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DTSTART;TZID=America/New_York:20180723T090000
DTEND;TZID=America/New_York:20180727T120000
DTSTAMP:20260421T173921
CREATED:20251230T191146Z
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SUMMARY:Character Animator
DESCRIPTION:THIS CLASS IS FULL PLEASE SEE OTHER OFFERINGS OR CONTACT Martina@Squeaky.org\nCharacter Animator\nJuly 23rd – 27th\n9am – 12pm\nInstructor: Mizin Shin \nGet a first-hand look at Adobe’s emerging animation system\, Character Animator. Students will learn this new rigging animation application to create and develop their very own digital characters. \nMembers $160 I Non-Members $200 \nWhile our website is under construction please make payment for the workshop by calling 716-884-7172 or email kevin@squeaky.org \n\n \n  \nA limited number of partial scholarships are available. Contact kevin@squeaky.org for details.  \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. Contact kevin@squeaky.org for additional questions
URL:https://squeaky.org/event/character-animator-2/
LOCATION:NY
CATEGORIES:Tech Arts for Youth
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180716T130000
DTEND;TZID=America/New_York:20180720T160000
DTSTAMP:20260421T173921
CREATED:20251230T191147Z
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SUMMARY:Design & Play
DESCRIPTION:Design & Play\nJuly 16th – 20th\n1pm – 4pm\nInstructor: Mizin Shin \nThis workshop explores the art of design through technology and how it helps shapes our social landscape. Students will learn Adobe Illustrator and Photoshop while engaging with collaborative and individual projects that promote expression through visual language. \nMembers $160 I Non-Members $200 \nWhile our website is under construction please make payment for the workshop by calling 716-884-7172 or email kevin@squeaky.org \n[slideshow_deploy id=’5563′]\n\n \n\nA limited number of partial scholarships are available. Contact kevin@squeaky.org for details.  \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. Contact kevin@squeaky.org for additional questions \n 
URL:https://squeaky.org/event/design-play/
LOCATION:NY
CATEGORIES:Tech Arts for Youth
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180716T090000
DTEND;TZID=America/New_York:20180720T120000
DTSTAMP:20260421T173921
CREATED:20251230T191206Z
LAST-MODIFIED:20251230T191206Z
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SUMMARY:Stop-Frame Animation
DESCRIPTION:  \n  \nStop-Frame Animation\nJuly 16 –  20\n9 am – 12 pm\nInstructor: Danny Pisari \nExplore one of the earliest media arts in this hands-on workshop that will show your young creative how to invent their own animated world. Students will create group and individual projects that will teach them the history and techniques of stop-frame animation. \nMembers $160 I Non-Members $200 \nWhile our website is under construction please make payment for the workshop by calling 716-884-7172 or email kevin@squeaky.org \n\n \n\n \n\nA limited number of partial scholarships are available. Contact kevin@squeaky.org for details.  \nRegistration must occur at least three days prior to the start date of the workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. Contact kevin@squeaky.org for additional questions \n 
URL:https://squeaky.org/event/video-collage/
LOCATION:NY
CATEGORIES:Tech Arts for Youth
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180710T180000
DTEND;TZID=America/New_York:20180719T200000
DTSTAMP:20260421T173921
CREATED:20251230T191145Z
LAST-MODIFIED:20251230T191145Z
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SUMMARY:Cinema & Lighting
DESCRIPTION:This workshop will explore the form of lighting for visual storytelling and impact. Students will learn a brief historical evolution of lighting in film\, the basics and different types of lighting through engaging in small hands-on projects that will give you the skills to recreate different types of lighting used in cinematic storytelling.\n \n  \nTopics include: \n\n3-point lighting\nLighting shots for best effect\nAdding color to a scene\nLighting design\n\n \n\n \n  \n  \n  \n 
URL:https://squeaky.org/event/cinema-lighting/
LOCATION:NY
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180709T130000
DTEND;TZID=America/New_York:20180713T160000
DTSTAMP:20260421T173921
CREATED:20251230T191145Z
LAST-MODIFIED:20251230T191145Z
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SUMMARY:Art of the .GIF
DESCRIPTION:  \n  \n  \n  \n  \nTHIS CLASS IS FULL PLEASE SEE OTHER OFFERINGS OR CONTACT Martina@Squeaky.org\nArt of The .GIF\nJuly 9th – 13th\n1pm – 4pm \nInstructor: Danny Pisari \nThis class explores the history and techniques of the oldest internet-based animated art form. The .GIF file format came out 31 years ago and is still a prominent part of the media landscape. Students will learn various methods for creating and using .GIF’s as an art form and mode of expression. \nMembers $160 I Non-Members $200 \nWhile our website is under construction please make payment for the workshop by calling 716-884-7172 or email kevin@squeaky.org \n\n \n  \n  \n\n \nA limited number of partial scholarships are available. Contact kevin@squeaky.org for details.  \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. Contact kevin@squeaky.org for additional questions \n\n  \n \n  \n 
URL:https://squeaky.org/event/art-of-the-gif/
LOCATION:NY
CATEGORIES:Tech Arts for Youth
ATTACH;FMTTYPE=image/png:https://squeaky.org/wp-content/uploads/2018/03/gif-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180709T090000
DTEND;TZID=America/New_York:20180713T120000
DTSTAMP:20260421T173921
CREATED:20251230T191145Z
LAST-MODIFIED:20251230T191145Z
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SUMMARY:Stop-Frame Animation
DESCRIPTION:  \n  \n  \n  \n  \nTHIS CLASS IS FULL PLEASE SEE OTHER OFFERINGS OR CONTACT Martina@Squeaky.org\nStop-Frame Animation\nJuly 9 – 13\n9am – 12pm\nInstructor: Mizin Shin \nExplore one of the earliest media arts in this hands-on workshop that will show your young creative how to invent their own animated world. Students will create group and individual projects that will teach them the history and techniques of stop-frame animation. \nMembers $160 I Non-Members $200 \nWhile our website is under construction please make payment for the workshop by calling 716-884-7172 or email kevin@squeaky.org \n\n \n\n \n\nA limited number of partial scholarships are available. Contact kevin@squeaky.org for details.  \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. Contact kevin@squeaky.org for additional questions \n\nFor a full day of fun\, check out CEPA Gallery’s Summer Art Programs. \n \n  \n 
URL:https://squeaky.org/event/stop-frame-animation-2/
LOCATION:NY
CATEGORIES:Tech Arts for Youth
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180630T153000
DTEND;TZID=America/New_York:20180630T170000
DTSTAMP:20260421T173921
CREATED:20251230T191145Z
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SUMMARY:Let's Start the Conversation: Hues of Humanity
DESCRIPTION:Saturday\, June 30\, 2018\n3:30pm\nFree and open to the public \nAs part of Squeaky Wheel’s Community Screenings\, we are pleased to present Hues of Humanity\, a film produced by Rachel and Dianna Henderson\, co-founders of Colorfully Beautiful. Addressing topics such as empathy and emotional awareness the film attempts to build permanent bridges through authentic conversation. Join us for an audience/filmmaker talk back on how we can all contribute something in order to help positively co-create our existing realities. \nMember Profile: Rachel Henderson \n \nIf you walked into our media lab at any given time this Spring you probably would have come across Squeaky Wheel member\, Rachel Henderson editing her latest film on one of our lab stations. This season we are pleased to introduce Rachel here in our special Members Spotlight.  \nBorn and raised in Buffalo\, Rachel joined Squeaky Wheel as an Artist Member in July of 2017. After a move back home from Los Angeles\, California\, she found that Squeaky Wheel answered all her technical questions! Rachel began her journey in film after receiving her B.A. in Communication from Roberts Wesleyan College where she was also awarded title of Alum of the Year. From the workshops provided to equipment rental\, Squeaky Wheel has given her both the access and the freedom to create her own work. Currently she is assisting on productions for both the Albright Knox and Buffalo Public Schools and is working on her own independent mini-doc.  \nOn her latest film Henderson states: \n“I’m extremely invested in creating a story that the audience feels like it’s something they’ve never seen before or creating a perspective they’ve never thought of. Illuminating new ideas\, concepts\, realities.”
URL:https://squeaky.org/event/lets-start-the-conversation-hues-of-humanity/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Screenings
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180629T190000
DTEND;TZID=America/New_York:20180629T190000
DTSTAMP:20260421T173921
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SUMMARY:XENOYOGA((I REALLY WANT SOME)) by DJ xenoyoga
DESCRIPTION:Friday\, June 29\, 2018\n6:30pm door | 7pm show\n$7 General | $5 members | Free for ArtsAccess pass holders \nToronto based DJ xenoyoga presents a live audiovisual remix of her audiovisual live improvisation set\, XENOYOGA((I REALLY WANT SOME)). Employing the common techniques of DJ as a trope\, utilizing web installations\, roombas\, and sampling and assembling audio and visual from found materials online\, the artist aims to alienate political discourses and popular culture into the cyborgian spell of machine and human. \nAs the artist states: “(━+ ﾟ｡☆*｡｡ meet asian-pop-mannequin-vocaloid *:♪･ﾟ’☆ when xenofeminist-alienation meets trumpian-shock-and-awe :･ﾟ｡･’★\,｡･\,An entropic chant of discursive mashup. Get in the groove .o｡*｡ .｡<)ﾉ :｡･:*:*XENOYOGA((I REALLY WANT SOME)). \nDiscover more about the artist on their website. Presented as part of the public programs for the exhibition\, Yvette Granata | #d8e0ea: post-cyberfeminist datum. \n  \n \nAll images by Kristel Jax.
URL:https://squeaky.org/event/xenoyogai-really-want-some-by-dj-xenoyoga/
LOCATION:NY
CATEGORIES:Performance
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180623T140000
DTEND;TZID=America/New_York:20180623T190000
DTSTAMP:20260421T173921
CREATED:20251230T191146Z
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SUMMARY:Art+Feminism Wikipedia Edit-a-thon!
DESCRIPTION:Saturday\, June 23\, 2018\n2–7pm\nFree and open to the public\nRSVP here \nSqueaky Wheel will host an Art+Feminism Wikipedia Edit-a-thon to take place 2-7pm on Saturday\, June 23\, 2018 at 617 Main St\, Buffalo\, NY. This all-day event is designed to improve coverage of women\, gender\, feminism\, and the arts on Wikipedia. \nWhy we edit? Less than 10% of editors on Wikipedia are women. Wikipedia is the largest and most popular general reference work on the internet with more than 40 million articles in more than 250 different languages. The fact is when we don’t tell our stories or participate in the ways our history is preserved\, it gets erased. Let’s build our local contribution to the movement! \nWe provide tutorials for the beginner Wikipedian\, ongoing editing support\, reference materials\, childcare\, and refreshments. People of all gender identities and expressions are invited to participate\, particularly transgender and cisgender women. \nSqueaky Wheel invites back Toronto artist and Wikipedian extraordinaire Zeesy Powers to facilitate tutorials and discussions. This summer\, we are also excited to host Heather Gring\, archivist at the Burchfield Penney Art Center\, who will be speaking about the woman artists in their collection. \nIf you require childcare\, please email caitcoder@gmail.com with the first names of children requiring care\, their ages\, and what time you plan on attending. \nPlease create a Wikipedia account before the event\, click here to learn how! And remember during the event to hashtag and post online so everyone around the world can see what you’re working on: #artandfeminism #noweditingaf @squeakybuffalo . \nAbout the instructor\nZeesy Powers is an interdisciplinary artist. She teaches programs for digital illustration\, animation and video through community groups in Toronto\, and facilitates workshops on contributing to Wikipedia as part of the Art+Feminism edit-a-thons. During her 2017 National Artist-in-Residence at the Toronto Animated Image Society\, she produced This Could be You\, an interactive piece exploring practices of confinement in VR. She has performed and exhibited internationally\, and has been artist-in-residence at CCA Kitakyushu (Japan)\, Palomar5 (Berlin)\, the Banff New Media Institute\, and Studio XX (Montreal). In Toronto\, Powers has worked on several community-based project with children and youth in partnership with organizations like UrbanArts\, Axis Music and the Toronto Public Library. Currently\, she is working on a Canada Council and Chalmers Fellowship funded project on how consumer surveillance impacts how we relate to ourselves and others. She lives in Toronto.
URL:https://squeaky.org/event/artfeminism-wikipedia-edit-a-thon/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Special Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180615T080000
DTEND;TZID=America/New_York:20180825T170000
DTSTAMP:20260421T173921
CREATED:20251230T191146Z
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SUMMARY:Yvette Granata | #d8e0ea: post-cyberfeminist datum
DESCRIPTION:Opening Friday\, June 15\, 7–9pm\nConversation with Yvette Granata and Maiko Tanaka at 7:30pm.\nOn view through August 25\, 2018\, Tue–Sat\, 12–5pm\nFree and open to the public\n \nSee a review of the exhibition in Canadian Art magazine here.\nSee a review of the exhibition in Buffalo Rising here. \nSqueaky Wheel is proud to present the first solo exhibition of media theorist/artist Yvette Granata. The exhibition poses the concept of a ‘post-cyberfeminist datum’ as a type of data that has been banned in the future. Works in the show include performance video works\, immersive 360 videos\, AI devices in conversation with each other\, and more. \nJoin us on Friday\, June 15th for the opening reception of the exhibition at Squeaky Wheel at 7pm. A newly commissioned essay on Granata’s work by scholar Bogna M. Konior accompanies the exhibition. \nPublic programs presented as part of this exhibition\nJune 15\, 7–9pm: Opening reception\, with conversation between Yvette Granata and Maiko Tanaka at 7:30pm.\nJune 29\, 7pm: Performance: XENOYOGA((I REALLY WANT SOME)) by DJ xenoyoga\nJuly 6\, 9pm: Locative Media Tour with Yvette Granata at secret site. RSVP here.\nAugust 18\, 3pm: Curator’s Tour with Ekrem Serdar of d8e0ea \n\nThere is no freedom celebrated here. Everything is deliberate\, made to function within the same constraints evoked by the materials: disease\, depression\, fear\, fever\, bondage\, torture\, addiction\, the life of “a one-legged glowingly beautiful ex-whore. . .” It’s a far cry from the corporate dream of a cheerful interactivity which lets users choose\, not lose control. . . She isn’t making pictures: these are diagrams. She isn’t an artist\, but a software engineer. —Sadie Plant (Zeros and Ones) \nCan we exploit the fact that our techno-social systems suck? Or is the future already prescribed by the obsessive intrusion of social media platforms\, machine recognition bias\, and the AI arms race to come? \nData is no longer just captured; it is used to predict a particular slice of the future\, to move beyond the 180 degree limit of human linear space-time. Social intelligence is now energy intelligence. Everyone is a data farm. Machine learning systems consume vasts amount of data in order to learn the decisional arc of human-mindsteps. But are we building data walls that make intel-silos? Are we building AI assistant gender-tyrants? Are recognition systems making us into boring products for a shelf? What can we do with the empty silos of this data wasteland? \nThe show thinks through these questions by positing (and depositing) a cyberfeminist data form. It imagines electronic torture chambers in the future used for the policing of data-bodies and poses the concept of a post-cyberfeminist datum as a type of data that has already been banned in the future. From the age of technological reproduction to the age of data reduction\, the topology of cyber-feminist data bytes are an endless VR day\, confined and trapped already. \nWorks include: a webVR essay that explores Google’s Machine Vision API in a fictional cyberfeminist design office\, a series of dead drops that contain intersectional cryptographic syn-sets for machine learning models for training future non-targets (human-bots and/or creatures-fems and/or slime-minds)\, a cyberfem sound sculpture of an AI named ‘Evie’ in conversation with Siri and Alexa (broadcast on the sidewalk)\, and a secret exploration of a possible factory. \n#D8e8ea thinks through a possible fall-out shelter for social intelligence\, a new information ontology that re-spins humans and data\, and performs an interface of zero a user-experience. – Yvette Granata \nYvette Granata. XDDDDDDD\, 3 minutes\, HD video\, 2017-2018  \n \nYvette Granata. Womxn with a Google API (mobile version)\, webVR\, 3-D prints\, 2018 \n \nYvette Granata. Hello Evie\, AI assistant sound sculpture\, Alexa\, Siri\, HD video\, 2018 \n\nAncestral Cyberspace: On the Technics of Secrecy\nBy Bogna M. Konior \n‘Hiding the self through a faithful mapping of the universe is the only path to eternity.’ – Liu Cixin  \nIt was women’s fingers that enfolded the data-corpse into the fabric of the world. Sadie Plant tells us that these fingers are like a spider’s spinnerets\, extruding digital silk\, weaving the history of networked technology\, which at its core is a cunning practice of emasculation: ‘cyberspace is out of man’s control\, [it] destroys his identity…at the peak of his triumph\, the culmination of his machinic erections\, man confronts the system he built for his own protection and finds it female and dangerous.’ For Plant\, man sentenced himself to annihilation when he let the feminine hydra of digital technology out of its black box. Now\, it is everywhere\, slyly completing its task. \n \nCyberfeminism is an occult form of warfare. It understands about ‘cyberspace’ what Liu Cixin’s ‘dark forest’ theory understands about the cosmos: all existence is determined by hostility and so the highest form of intelligence lies in occluding one’s coordinates. The hypothesis explains why the universe\, statistically full of life\, is dead silent. It is not because\, as is commonly thought\, life has not found a way to communicate\, but because it understands that silence is the most advanced form of intelligence. Our physical and virtual spaces\, which are increasingly inseparable\, are alike a dark forest\, where every step must be taken with care\, as revealing one’s existence portends annihilation. The most desirable skill\, the most coveted trick\, and the most longed for disposition can only be this – a fluency in the trading of secrets. The skills we need to strategically deploy concealment\, de-concealment and re-concealment.  \nIn this secrecy lies a genealogy of a post-cyberfeminism that always has been: an ancestral politics of cyberspace. Any feminism is a practice of genealogy but also of desecration – so much technical knowledge has been buried and its practitioners eliminated that a post-cyberfeminist must engage in the excavation\, encoding and decoding of data-corpses\, buried in wet soil of the earth and in the knots of submarine communication cables. \nDecrypting ancestral secrecy trade and a cyberfeminist ancestry\, one might find the corpse of Caterina Sforza\, the progenitrix of the Medici family and one of the women who defined the burgeoning scientific culture of the Italian Renaissance. Remembered for her military genius and personal bravado (in response to an enemy threatening her with the death of her children\, she grabbed her crotch and retorted that she could easily make more)\, she held a keen interest in the trading of secrets\, especially pertaining to natural philosophy\, medicine and alchemy. In Daughters of Alchemy\, Meredith Ray describes the specular economy of secrecy in the early modern Italy\, where secrets circulated in letters\, manuscripts – libri di segreti – and through word of mouth. Secrets were a valued gift and a fitting expression of loyalty.  \nThis arcane internet was a networked web of secrets\, where the exchange of occult data between women formed a clandestine practice of science. From beauty recipes to alchemical attempts at the transmutation of matter into gold (believed to mirror the forming of a fetus in the womb)\, Sforza’s research into concealed knowledge served her in military\, intellectual and political endeavors. In her notebooks\, never intended for publication\, she recorded recipes for poisons distilled from scorpion venom as well as instructions for concealing written text with slowly disappearing\, ‘invisible’ ink. This non-formal practice of science was a way of interacting with the unknown not for its presupposed sanctity but its pragmatic utility. \nSecrets\, Ray writes\, were synonymous with experimentation\, ‘referring not to something unknown but rather to something that was proven.’ The most prized secrets were those that\, when deployed\, produced the desired results. A post-cyberfeminist secret is the proven unknown that loses none of its stealth: a secret is the instruction built for calculated obfuscation\, a mechanism of encryption. Books of secrets\, Ray tells us\, could be deciphered according to a ‘generic code\,’ meant for distinguishing valuable information from mere noise. Reading\, writing\, and circulating libri di segreti was a form of data analysis\, a structural technique of (de)classifying information\, contingent on maintaining the balance between obfuscation and analysis.  \nThis cryptic practice of science was also an alternate economy. Secrets were a non-monetary currency used to establish debt and political influence. This specular economy of occluded knowledge built extended social\, technical and publishing networks between women during the Scientific Revolution. Camilla Erculiani\, an apothecary from Padua\, attracted the attention of the Inquisition for her visibly public contribution to the scientific community and her heretical interpretation of theology. She later found protection with Anna Jagiellon\, the queen of Poland\, herself an intellectual and a potion mistress. Women’s work is a priori heretical by the very fact of its existence. Secrecy thus becomes a necessary form\, both in the web of political life and in the approach to technology and knowledge. Post-cyberfeminist data is a priori banned in the future and exists in a banished land. Predicting its own illegality\, it nevertheless codes a possibility: une autre fin du monde est possible (another end of the world is possible)\, as an anonymous French graffiti recently proclaimed. What post-cyberfeminist data has been already imprisoned in the future?  \nErculiani’s interest was in the material fabric of the world: ‘the causes of the universal deluge\, the composition of rainbows.’  \nAmong Caterina’s medicinal recipes [were] a number of distilled waters\, unguents\, and elixirs produced through alchemical procedures such as multiplication\, a kind of progressive distillation whereby a substance assumes greater and more diverse powers during the course of preparation. \nEncrypting data could be for a post-cyberfeminism a pata-political model. Just like pata-physics is a science of the imaginary realm beyond philosophical metaphysics\, pata-politics is a political science of the coming data-wasteland\, beyond current political practices. Treated as non-existent and excluded from history\, women’s technology endures both in its erased past and its banned future. These technologies do not promise liberation – they instead assure our survival. Post-cyberfeminist data is a type of camouflage: an ancestral practice now augmented and automated with algorithmic technologies. From its genealogy of secrecy into the future\, it mutates and updates itself: what once was a book of secrets now becomes machine vision\, a camera for algorithmic secrecy.♦      \nBibliography  \nEvans\, Claire L. Broad Band: The Untold Story of Women Who Made the Internet. Portfolio\, 2018.  \nCixin\, Liu. The Dark Forest. Translated by Joel Martinsen. Tor Books\, 2015.  \nRay\, Meredith. Daughters of Alchemy: Women and Scientific Culture in Early Modern Italy. Harvard University Press\, 2015.  \nPlant\, Sadie. On The Matrix: The Cyberculture Reader. Edited by David Bell and Barbara Kennedy. Psychology Press\, 2000. \n  \n\nAbout the artist and the contributors \nYvette Granata is a media artist and Phd Candidate at SUNY Buffalo in the Department of Media Study. Her work intersects new media art-research\, design\, theory\, and philosophy. She explores techno-philosophical and socio-political technology\, non-philosophy\, cyberfeminism and feminist media tech art practice. She has presented her work at the Harvard Carpenter Center for the Arts\, The Eye Film Institute in Amsterdam\, The Kunsthalle in Detroit\, Papy Gyro Nights in Norway and Hong Kong\, and Hallwalls Contemporary Arts Center and Squeaky Wheel Media Arts Center in Buffalo\, among others. Her film design work has appeared on screens at the Sundance film festival\, Tribeca film festival\, Rotterdam\, Cannes\, Berlinale\, the Rome International Film Fest\, SXSW\, and CPH:PIX. She has published in Ctrl-Z: New Media Philosophy Journal\, TRACE: Journal of Writing\, Media\, and Ecology\, NECSUS: European Journal of Media Studies\, and the International Journal of Cultural Studies. She received a NYS Council of the Arts Grant in 2017 and was a visiting researcher at the Senselab at Concordia\, where she developed some of the work included in the current exhibit. See more at yvettegranata.com \nBogna M. Konior is the Media and Technology editor at the Hong Kong Review of Books and the director of the Institute for Critical Animal Studies\, Asia. She holds a Research Masters in Media Studies\, a PhD in Cultural Analysis and was a visiting researcher in Media and Culture at the ICON Center for the Humanities at the University of Utrecht. Her recent work in media cultures and the Anthropocene is published in Transformations: Journal of Media and Culture and forthcoming in PostMemes from Punctum Press. She is the Polish translator of the Xenofeminist Manifesto. Her curatorial and collaborative work exploring theory in the Anthropocene has been exhibited internationally and can be viewed at http://www.bognamk.com. \nMaiko Tanaka is the Executive Director of Squeaky Wheel. She holds a BFA from OCADU and a Masters of Visual Studies from the University of Toronto. For over ten years Maiko has curated projects with prestigious and widely recognized arts institutions in Canada and abroad\, including Trinity Square Video\, Nuit Blanche at OCAD University\, Justina M. Barnicke Gallery (now Art Museum – University of Toronto)\, InterAccess\, all in Toronto\, as well as Casco – Office for Art\, Design\, and Theory in Utrecht\, NL. Maiko also currently serves on programming committee of Gendai Gallery and editorial advisory of C Magazine. She is the co-editor of several catalogue publications including\, The Grand Domestic Revolution Handbook published by Casco and Valiz\, and Model Minority\, published by Gendai Gallery and Publication Studio. \nBanner image: Yvette Granata. Hello Evie\, AI assistant sound sculpture\, Alexa\, Siri\, HD video\, 2018
URL:https://squeaky.org/event/post-cyberfeminist-datum/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180612T180000
DTEND;TZID=America/New_York:20180621T200000
DTSTAMP:20260421T173921
CREATED:20251230T191146Z
LAST-MODIFIED:20251230T191146Z
UID:10000918-1528826400-1529611200@squeaky.org
SUMMARY:Sound Production
DESCRIPTION:Learn the practice of planning\, recording\, & editing sound for use in short films\, documentaries\, or promotional videos. This workshop will cover the core components of sound design\, from basic capturing techniques to the nuanced nature of foley. Participants will be introduced to REAPER\, a low cost\, and complete\, cross-platform multi-track digital audio production software. The class will be a project based. Participants will collaborate to create short-form podcasts will all the production bells and whistles! \nTopics include: \n\nListening to and identifying various sonic techniques\nFoley production\nIntermediate audio recording techniques\nSyncing external audio for film\nSonic Storytelling\n\n\n \n\nMembers $135 | Non-Members $175 \nPayment can be made by giving us a call or stopping by our location. \nRegistration must occur at least three days prior to the start date of the workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nIf you have any additional questions\, please contact martina@squeaky.org\, or reach us by phone at (716) 884-7172.
URL:https://squeaky.org/event/sound-production/
LOCATION:NY
CATEGORIES:Education
ATTACH;FMTTYPE=image/png:https://squeaky.org/wp-content/uploads/2018/03/SPFEATURED.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180529T180000
DTEND;TZID=America/New_York:20180607T200000
DTSTAMP:20260421T173921
CREATED:20251230T191145Z
LAST-MODIFIED:20251230T191145Z
UID:10000917-1527616800-1528401600@squeaky.org
SUMMARY:After Effects
DESCRIPTION:Put this powerful tool to work on your next project. Adobe After Effects is a digital visual effects\, motion graphics\, and compositing application used in the post-production process of filmmaking and television production. This tool is a necessity for anyone interested in media production to bring their projects to the next level. \nTopics include: \n\nNavigating the After Effects interface\nStructuring your workflow for ease and efficiency\nLearning Key Framing for motion graphics\nNavigating the particle generator\n\n\n \n\nMembers $135 | Non-Members $175 \nPayment can be made by giving us a call or stopping by our location! \nRegistration must occur at least three days prior to the start date of the workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nWhile our website is under construction\, please register via phone (716) 884-7172 or contact martina@squeaky.org
URL:https://squeaky.org/event/after-effects/
LOCATION:NY
CATEGORIES:Education
ATTACH;FMTTYPE=image/png:https://squeaky.org/wp-content/uploads/2018/03/AEFEATURED.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180515T180000
DTEND;TZID=America/New_York:20180524T200000
DTSTAMP:20260421T173921
CREATED:20251230T191145Z
LAST-MODIFIED:20251230T191145Z
UID:10000916-1526407200-1527192000@squeaky.org
SUMMARY:Video Editing
DESCRIPTION:Learn the craft of manipulating narrative and meaning with the art of editing. In this workshop\, you’ll learn how to take raw footage and assemble it into a narrative\, whether for short films\, documentaries\, interviews\, promotional videos\, or experimental films. This workshop is a project-based learning environment. Participants will collaborate to create a short form work that utilizes the necessary skills. \nTopics include: \n\nNavigating the Adobe Premiere interface\nStructuring your workflow for ease and efficiency\nUtilizing continuity editing and juxtaposition to create meaning\nExporting your videos for sharing on various platforms\n\n\n \n\nMembers $135 | Non-Members $175 \nPayment can be made by giving us a call or stopping by our location. \nRegistration must occur at least three days prior to the start date of the workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nIf you have any additional questions\, please contact martina@squeaky.org\, or reach us by phone at (716) 884-7172.
URL:https://squeaky.org/event/video-editing-5/
LOCATION:NY
CATEGORIES:Education
ATTACH;FMTTYPE=image/png:https://squeaky.org/wp-content/uploads/2018/03/VEFEATURED.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180511T190000
DTEND;TZID=America/New_York:20180511T210000
DTSTAMP:20260421T173921
CREATED:20251230T191125Z
LAST-MODIFIED:20251230T191125Z
UID:10000929-1526065200-1526072400@squeaky.org
SUMMARY:Bring Your Own Tony
DESCRIPTION:Friday\, May 11\n6:30pm door | 7pm show\nFree and open to the public \nTony as hypnotist\, Tony as magician\, Tony as naturalist\, Tony on a bike\, Tony on skype! As we near the end of Introducing Tony Conrad: A Retrospective\, and the multi-institutional celebrations that took place throughout early 2018\, we are excited to celebrate with an evening of films and videos featuring the late polymath\, made by his friends\, colleagues\, and students. We remember our founder fondly\, and hope to offer a fun and warm gathering for our community\, with a couple of surprises thrown in. \nFeaturing work from 1984–2016\, originating in Super 8mm to cellphone snaps\, by Alice Alexandrescu\, Martha Colburn\, Stephen Gallagher\, David Gracon\, Tyler Hubby\, David McCreery\, Zeljko McMullen\, and Lara Odell. \nProgram \np0st-it t0ny\nAlice Alexandrescu\n2min\, 2010\nImpromptu performance. Tony Conrad asked for my input on a superbly complex topic in media analysis. I gave him my best answer to fit the time constraints of a graduate level course and left the room. \nWilderness Theater\nAnya Lewin & Lara Odell\n11min\, digital\, 2006\n“Wilderness Theater is a collaborative video by Anya Lewin and Lara Odell\, with Tony Conrad as The Naturalist. Two bears\, one brown and one white (played by Lewin and Odell)\, somnambulate through multiple split-screen spaces: a desert\, a snowscape\, a post-industrial ruin\, a forest\, and an interior dreamscape. The white bear\, or ghost bear\, is maybe the brown bear’s unwanted thought. Meanwhile\, a naturalist logs his visions of the bears with a camera and notebook.” \nWomen in Jail Doc\nDavid McCreery\n10min\, 2010\nA “documentary” of Tony Conrad at work in his studio\, in preparation for filming his film “women in jail” w/ Tony Conrad\, Anna Brantwood and George Sherer. \nTony as my violin priest \nMartha Colburn\n2:30min\, 2014\nThis is one of the last rolls of sound super 8mm ever processed. I made it one afternoon in tonys studio. He dressed up and we made a little set and he played violin. \nTangible Man\nStephen Gallagher\n15min\, 1984\nTangible Man (TM\, also for trademark or transcendental meditation) is a critique of artist’s ability to render their interior world tangible in the form of an artwork. \nWe Are Fools – Scene 1 : The Magician\nZeljko McMullen\n5min\, 2013\nOver the course of 7 years\, I made an experimental feature film based off of different artists invoking archetypes from the Major Arcana of the Tarot. I set the stage for each of the 22 scenes\, and had different artists improvise within it. \nTony Conrad: Bryant Park (excerpt)\nTyler Hubby\n6:53min\, 2016\nTony Skypes his media class while discussing his the installation of ‘Bryant Park Moratorium’ and later visits contemporary Bryant Park. \nWe Ride Bikes!\nDavid Gracon\n10:30min\, 2000\nThis is a short lo-fi documentary about Buffalo’s first Critical Mass bike ride. Critical Mass is a celebration of community\, public space and bike culture. The Buffalo Police shut down this ride and a debate ensued regarding bicycle rights. \nBanner image: Tony Conrad with a video camera\, c. mid-1990s. Image courtesy Tony Conrad Archives 
URL:https://squeaky.org/event/bring-your-tony/
LOCATION:NY
CATEGORIES:Screenings
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2018/01/2.-Tony-Camera-AKAG_mod.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180509T170000
DTEND;TZID=America/New_York:20180509T190000
DTSTAMP:20260421T173921
CREATED:20251230T191125Z
LAST-MODIFIED:20251230T191125Z
UID:10000927-1525885200-1525892400@squeaky.org
SUMMARY:Summer Youth Workshop: Open House
DESCRIPTION:Squeaky Wheel and CEPA Gallery are hosting Summer Youth Workshop Open House! Find out about all of our summer classes\, take a tour of our spaces and get a 10% discount if you register at the event. See examples of students work in our Youth Exhibition and participate in a character animation demo! Be sure to arrive before 6 pm to be entered into a raffle to receive a 25% discount on one workshop at both Squeaky Wheel and CEPA! RSVP and check for updates on our facebook event 🙂 \n 
URL:https://squeaky.org/event/summer-youth-workshop-open-house/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Education
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GEO:42.8906261;-78.8721258
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180509
DTEND;VALUE=DATE:20180601
DTSTAMP:20260421T173921
CREATED:20251230T191125Z
LAST-MODIFIED:20251230T191125Z
UID:10000712-1525824000-1527811199@squeaky.org
SUMMARY:Experimentation: Works by our Youth Media Makers
DESCRIPTION:A collaboration of experimental works from students of West Side Studios\, Tech Arts for Girls\, Tech Arts for Youth\, and the Buffalo Youth Media Institute\, Squeaky Wheel is proud to present an exhibition of experimental works by the young artists in our youth education programs. Through a variety of media art practices\, such as stop-frame animation\, hand-processed film\, and video manipulation\, among others\, these enthusiastic makers have used their tools and skills to approach themselves and the world around them with energy\, humor\, and invention. Including work by Breanna Roberts\, Emaun King\, Fiona Rigney\, Lucas Hopkins\, Zaire\, Savannah Worth\, Soundiolou Cissoko\, Mustaf Abdi\, Jolie Criscone\, Trayvon Frisbee\, Matt\, Tucker Mammoser\, Connor Hockey\, Josh\, Eleda Mammoser\, Jamilla Bryant\, Alliyah Blackwell\, Bhakti Williams-Brown\, Miles Gavigan\, and Elizabeth.
URL:https://squeaky.org/event/experimentation-works-by-our-youth-media-makers/
LOCATION:NY
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2018/05/HiveMind0.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180501T180000
DTEND;TZID=America/New_York:20180510T200000
DTSTAMP:20260421T173921
CREATED:20251230T191125Z
LAST-MODIFIED:20251230T191125Z
UID:10000915-1525197600-1525982400@squeaky.org
SUMMARY:Video Production
DESCRIPTION:Gain the skills you’ll need to light\, shoot\, and record your own films\, documentaries\, interviews\, and advertisements.  Get hands-on experience with professional equipment and software in an intimate\, small-class setting. The workshop is a project-based learning environment. Participants will collaborate to create a short form work while learning the necessary skills. \nTopics include: \n\nManipulating a camera to properly expose shots\nBasic audio recording for film\nCommunicating ideas with cinematic grammar\nLighting shots for best effect\nPreparing footage for editing\n\n\n \n\nMembers $135 | Non-Members $175 \nRegistration must occur at least three days prior to the start date of the workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nIf you have any additional questions\, please contact martina@squeaky.org\, or reach us by phone at (716) 884-7172.
URL:https://squeaky.org/event/video-production-9/
LOCATION:NY
CATEGORIES:Education
ATTACH;FMTTYPE=image/png:https://squeaky.org/wp-content/uploads/2018/03/VPFEATURED.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180428T060000
DTEND;TZID=America/New_York:20180519T090000
DTSTAMP:20260421T173921
CREATED:20251230T191125Z
LAST-MODIFIED:20251230T191125Z
UID:10000691-1524895200-1526720400@squeaky.org
SUMMARY:Story Twine
DESCRIPTION:Story Twine\n4/28/18 – 5/19/18 \nUsing the online open-source storytelling tool Twine\, students will design\, write\, and digitally publish their own non-linear\, choose your own adventure story. This is a fun and powerful tool for storytelling and self expression that can be accessed and published just about anywhere. \n\n \n\nMembers $40 | Non-Members $60 \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nIf you have any additional questions\, please contact kevin@squeaky.org\, or reach us by phone at (716) 884-7172.
URL:https://squeaky.org/event/tag-story-twine/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Tech Arts for Girls
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180425T190000
DTEND;TZID=America/New_York:20180425T210000
DTSTAMP:20260421T173921
CREATED:20251230T191125Z
LAST-MODIFIED:20251230T191125Z
UID:10000907-1524682800-1524690000@squeaky.org
SUMMARY:Chris Marker’s Level Five
DESCRIPTION:Laura\, a French programmer\, is tasked with creating a video game about the Battle of Okinawa. Using the internet to conduct her research she is led down a rabbit hole of philosophical debates\, while she tries to make sense of her own history in relation to human history. \nReleased when the internet was still in its infancy\, Level Five (104min\, 1997) offers a startlingly prophetic vision of the ability to archive and alter history\, while probing the limitations of human memory. The film is a mesmerizing and utterly unique hybrid of documentary and science fiction. Curated with an introduction by Squeaky Wheel’s Fall 2018 Curatorial Intern James Werick. Courtesy of Icarus Films. \n Preview \nBio of the curator\nJames Werick graduated from the University at Buffalo in 2017\, with a BA in Media Study. In addition\, he spent one semester in 2017 at Kansai Gaidai University in Osaka\, Japan. He is currently writing a film script\, and working at the Buffalo & Erie County Public Library.
URL:https://squeaky.org/event/level-five/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Screenings
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2018/01/level5.jpg
GEO:42.8906261;-78.8721258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Squeaky Wheel 2495 Main Street Suite 310 Buffalo NY 14214 United States;X-APPLE-RADIUS=500;X-TITLE=2495 Main Street\, Suite 310:geo:-78.8721258,42.8906261
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180406T190000
DTEND;TZID=America/New_York:20180406T210000
DTSTAMP:20260421T173921
CREATED:20251230T191125Z
LAST-MODIFIED:20251230T191125Z
UID:10000908-1523041200-1523048400@squeaky.org
SUMMARY:Null Point Presents: Weston Olencki
DESCRIPTION:Virtuoso trombonist/composer Weston Olencki (Chicago) joins local experimental sound initiative Null Point for an evening of recent works for modified brass instruments\, ensemble\, live electronics\, and video under the title Artificial Life: New Works for Brass Instruments\, Ensemble\, Electronics\, and Video. Works by George Lewis\, Michelle Lou\, Colin Tucker\, and Weston Olencki explore limit situations of live performance\, activating thresholds of audibility\, endurance\, sonic instability\, and ensemble interaction.  \nProgram \nGeorge Lewis\, Artificial Life (2007) for ensemble of improvisers \nMichelle Lou\, HoneyDripper (2016) for trombone\, transducers\, materials\, fx pedals\, feedback \nWeston Olencki\, for melodicas (carbonic render) (2018) for melodicas\, electronics\, video (US premiere) \nColin Tucker\, center unmoored in the presence of infinite fringes (2016) for prepared euphonium (world premiere of version for prepared euphonium) \nFeatured soloist: \nWeston Olencki\, trombone\, euphonium\, electronics\, video\, melodica \nPreview \n \n\nBios \nWeston Olencki is a New York City based trombonist/composer specializing in the performance and production of experimental music & art. Weston is a member of Ensemble Pamplemousse and the Wet Ink Large Ensemble\, one half of RAGE THORMBONES and People Making Sounds\, and has performed with Ensemble Dal Niente\, ICE\, wasteLAnd\, wildUP!\, Fonema Consort\, the San Francisco Contemporary Music Players\, Talea Ensemble\, sfSound\, Wild Rumpus\, Eco Ensemble\, Chicago Symphony Orchestra’s MusicNOW\, and a.pe.ri.od.ic – under conductors Alan Pierson\, Enno Poppe\, Steven Schick\, and Marino Formenti. He was awarded the Kranichsteiner Musikpreis for Performance [2016] and a Stipendiumpreis [2014] from the Darmstadt Ferienkurse.\nHis compositional work has been performed/commissioned by the Talea Ensemble/Earle Brown Music Foundation\, Pamplemousse\, Bass2Bass [Michelle Lou + Scott Worthington]\, People Making Sounds\, and soloists Matt Barbier\, Jesse Langen\, and Lester St. Louis. \nNull Point is an initiative for new concert music and sound art in Buffalo\, NY. Null Point’s events re-imagine musical and sonic presentation formats\, focusing on works by emerging artists that are neglected by normative arts institutions. Past projects have included new site-specific sound works written for presentation in vacant historic industrial sites\, thematically-curated concerts focusing on limit situations of performance and audition\, and participatory workshop-concerts in working-class neighborhoods. A null point is a location where vector fields (e.g. magnetic fields) have zero strength\, where fields cancel each other out.
URL:https://squeaky.org/event/nullpoint-weston-olencki/
LOCATION:NY
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2018/01/weston_Mod-e1516741430758.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180331T060000
DTEND;TZID=America/New_York:20180421T090000
DTSTAMP:20260421T173921
CREATED:20251230T191126Z
LAST-MODIFIED:20251230T191126Z
UID:10000689-1522476000-1524301200@squeaky.org
SUMMARY:Kwick Docs
DESCRIPTION:Kwick Docs\n3/31/18 – 4/21/18 \nStudents will learn the art of quick visual storytelling in this documentary based workshop. Using animation\, motion graphics and video\, students will have the task of putting together a 60 sec or less biographical story. \n\n \n\nMembers $40 | Non-Members $60 \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nIf you have any additional questions\, please contact alex@squeaky.org\, or reach us by phone at (716) 884-7172.
URL:https://squeaky.org/event/tag-kwick-docs/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Tech Arts for Girls
ATTACH;FMTTYPE=image/png:https://squeaky.org/wp-content/uploads/2017/11/WP-KwickDocs2.png
GEO:42.8906261;-78.8721258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Squeaky Wheel 2495 Main Street Suite 310 Buffalo NY 14214 United States;X-APPLE-RADIUS=500;X-TITLE=2495 Main Street\, Suite 310:geo:-78.8721258,42.8906261
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180316T190000
DTEND;TZID=America/New_York:20180316T210000
DTSTAMP:20260421T173921
CREATED:20251230T191126Z
LAST-MODIFIED:20251230T191126Z
UID:10000914-1521226800-1521234000@squeaky.org
SUMMARY:Workspace Presentations: Elizabeth Tannie Lewin and Dana Tyrrell
DESCRIPTION:Join us for a free public talk by our two Workspace residents! Artist resident Elizabeth Tannie Lewin (Brooklyn\, NY) and researcher resident Dana Tyrrell (Buffalo\, NY) will be giving presentations on their ongoing projects at the tail-end of their two week residency with Squeaky Wheel. \nElizabeth Tannie Lewin is a digital media artist interested in: technology\, landscape\, identity\, disappearance\, history\, and utopia. Lewin uses various technologies to achieve special effects such as: 3D modeling landscapes\, hacking a computer mouse to scan images\, and webcameras programmed to initiate\, or pause\, video playback. Lewin received her BFA from The School of the Art Institute of Chicago (2009) and her MFA from Hunter College (2016).\nProject Proposal\nMy current work is focused on the Republic of the Marshall Islands (RMI)\, its nuclear history (the RMI\, was once known as the Pacific Proving Grounds\, and the location of 67 United States nuclear tests). The Castle Bravo nuclear test was conducted on Bikini\, Atoll on March 1\, 1954 and was the most powerful nuclear device ever detonated by the United States. To this day\, Bikini remains uninhabitable due to radiation. Hundreds of Bikinians remain displaced. Additionally\, the RMI is faces increasing fragility due to climate change (the RMI is on average\, 2 meters above sea level\, scientists predict that the sea levels will rise between 0.8-2 meters by the end of the century).\nMy time at Workspace will be devoted to producing creating a 3D virtual “game” landscape of the RMI\, recording video audio\, and editing scanned military photos which that will be incorporated into a developing video (working title: Nuclear Set). \nDana Tyrrell is an artist\, curator and writer living and working in Buffalo\, New York. He holds an MFA in Visual Studies from the University at Buffalo (2015)\, a BA in Drawing & Painting and a BA in Art History\, both from the State University of New York at Fredonia (2012). His work has been shown widely throughout Western New York\, including solo exhibits with the Castellani Art Museum (2017) and Dreamland Art Gallery (2015). His curatorial practice includes exhibits at Anna Kaplan Contemporary (formerly BT&C Gallery)\, the Benjaman Gallery\, Dreamland Art Gallery\, and Sugar City Art Gallery. Photograph courtesy of Julian Montague.\nProject Proposal\nMy intent for this Workspace Residency would be to research\, and eventually curate a show focused upon emergent technologies. My interest lies at the intersection of technology and performance art -vis-a-vis academics like José Esteban Muñoz and Kara Keeling\, as well as performance artists such as Zach Blas\, Micha Cárdenas and Hito Steyerl – wherein the point of the juncture between emergent technologies and performance art becomes the human body\, in all of its mutability\, foibles and inconsistencies. I am interested in the interplay between the technological self and the realized\, physical self and how those two things\, while not always mutually exclusive\, bend and blur under the ever-present and growing weight of technology.\nThe understanding of these artists and their further articulation within the context of a yet-to be-realized exhibit would be thus predicated upon Keeling’s own description of what is known as a “Queer OS” (Cinema Journal\, 2014); a speculative project which sees the formulation of queer function as an operating system\, which straddles both technical and cultural understandings. At its core\, a Queer OS offers up a space in which LGBTQ+\, Women\, Black and Latinx people can meet – both online and off – connect to one another\, and reaffirm alternative modes of technological disbursement and exploration as we delve further into the twenty-first century. \nAbout the program \nWorkspace Residency is a unique artist residency that supports local\, regional and national media artists and researchers who are working on projects in film\, video\, audio\, interactive media and emerging technologies in any stage of production. Initiated in 2016 by Squeaky Wheel Film and Media Art Center in Buffalo\, New York\, in collaboration with local partners Buffalo Game Space\, Buffalo Lab\, and Silo City\, the residency provides support through equipment\, facilities\, and technical support for artists experimenting across a range of old and new technologies\, such as video\, sound\, digital platforms\, interactivity\, virtual reality\, and 3D printing. Community outreach and public engagement components include presentation and education activities. \nWe encourage people of color\, women\, queer\, trans and gender non-conforming people to apply. The residency welcomes applications from both emerging and established artists and researchers. A list of previous residents can be found here.
URL:https://squeaky.org/event/workspace-presentations-elizabeth-tannie-lewin-and-dana-tyrrell/
LOCATION:NY
CATEGORIES:Artist Talk,Residencies
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180314T190000
DTEND;TZID=America/New_York:20180314T190000
DTSTAMP:20260421T173921
CREATED:20251230T191126Z
LAST-MODIFIED:20251230T191126Z
UID:10000913-1521054000-1521054000@squeaky.org
SUMMARY:Art Talk: Neither Living Nor Dead: Documentary photography in the 1970's and 80's with Dana Tyrrell
DESCRIPTION:Join us and our Workspace Resident Researcher\, Dana Tyrrell as we explore documentary photography centered in and around New York City in the 1970’s and 80’s\, with special focus given to the work of Peter Hujar and David Wojnarowicz. We will look at these artists photographic works as a product of both their impoverished lifestyles and as a reaction to it. The work itself acts as a foil which prefigures and reacts in real time to the HIV/AIDS epidemic during that period of time. We will also touch upon the work  of Buffalo documentary photographer Milton Rogovin\, and the differences between straight documentary photography\, and documentary photography cum art object. \nDana Tyrrell is an artist\, curator and writer living and working in Buffalo\, New York. He holds an MFA in Visual Studies from the University at Buffalo (2015)\, a BA in Drawing & Painting and a BA in Art History\, both from the State University of New York at Fredonia (2012). His work has been shown widely throughout Western New York\, including solo exhibits with the Castellani Art Museum (2017) and Dreamland Art Gallery (2015). His curatorial practice includes exhibits at Anna Kaplan Contemporary (formerly BT&C Gallery)\, the Benjamin Gallery\, Dreamland Art Gallery\, and Sugar City Art Gallery. \n\nWorkspace Residency is supported by generous support by the County of Erie and County Executive Mark Poloncarz\, the National Endowment for the Arts\, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature\, the Andy Warhol Foundation for Visual Arts\, individual members\, businesses\, and supporters
URL:https://squeaky.org/event/art-talk-neither-living-nor-dead-documentary-photography-in-the-1970s-and-80s-with-dana-tyrrell/
LOCATION:NY
CATEGORIES:Residencies,Skill Share
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180313T140000
DTEND;TZID=America/New_York:20180322T160000
DTSTAMP:20260421T173921
CREATED:20251230T191124Z
LAST-MODIFIED:20251230T191124Z
UID:10000902-1520949600-1521734400@squeaky.org
SUMMARY:Intro to Screenwriting
DESCRIPTION:Before the set is lit and cameras roll\, almost every film production has a script in place to guide the project. This workshop will cover the basics of screenwriting\, one of the greatest creative influences on the filmmaking process. \nTopics include: \n\nResearching story ideas\nDeveloping a narrative\nWriting a screenplay\nStrategies for pitching screenplays to producers\n\n\n \n\nMembers $135 | Non-Members $175 \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nIf you have any additional questions\, please contact alex@squeaky.org\, or reach us by phone at (716) 884-7172.
URL:https://squeaky.org/event/intro-to-screenwriting/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Education
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180310T140000
DTEND;TZID=America/New_York:20180310T170000
DTSTAMP:20260421T173921
CREATED:20251230T191124Z
LAST-MODIFIED:20251230T191124Z
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SUMMARY:Skill Share - Live Coding with SuperCollider
DESCRIPTION:Saturday\, March 10th \n2pm-5pm \n \nJoin us for this Skill Share with Pittsburgh based musician Matt Wellins. Wellins will introduce participants to the open source and free software SuperCollider. \nSuperCollider is an object-oriented programming language designed for real-time audio applications\, such as algorithmic composition\, live performance\, and acoustic research. As it enters its 22nd year in existence\, SuperCollider uniquely thrives in its strong\, supportive internet community and the deep reserve of user-designed resources. Its built-in library gives users instant access to probabilistic forms of organization\, unique oscillators and filters\, and machine listening. \nIn this workshop\, we will discuss and illustrate several examples of “live coding” – a way of engaging with software in a performative way or as a useful tool for sound-making at home. Students will leave with a comprehensive introduction to the environment\, able to begin tackling their own projects\, circumventing SuperCollider’s somewhat challenging learning curve. \nNo prior knowledge of code is necessary\, though some experience with electronic music is suggested. \nSeats are limited register today!\n  \nCheck out these other events Matt Wellins will be doing during his visit here in Buffalo:\nTalk: Objects and Electronics\nThursday\, March 8\, 2018\nTime: 12:15-1:15pm\nCiminelli Concert Hall – Rockwell Hall\, 3rd Floor\n[ Buffalo State College\, Music Department\, 1300 Elmwood Ave\, Buffalo NY 14222 ]\nFree admission \nLive Performance: Matt Wellins @ The Cass Project\nSaturday\, March 10\, 2018\nTime: 7-9pm\nThe Cass Project\, in the Boiler Room\, Myrtle & Hamburg\n[500 Seneca St\, Buffalo\, NY 14204]\nAdmission: $10-20 Sliding Scale \n  \nMore information can be found at http://thecassproject.org/events/ \n \nThis workshop is offered in collaboration with The Cass Project \n For information contact kevin@squeaky.org. 
URL:https://squeaky.org/event/skill-share-live-coding-with-supercollider/
LOCATION:NY
CATEGORIES:Youth Program
ATTACH;FMTTYPE=image/png:https://squeaky.org/wp-content/uploads/2018/02/MATTWELLINS.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180309T190000
DTEND;TZID=America/New_York:20180309T210000
DTSTAMP:20260421T173921
CREATED:20251230T191124Z
LAST-MODIFIED:20251230T191124Z
UID:10000906-1520622000-1520629200@squeaky.org
SUMMARY:Shu Lea Cheang presents: I.K.U. This is not LOVE. This is SEX.
DESCRIPTION:Envisioned as a sequel to Blade Runner\, the “japanese sci-fi porn film” I.K.U. (74min\, 2001) scandalized audiences when it premiered at the Sundance Film Festival. Following the adventures of seven sexy replicants as they attempt to gather data for the I.K.U. system (which enables touchless orgasms)\, I.K.U. is a cyberpunk fuck film for the internet generation\, made by visionary multi-media artist Shu Lea Cheang. The artist will be in person to deliver an introduction to her film. \n“I.K.U. is a phenomenon that wants to refuse definition and… crosses all categories – geographic\, physical\, conceptual – with a demented flourish. As much trans-genre as it is trans-gender\, I.K.U. also wants to merge video and film into a fresh digital universe large-scale enough to overwhelm the viewer.” – B. Ruby Rich\, Rhizome\n \nThis screening is part of a three event series presented by the PLASMA series at the Department of Media Study\, SUNY Buffalo and Hallwalls Contemporary Art Center. Don’t miss the Shu Lea Cheang’s screening of FLUIDØ on Saturday\, March 10 at Hallwalls\, and her artist talk at the Department of Media Study on Monday\, March 12! \nPreview \nBio of the artist\nAs an artist and filmmaker\, Shu Lea Cheang has worked with various art mediums and film formats\, including installation\, performance\, net art\, public art\, video installation\, feature length film and mobile web serial. As a net art pioneer\, her BRANDON (1998-1999) was the first web art commissioned and collected by the Guggenheim museum New York. She has been crafting her own film genre of new queer cinema\, calling them eco-cybenoia (FRESH KILL\, 1994)\, scifi cyberpunk (I.K.U.\, 2000)\, scifi cyphepunk (Fluidø\, 2017). From homesteading cyberspace in the 90s to her current retreat to BioNet\, Cheang takes on viral love\, bio hack in her current cycle of works. She is currently developing UKI-cinema interrupted with mobile game intervention; Unborn0x9\, a hacking performance with open source ultrasound stethoscope and Mycelium Network Society\, an organic living network initiative. More info at http://mauvaiscontact.info\n \nImage: Shu Lea Cheang. I.K.U.: This is not LOVE. This is SEX. (2001)
URL:https://squeaky.org/event/iku/
LOCATION:NY
CATEGORIES:Screenings
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180305
DTEND;VALUE=DATE:20180306
DTSTAMP:20260421T173921
CREATED:20251230T191125Z
LAST-MODIFIED:20251230T191125Z
UID:10000909-1520208000-1520294399@squeaky.org
SUMMARY:BRING YOUR OWN TONY
DESCRIPTION:Calling all friends\, students and collaborators of Tony Conrad to…BRING YOUR OWN TONY! Submit your work to be considered for a special screening of films and videos on May 11th in which the late artist appeared or participated. One of Squeaky Wheel’s founders\, Conrad was a prolific collaborator\, and never shied away from being part of the works of his community. In association with the exhibition\, Introducing Tony Conrad: A Retrospective\, BRING YOUR OWN TONY honors the artist’s collaborative spirit by highlighting a few of the many art projects\, both known and unknown\, that he enthusiastically participated in. Did Tony star in your zombie flick? Did he play the accordion in the corner of your performance-art video? Do you have a cellphone clip of him goofing around at the Lennox? Send us your work! \nArtists included in BRING YOUR OWN TONY will receive a $50 screening fee per work. All works will be screened in digital formats; if selected works have not been digitized\, Squeaky Wheel will contact you to discuss non-archival digital transfer options. \nCLICK HERE TO SUBMIT YOUR WORK!\n\nIntroducing Tony Conrad: A Retrospective is organized by the Albright-Knox Art Gallery with the support of the University at Buffalo Art Galleries. The exhibition’s community partners include Burchfield Penney Art Center\, Hallwalls Contemporary Art Center\, and Squeaky Wheel Film & Media Art Center. \nBanner image: Tony Conrad with a video camera\, c. mid-1990s. Image courtesy Tony Conrad Archives 
URL:https://squeaky.org/event/bring-your-own-tony/
LOCATION:NY
CATEGORIES:Open Call
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180303T140000
DTEND;TZID=America/New_York:20180303T190000
DTSTAMP:20260421T173921
CREATED:20251230T191125Z
LAST-MODIFIED:20251230T191125Z
UID:10000911-1520085600-1520103600@squeaky.org
SUMMARY:Art + Feminism Wikipedia Edit-a-Thon!
DESCRIPTION:Free and open to the public\nRSVP here \nSqueaky Wheel will host an Art+Feminism Wikipedia Edit-a-thon to take place 2-7pm on Saturday\, March 3\, 2018 at 617 Main St\, Buffalo\, NY. This all-day event is designed to improve coverage of women\, gender\, feminism\, and the arts on Wikipedia. \nWhy we edit? Less than 10% of editors on Wikipedia are women. Wikipedia is the largest and most popular general reference work on the internet with more than 40 million articles in more than 250 different languages. The fact is when we don’t tell our stories or participate in the ways our history is preserved\, it gets erased. Let’s build our local contribution to the movement! \nWe provide tutorials for the beginner Wikipedian\, ongoing editing support\, reference materials\, childcare\, and refreshments. People of all gender identities and expressions are invited to participate\, particularly transgender and cisgender women. \nSqueaky Wheel invites back Toronto artist and Wikipedian extraordinaire Zeesy Powers to facilitate tutorials and discussions. New this year is a collaboration with the Albright Knox Art Gallery\, who will provide reference materials on the artists featured in their exhibition We Wanted a Revolution: Black Radical Women\, 1965–85 (on view from February 16–May 27). \nIf you require childcare\, please email caitcoder@gmail.com with the first names of children requiring care\, their ages\, and what time you plan on attending. \nPlease create a Wikipedia account before the event\, click here to learn how! And remember during the event to hashtag and post online so everyone around the world can see what you’re working on: #artandfeminism #noweditingaf @squeakybuffalo . \nThis event is co-presented with Peach Mag\, with partnership support from Buffalo State College’s Women & Gender Studies Interdisciplinary Minor\, UB Department of Art\, and UB Department of Media Study. Thank you to our sponsors at the Western New York Book Arts Center & Tipico Coffee. \nAbout the instructor\nZeesy Powers is an interdisciplinary artist. She teaches programs for digital illustration\, animation and video through community groups in Toronto\, and facilitates workshops on contributing to Wikipedia as part of the Art+Feminism edit-a-thons. During her 2017 National Artist-in-Residence at the Toronto Animated Image Society\, she produced This Could be You\, an interactive piece exploring practices of confinement in VR. She has performed and exhibited internationally\, and has been artist-in-residence at CCA Kitakyushu (Japan)\, Palomar5 (Berlin)\, the Banff New Media Institute\, and Studio XX (Montreal). In Toronto\, Powers has worked on several community-based project with children and youth in partnership with organizations like UrbanArts\, Axis Music and the Toronto Public Library. Currently\, she is working on a Canada Council and Chalmers Fellowship funded project on how consumer surveillance impacts how we relate to ourselves and others. She lives in Toronto.
URL:https://squeaky.org/event/art-feminism2018/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Special Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180303T050000
DTEND;TZID=America/New_York:20180324T090000
DTSTAMP:20260421T173921
CREATED:20251230T191125Z
LAST-MODIFIED:20251230T191125Z
UID:10000687-1520053200-1521882000@squeaky.org
SUMMARY:Motion & Graphics
DESCRIPTION:Motion & Graphics\n3/3/18 – 3/24/18 \nUsing a combination of Adobe After Effects & Final Cut Pro X\, students will learn the art of keyframe animation to produce unique and interesting motion graphics. Students are encourage to let their creativity shine in this workshop that will teach them powerful tools of expression. \n\n \n\nMembers $40 | Non-Members $60 \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nIf you have any additional questions\, please contact alex@squeaky.org\, or reach us by phone at (716) 884-7172.
URL:https://squeaky.org/event/motion-graphics/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Tech Arts for Girls
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GEO:42.8906261;-78.8721258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Squeaky Wheel 2495 Main Street Suite 310 Buffalo NY 14214 United States;X-APPLE-RADIUS=500;X-TITLE=2495 Main Street\, Suite 310:geo:-78.8721258,42.8906261
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180227T130000
DTEND;TZID=America/New_York:20180308T150000
DTSTAMP:20260421T173921
CREATED:20251230T191125Z
LAST-MODIFIED:20251230T191125Z
UID:10000901-1519736400-1520521200@squeaky.org
SUMMARY:Web Design
DESCRIPTION:Building your website doesn’t have to require a degree in computer science. This WordPress-based workshop will give you the tools to construct your online presence without any hardcore coding. \nTopics include: \n\nNavigating the WordPress platform\nApplying themes and customizing them to your needs\nUsing posts\, pages\, and events to keep your content up-to-date\n
Preparing videos\, images\, and graphics to be presented on your site\n\n\n \n\nMembers $135 | Non-Members $175 \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nIf you have any additional questions\, please contact alex@squeaky.org\, or reach us by phone at (716) 884-7172.
URL:https://squeaky.org/event/web-design-5/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Education
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END:VEVENT
END:VCALENDAR