several other foundations. \nSanam Sheriff is a queer poet\, performer\, and educator from Bangalore\, India. Their debut poetry collection HUM ہم won the Backwaters Press Poetry Prize and will be published by the University of Nebraska Press in October\, 2026. Sanam’s work has appeared in POETRY\, the Academy of American Poets Poem-a-Day\, Indiana Review\, The Rumpus\, Virginia Quarterly Review\, The Offing\, The Adroit Journal\, Outlook India\, and elsewhere. Sanam holds an MFA from Washington University in St. Louis. From 2022-2025\, they served as a Visiting Assistant Professor of Creative Writing at Bryn Mawr College. Sanam lives in Philadelphia\, where they curate The Poets’ Studio at Twelve Gates Arts. \nScarlet Thibodeau is an animator and illustrator based in Massachusetts. She studied at Greenfield Community College\, completing her general studies and later transferred to the University of Massachusetts Amherst\, graduating with a Bachelor of Fine Arts in Animation. Working primarily digitally\, she gravitates toward cheerful color palettes and humorous stories in her animations and illustrations. \nSuzanne L. Schulz’s videos and essays deal with practices of everyday life\, hidden histories of place\, solidarities across difference\, and gendered labor. Her art is informed by her current work as an educator at Bard Queens and her former life as a scholar\, which taught her to grasp new languages\, to comb archives\, and to read closely. A Culture Push Fellowship for Utopian Practice supported this project. \nTony Nash: I was born in Buffalo and worked in different kitchens for about 30 years cooking food for people. \nWendy Cong Zhao: I am an artist based in Brooklyn\, New York. I have been working and teaching in the independent animation field since 2011. I received my BFA in Painting and BS in Film Production from Boston University. I then moved to New York to edit and produce for independent animators Signe Baumane and Bill Plympton. I went back to school in 2018 and completed my MFA at Hunter College’s Integrated Media Arts program. My thesis film “A Grieving Heart” premiered at the Woodstock Film Festival in 2025. \n  \n             \nBanner image: A still from Scarlet Thibodeau’s Jeff and the Moon Have Tea. A frame from a stop-motion animation of two characters sitting across from each other with a table and tea set between them. The first character is a large blue moon and the second one is blue man with a square head and large eyes.\n 
URL:https://squeaky.org/event/squeaky-wheels-23rd-animation-fest/
LOCATION:Buffalo AKG Art Museum\, 1285 Elmwood Avenue\, Buffalo\, NY\, 14222\, United States
CATEGORIES:Animation Fest,Hybrid,Screenings
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