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DTSTART;TZID=America/New_York:20260424T190000
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SUMMARY:Meet the Residents: Ajunie Virk\, Arielle Knight\, Jason Rhee
DESCRIPTION:This event has been postponed due to unforeseen reasons. The new date is Friday\, April 24\, 7 pm ET\nIn-person at Squeaky Wheel and online\nFree or suggested donation; get tickets below\nSqueaky Wheel is pleased to present this hybrid artist talk with our Spring 2026 Workspace Residents! Ajunie Virk\, Arielle Knight\, and Jason Rhee will be presenting on their previous and current projects\, along with a Q&A with the residents moderated by curator Ekrem Serdar. \nFor in-person attendees: The event will take place at Squeaky Wheel. Please note that you cannot enter Tri-Main Center after 7:30 pm. Catering from Ali Baba Kebab\, with vegetarian options\, will be provided. \nFor online attendees: A private link will be sent to you; the event will be available at the link at the start date and time. You will have access to the event for 24 hours; Squeaky Wheel members receive 72 hour access. Not a member yet? Sign up here. \nAccessibility: If you’d like to request ASL interpretation for either in-person or the online viewing\, please contact ekrem@squeaky.org by April 2. You can view additional information on Squeaky Wheel’s accessibility information here. \nAjunie Virk will be working on A Foot Off the Windowsill\, a feature length experimental film which follows a recovering addict whose fragile first relationship and year of sobriety collide as she scours her house to destroy a shadow she judges to be a cockroach. The roach—an insect often seen as toxic\, despite its essential role in ecosystems to break down remnants and waste—enters the character’s pristine home\, disrupting their curated world and forcing a reckoning with societal expectation\, relinquishment\, and authenticity. The film blends the use of  3D animation\, green screen performance\, and motion capture to highlight the inconsistencies in the personas we build to dodge the shame inherent in pursuing perfection. \nArielle Knight will be working on an installation version of And Counting… a hybrid documentary and fiction film that conveys the fractured experience of “carceral time”. The film follows a mother and her formerly incarcerated son’s journey home\, confronting their wounds and their hopes to rebuild their bond. Knight’s approach draws on the power of hybridity not as artifice\, but as a means of approaching reality more truthfully. During the residency\, the filmmaker will repurpose and recontextualize materials that did not make it into the short film—outtakes\, archival footage\, and experimental sound pieces—integrating them into an immersive multi-channel environment. \nFilmmaker Jason Rhee will be working on The Untitled EJ Lee Documentary\, an intimate feature-length film  that goes beyond basketball to unveil the untold story of Eun Jung “EJ” Lee\, a diminutive but powerful figure in the world of women’s basketball. The film tells a basketball story that’s never been told before: a female Asian immigrant in the southern U.S. who reached enormous heights on the biggest stages as a player and attempts to do the same as a coach. Following sports narratives  such as Last Chance U\, The Heart of The Game\, and Hoop Dreams\, the film showcases intimate verité footage of EJ and the players on and off the court\, the societal issues that they faced\, and the historical journey of EJ becoming one of the best basketball players in the world. In a society that tends to worship male sports icons\, The Untitled EJ Lee Documentary  seeks to inspire young women\, girls\, members of the AAPI community\, older adults\, and sports enthusiasts at large\, ushering a resilient and awe-inspiring woman into the pantheon of American sports heroes. \nFunding for this session of Squeaky Wheel’s Workspace Residency is provided by the Teiger Foundation and the Andy Warhol Foundation for the Visual Arts. Thank you to our friends at Rust Belt Books\, Buffalo’s largest used bookstore\, for sponsoring this session of the residency. Special thank you to the panelists of this session of the residency\, Alicia Hawkins\, Donte McFadden\, and Joan Nobile. Learn more about the program here. \nBiographies of the artists\n \nAjunie Virk is an Indian-American writer-director and animator whose work investigates the relationship between surveillance\, identity\, and paranoia in a diasporic middle-America\, conjuring up narratives that force viewers to face uncomfortable truths only apparent after objects of nostalgia are stripped of their familiar contexts. An alumnus of Carnegie Mellon University\, Virk was an artist-in-residence at Bunker Projects\, Brew House Arts\, the Skowhegan School of Painting and Sculpture\, and the Yale Norfolk School of Art. A recipient of the Anne Dowden and Samuel Rosenberg awards\, she has recently screened works at the Coaxial Art Foundation\, Roski Mateo Gallery\, and Light Matters Festival\, among others. \n \nDirector and producer Arielle Knight is an award-winning filmmaker and founder of GoodKnight Films Inc.\, acclaimed for her innovative storytelling that illuminates untold narratives across the Black diaspora. Working at the intersection of documentary and hybrid forms\, her films and collaborations examine how communities navigate social\, economic\, and embodied precarity. She draws on surreal interpretations of political\, social\, and domestic realities\, blurring boundaries between nonfiction and fantasy to create cinematic spaces of escape and freedom. Her work has been supported by the Sundance Institute\, Southern Documentary Fund\, Catapult Film Fund\, and the Ford Foundation\, among others. Through intimate\, personal narratives\, Knight continues to expand the possibilities of contemporary cinema with a vision rooted in Black futurity\, imagination\, and experimentation. \n \nJason Rhee (Director/Producer/Cinematographer) is a Korean American filmmaker with a passion for telling stories centered around his childhood and the AAPI community. Jason spent a decade in comedy prior to working on his feature film at institutions like The Onion and Conan. With a background in screenwriting and comedy\, he helped produce three one- woman shows with comedian Kellye Howard\, including directing a sold-out run at the Steppenwolf Theater as part of its 2022 LookOut series. Jason recently served as a cinematographer for PBS WTTW’s Firsthand webseries on migrants\, unhoused Chicagoans\, and peacekeepers.
URL:https://squeaky.org/event/meet-the-residents-ajunie-virk-arielle-knight-jason-rhee/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Artist Talk,Hybrid,Residencies
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260422T183000
DTEND;TZID=America/New_York:20260422T203000
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CREATED:20260313T153151Z
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SUMMARY:A/V Club April
DESCRIPTION:Wednesday\, April 22\, 6:30-8:30pm\nFree\, sign up below\nWe’ve added preceding Saturdays as A/V Studio days where members are encouraged to convene and work on projects in our lab to present for the meetup. Future dates will be: \n  \nSaturday\, April 18\, 2-5pm A/V Studio \nWednesday\, April 22\, 6:30-8:30pm A/V Club Meetup \nSaturday\, May 16\, 2-5pm A/V Studio \nWednesday\, May 20\, 6:30-8:30pm A/V Club Meetup \nSaturday\, June 13\, 2-5pm A/V Studio \nWednesday\, June 17\, 6:30-8:30pm A/V Club Meetup \n  \n  \nJoin us for the next round of Squeaky’s A/V Club\, a monthly meetup for digital artists\, media artists\, sound artists\, video artists\, filmmakers\, animators\, game designers\, etc etc.  Come share works in progress\, talk skills and experiences\, and embrace the challenges of making media work in an informal\, constructive and exploratory environment. New members are always welcome and appreciated- we want to see your work! \n  \nHave a skill you want to share with the group? We’re looking for ways to share the little tidbits of wisdom we’ve picked up along the way from the various working methods we’ve employed while toiling in the studio. If you’ve found an interesting art hack\, have a passion for technical skill\, or find yourself knowledgeable in a topic you think might be good to pass along to fellow artists\, fill out this form and let us know! We’d like to include informal skill sharing as part of the A/V Club structure in the future. \n  \nNote: This is an interdisciplinary group\, so if you’re only interested in talking about a single art form\, then this might not be the right group for you. If you’re interested in sharing\, learning\, exploring\, and experimenting across forms\, genres\, styles\, processes\, and mediums\, then you’ll be right at home! \n 
URL:https://squeaky.org/event/a-v-club-april/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Open Call,Skill Share
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260421T183000
DTEND;TZID=America/New_York:20260421T203000
DTSTAMP:20260501T133642
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LAST-MODIFIED:20260413T181837Z
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SUMMARY:Building Trust On and Off Camera: Ethical Practices with Film Participants with Jason Rhee
DESCRIPTION:Tuesday\, April 21\, 6:30–8:30 pm\nFree or $10 suggested donation; open to ages 16+.\nLimited seats available; register below.\nTrust is the foundation of ethical and effective documentary\, participatory\, and community-based filmmaking. This workshop by visiting filmmaker Jason Rhee equips filmmakers\, media artists\, and researchers with practical strategies to build\, negotiate\, and sustain trust with participants—especially those from marginalized or vulnerable communities. Drawing on the themes of informed consent\, accessibility\, privacy\, and reciprocity\, participants will explore how transparent communication and mutual accountability can transform the filmmaker-participant relationship. \nThe filmmaker will introduce topics and facilitate discussion on power dynamics\, long-term relationships\, and anonymized case studies where trust broke down\, and also provide participants with toolkits such as sample consent forms and checklists for informed consent. Optionally\, participants are also welcome to introduce specific trust challenges in their own projects and workshop them with their peers. \nAttendees: Notebooks and pens for the workshop will be provided\, though participants are welcome to bring their own. We’ll be ordering a pizza to share. Please note that you cannot enter Tri-Main center after 7:30 pm. \nFunding for this session of Squeaky Wheel’s Workspace Residency is provided by the Teiger Foundation and the Andy Warhol Foundation for the Visual Arts. Thank you to our friends at Rust Belt Books\, Buffalo’s largest used bookstore\, for sponsoring this session of the residency. Special thank you to the panelists of this session of the residency\, Alicia Hawkins\, Donte McFadden\, and Joan Nobile. Learn more about the program here. \nBiography of the artist\n \nJason Rhee (Director/Producer/Cinematographer) is a Korean American filmmaker with a passion for telling stories centered around his childhood and the AAPI community. Jason spent a decade in comedy prior to working on his feature film at institutions like The Onion and Conan. With a background in screenwriting and comedy\, he helped produce three one- woman shows with comedian Kellye Howard\, including directing a sold-out run at the Steppenwolf Theater as part of its 2022 LookOut series. Jason recently served as a cinematographer for PBS WTTW’s Firsthand webseries on migrants\, unhoused Chicagoans\, and peacekeepers. \nBanner image: A still from Jason Rhee’s in-progress The Untitled EJ Lee Documentary. Untitled A petit young Asian woman wearing a burgundy red jersey and dribbling a basketball in front of an opposing tall player in a white jersey\, all within the backdrop of a crowded arena.
URL:https://squeaky.org/event/building-trust-on-and-off-camera-ethical-practices-with-film-participants-with-jason-rhee/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Residencies,Skill Share
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DTSTART;TZID=America/New_York:20260416T183000
DTEND;TZID=America/New_York:20260416T203000
DTSTAMP:20260501T133642
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SUMMARY:Autotheory and the Poetics of the Self: Storying the Personal with Arielle Knight
DESCRIPTION:Thursday\, April 16\, 6:30–8:30 pm\nFree or $10 suggested donation; open to ages 16+.\nLimited seats available; register below\nJoin Squeaky Wheel and visiting artist resident Arielle Knight for a short form writing workshop! This skill share invites participants to experiment with autobiographical storytelling and the practice of autotheory—the blending of lived experience and critical thought—to create new forms of narrative that collapse the boundaries between personal and intellectual inquiry. Drawing from practices in experimental film\, performance\, and essay-making\, this session will guide participants in transforming fragments of memory\, personal archives\, and embodied experiences into generative creative material. \nParticipants will engage in short writing and reflection exercises that explore how personal narrative can serve as both evidence and theory\, as well as how storytelling becomes a method for survival\, healing\, and critique. Examples of artists and thinkers who employ autotheory to reframe vulnerability as a tool for intervention will be presented\, including excerpts from texts by bell hooks\, Audre Lorde\, and Maggie Nelson. \nThrough group discussion and individual exercises\, participants will learn strategies for translating autobiographical material into multiple media forms—moving image\, sound\, installation\, and text—and discuss the ethics of working with one’s own story and the stories of others. By the end of the workshop\, each participant will have developed a short creative concept or fragment that reflects their own approach to merging self-experience and theory in creative practice. \nThe filmmakers presents this skill-share as an offering; centering on creating a supportive and exploratory environment\, where storytelling becomes a form of research and resistance\, allowing each participant to reimagine how the personal can illuminate the collective and the political. \nAttendees: Notebooks and pens for the workshop will be provided\, though participants are welcome to bring their own. We’ll be ordering a pizza for everyone. Please note that you cannot enter Tri-Main center after 7:30 pm. \nFunding for this session of Squeaky Wheel’s Workspace Residency is provided by the Teiger Foundation and the Andy Warhol Foundation for the Visual Arts. Thank you to our friends at Rust Belt Books\, Buffalo’s largest used bookstore\, for sponsoring this session of the residency. Special thank you to the panelists of this session of the residency\, Alicia Hawkins\, Donte McFadden\, and Joan Nobile. Learn more about the program here. \nBiography of the artist\n \nDirector and producer Arielle Knight is an award-winning filmmaker and founder of GoodKnight Films Inc.\, acclaimed for her innovative storytelling that illuminates untold narratives across the Black diaspora. Working at the intersection of documentary and hybrid forms\, her films and collaborations examine how communities navigate social\, economic\, and embodied precarity. She draws on surreal interpretations of political\, social\, and domestic realities\, blurring boundaries between nonfiction and fantasy to create cinematic spaces of escape and freedom. Her work has been supported by the Sundance Institute\, Southern Documentary Fund\, Catapult Film Fund\, and the Ford Foundation\, among others. Through intimate\, personal narratives\, Knight continues to expand the possibilities of contemporary cinema with a vision rooted in Black futurity\, imagination\, and experimentation. \nImage: A still from And Counting\, a film by Arielle Knight. Two Black people laying on a wooden floor\, their heads next to each other. One of them is smiling while gesturing and talking\, the other has their eyes closed\, their head resting on their hands. The sun beams on them from a window.
URL:https://squeaky.org/event/autotheory-and-the-poetics-of-the-self-storying-the-personal-with-arielle-knight/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Residencies,Skill Share
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DTSTART;TZID=America/New_York:20260414T183000
DTEND;TZID=America/New_York:20260414T203000
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SUMMARY:Sound in the Margins: Drawing audio on 16mm film with Ajunie Virk
DESCRIPTION:Tuesday\, April 14\, 6:30–8:30 pm\nFree or $10 suggested donation; open to ages 16+.\nLimited seats available; register below\nJoin artist resident Ajunie Virk for a workshop that teaches participants how to create experimental audio by drawing directly onto the optical soundtrack of 16mm film\, a technique the artists uses herself to personalize sound and generate abstract audio layers within her own video works. \nThis hands-on workshop methods in mark-making\, sound reading\, and editing to craft unique sonic textures. Participants will be introduced to historical and artistic antecedents\, including the work of Daphne Oram and Arseny Avraamov\, and learn analog and digital tools – including 16mm projectors\, the Photosounder software\, among others. \nAttendees: Participants are welcome to bring their own laptops\, but can also request one in the registration form. You can install the Photosounder software here. Additional materials will be provided. We’ll be ordering a pizza for everyone. Please note that you cannot enter Tri-Main center after 7:30 pm. \nFunding for this session of Squeaky Wheel’s Workspace Residency is provided by the Teiger Foundation and the Andy Warhol Foundation for the Visual Arts. Thank you to our friends at Rust Belt Books\, Buffalo’s largest used bookstore\, for sponsoring this session of the residency. Special thank you to the panelists of this session of the residency\, Alicia Hawkins\, Donte McFadden\, and Joan Nobile. Learn more about the program here. \nBiography of the artist\nAjunie Virk is an Indian-American writer-director and animator whose work investigates the relationship between surveillance\, identity\, and paranoia in a diasporic middle-America\, conjuring up narratives that force viewers to face uncomfortable truths only apparent after objects of nostalgia are stripped of their familiar contexts. An alumnus of Carnegie Mellon University\, Virk was an artist-in-residence at Bunker Projects\, Brew House Arts\, the Skowhegan School of Painting and Sculpture\, and the Yale Norfolk School of Art. A recipient of the Anne Dowden and Samuel Rosenberg awards\, she has recently screened works at the Coaxial Art Foundation\, Roski Mateo Gallery\, and Light Matters Festival\, among others. \nBanner image: A still from an animation by Ajunie Virk of a group of people crawling along the strings\, dampers\, and hammers of the inside of a piano.
URL:https://squeaky.org/event/sound-in-the-margins-drawing-audio-on-16mm-film-with-ajunie-virk/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Residencies,Skill Share
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DTSTART;TZID=America/New_York:20260327T000000
DTEND;TZID=America/New_York:20260329T235900
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SUMMARY:Online access | Infiltrators: Films on borders and resistance
DESCRIPTION:Friday\, March 27–Sunday\, March 29 online\n$10 General / Free for Squeaky Wheel members\nFor one weekend only\, you can watch all four films as part of Infiltrators: Films on borders and resistance in the comfort of your own home! The four films\, by Alex Rivera\, Alex Rivera and Cristina Ibarra\, and Khaled Jarrar\, take on the human toll of borders and the organized and individual ways people evade and resist them. Featuring both cult classic works and acclaimed documentaries\, the films – with Rivera’s work focusing on the maintenance and violence of the US border\, and Jarrar’s focusing on power struggles\, in particular as they relate to Palestine and the Palestinian diaspora – showcases the logistical\, ethical\, and bureaucratic logics of border regimes\, and points to intertwined solidarities. Along with the films\, you will also receive a recording of the artist talk with Alex Rivera and Khaled Jarrar that took place on March 24th. \nThe films include: \n\nKhaled Jarrar’s Notes on Displacement\nAlex Rivera & Cristina Ibarra’s The Infiltrators\nAlex Rivera’s Sleep Dealer\nKhaled Jarrar’s Infiltrators (US viewers only)\n\nOnline access to the screenings are free for members of Squeaky Wheel. Not a member yet? Memberships start at $30/year (that’s $2.50/mo). Click here to sign up. \nFor online attendees: Private links will be sent to you; the event will be available at the link at the start date and time. You will have access to the films through Sunday\, March 29. Please note that Khaled Jarrar’s Infiltrators is only available for US viewers. \nAccessibility: Spanish subtitles are available for Alex Rivera & Christina Ibarra’s The Infiltrators\, and closed captions are available for both The Infiltrators and Rivera’s Sleep Dealer. Khaled Jarrar’s films are in Arabic with English subtitles. \nThis event series is supported by Teiger Foundation and the Andy Warhol Foundation for the Visual Arts. Thank you to our co-presenters at Jewish Voice for Peace – Buffalo. Khaled Jarrar’s Infiltrators is courtesy of Third World Newsreel\, and his film Notes on Displacement is courtesy of Cinema Politica. Special thank you to Paige Sarlin\, Jason Livingston\, and Leo Goldsmith. \nBiographies of the filmmakers\nAlex Rivera is an award-winning filmmaker whose work explores themes of globalization\, migration\, and technology. Rivera’s first feature film\, Sleep Dealer\, a cyberpunk thriller set on the U.S./Mexico border\, won awards at the 2008 Sundance Film Festival and the Berlin International Film Festival\, was screened at the Museum of Modern Art\, and had a commercial theatrical release in the U.S\, France\, Japan\, and other countries. Rivera’s second feature\, The Infiltrators\, won the NEXT: Audience Award and the Innovator Award at the 2019 Sundance Film Festival. The Infiltrators uses documentary and scripted forms to tell the true story of Dreamers who ‘infiltrate’ a detention center to get immigrants out. Rivera is currently developing a few new cyberpunk projects and\, with support from the Ford Foundation\, a feature documentary on the history of deportation titled Banishment. Alex Rivera is a 2021 MacArthur Fellow\, Sundance Fellow\, Creative Capital Grantee and was The Rothschild Lecturer at Harvard University. He studied at Hampshire College and lives in Los Angeles. He is an Associate Professor of Filmmaking Practice at ASU’s Sidney Poitier New American Film School. \nCristina Ibarra is a Sundance award-winning filmmaker with a 20-year practice rooted in her border crossing roots along the Texas-Mexico border. The Infiltrators is a docu-thriller about undocumented activists on a secret mission inside a detention center is currently being distributed by Oscilloscope. It won the Audience and the Innovator Award in the NEXT section at the Sundance Film Festival in 2019\, among other notable festival awards. The New York Times calls her previous award-winning documentary\, Las Marthas\, about wealthy South Texas border debutantes who honor George Washington in Laredo\, Texas “a striking alternative portrait of border life”. It premiered on PBS’s Independent Lens in 2014 and is distributed by Women Make Movies. The Last Conquistador\, a documentary about the racially conflicted construction of a monument to a conquistador in El Paso\, Texas\, was broadcast on POV in 2008. USA Today describes it as “Heroic”. Her award-winning directorial debut\, Dirty Laundry: A Homemade Telenovela\, was broadcast on PBS in 2001. She is the recipient of fellowships from Soros\, Rauschenberg\, Rockefeller\, NYFA\, CPB/PBS\, NALIP\, Firelight\, the Sundance Women’s Initiative and Creative Capital\, among others. \nKhaled Jarrar was born in Jenin\, Occupied Palestine in 1976. He lives and works in Ramallah. Jarrar completed his studies in interior design at Palestine Polytechnic University in 1996. Upon graduating he smuggled himself to work as a carpenter in Nazareth\, living as an underground “illegal” worker. In 1998 Jarrar enlisted in an intensive military training which resulted in working for Arafat as a personal body guard until Arafat’s death in 2004. Attempting to create a life between the military and an artistic practice\, Jarrar entered the field of photography in 2005. Jarrar graduated from the International Academy of Art – Palestine\, Ramallah in 2011 and completed an MFA in fine art from the University of Arizona in 2019. \nJarrar\, a multidisciplinary artist\, explores modern power struggles and their sociocultural impact on ordinary citizens through highly symbolic photographs\, videos\, film\, and performative interventions. His State of Palestine project was featured in the 7th Berlin Biennale. Where We Lost Our Shadows\, his filmic collaboration with Pulitzer prize winning composer Du Yun\, was shown at Carnegie Hall and the Kennedy Center for Performing Arts. Jarrar’s work has been featured at Maraya Art Centre\, Sharjah; the New Museum\, New York City; the University of Applied Arts\, Vienna; the 15th Jakarta Biennale; 52nd October Salon\, Belgrade; Al-Ma’mal Foundation\, Jerusalem; and the London Film Festival. Infiltrators\, Jarrar’s first feature length film\, was a documentary about the business of Palestinian’s “illegally” crossing and won the FIPRESCI Award for Best Documentary\, Jury Special Award and the Muhr Arab Documentary Special Jury Prize at the Dubai International Film Festival in 2012. Notes on Displacement\, his second feature length\, about a Palestinian refugee’s flight from Syria to Germany\, received a world premiere at the IDFA Envision Competition in November 2022. \nBanner image: An orange gradient overlaid with the text “INFILTRATORS: Films on borders and resistance. Online this weekend! Free for members of Squeaky Wheel.”
URL:https://squeaky.org/event/online-access-infiltrators-films-on-borders-and-resistance/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Screenings,Virtual
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LAST-MODIFIED:20260313T161023Z
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SUMMARY:Khaled Jarrar's Infiltrators
DESCRIPTION:Wednesday\, March 25\, 2026\, 7 pm at Burning Books (420 Connecticut St\, Buffalo\, NY 14213)\nFree or $10 suggested donation. Limited seating\, first-come\, first-serve\nKhaled Jarrar’s stunning Infiltrators (70 minutes\, Palestine / United Arab Emirates\, 2012) is a visceral road movie that chronicles the daily travails of Palestinians of all backgrounds as they seek routes through\, under\, around\, and over a bewildering matrix of barriers and border walls in the highly militarized West Bank. Alternating between cigarette breaks\, detours\, waiting\, and moving\, Infiltrators depicts the cunning\, unnerving\, and constant struggle to defy captivity and occupation. \nFor attendees: The screening will take place at Burning Books located at 420 Connecticut Street\, Buffalo\, NY 14213. Street parking is available. For transportation by bus\, it is near stops for the 3\, 19\, 22\, and 101 bus lines. Seating is first-come\, first-serve. \nThis screening is presented as part of the series\, Infiltrators: Films on borders and resistance. Support for this program is provided by Teiger Foundation and the Andy Warhol Foundation for the Visual Arts. Film courtesy of Third World Newsreel. \n \nAbout the filmmaker\nKhaled Jarrar was born in Jenin\, Occupied Palestine in 1976. He lives and works in Ramallah. Jarrar completed his studies in interior design at Palestine Polytechnic University in 1996. Upon graduating he smuggled himself to work as a carpenter in Nazareth\, living as an underground “illegal” worker. In 1998 Jarrar enlisted in an intensive military training which resulted in working for Arafat as a personal body guard until Arafat’s death in 2004. Attempting to create a life between the military and an artistic practice\, Jarrar entered the field of photography in 2005. Jarrar graduated from the International Academy of Art – Palestine\, Ramallah in 2011 and completed an MFA in fine art from the University of Arizona in 2019. \nJarrar\, a multidisciplinary artist\, explores modern power struggles and their sociocultural impact on ordinary citizens through highly symbolic photographs\, videos\, film\, and performative interventions. His State of Palestine project was featured in the 7th Berlin Biennale. Where We Lost Our Shadows\, his filmic collaboration with Pulitzer prize winning composer Du Yun\, was shown at Carnegie Hall and the Kennedy Center for Performing Arts. Jarrar’s work has been featured at Maraya Art Centre\, Sharjah; the New Museum\, New York City; the University of Applied Arts\, Vienna; the 15th Jakarta Biennale; 52nd October Salon\, Belgrade; Al-Ma’mal Foundation\, Jerusalem; and the London Film Festival. Infiltrators\, Jarrar’s first feature length film\, was a documentary about the business of Palestinian’s “illegally” crossing and won the FIPRESCI Award for Best Documentary\, Jury Special Award and the Muhr Arab Documentary Special Jury Prize at the Dubai International Film Festival in 2012. Notes on Displacement\, his second feature length\, about a Palestinian refugee’s flight from Syria to Germany\, received a world premiere at the IDFA Envision Competition in November 2022. \nBanner image: A still from Khaled Jarrar’s film\, Infiltrators. The frames of several people can be discerned against a city backdrop at night time. Clouds are lit in orange from the city lights.
URL:https://squeaky.org/event/khaled-jarrars-infiltrators/
LOCATION:Burning Books\, 420 Connecticut Street\, Buffalo\, 14213\, United States
CATEGORIES:Screenings
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2026/02/Infiltrators-film.00_54_22_06.Still007.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260324T190000
DTEND;TZID=America/New_York:20260324T203000
DTSTAMP:20260501T133642
CREATED:20260313T155902Z
LAST-MODIFIED:20260313T160750Z
UID:10001303-1774378800-1774384200@squeaky.org
SUMMARY:Alex Rivera & Khaled Jarrar
DESCRIPTION:Tuesday\, February 24\, 7 pm ET\nOnline on Zoom. Click here to register.\nSqueaky Wheel presents a virtual artist talk with artists Alex Rivera and Khaled Jarrar to discuss their films that are screening as part of Infiltrators: Films on borders and resistance\, and answer questions from the audience. The screening series take on the human toll of borders and the organized and individual ways people evade and resist them. Featuring both cult classic works and acclaimed documentaries\, the films – with Rivera’s work focusing on the maintenance and violence of the US border\, and Jarrar’s focusing on power struggles\, in particular as they relate to Palestine and the Palestinian diaspora – showcases the logistical\, ethical\, and bureaucratic logics of border regimes\, and points to intertwined solidarities. \nInfiltrators: Films on borders and resistance is supported by Teiger Foundation and the Andy Warhol Foundation for the Visual Arts. Thank you to our co-presenters at Jewish Voice for Peace – Buffalo. Khaled Jarrar’s Infiltrators is courtesy of Third World Newsreel\, and his film Notes on Displacement is courtesy of Cinema Politica. Special thank you to Paige Sarlin and Leo Goldsmith. \nBiographies of the artists\nAlex Rivera is an award-winning filmmaker whose work explores themes of globalization\, migration\, and technology. Rivera’s first feature film\, Sleep Dealer\, a cyberpunk thriller set on the U.S./Mexico border\, won awards at the 2008 Sundance Film Festival and the Berlin International Film Festival\, was screened at the Museum of Modern Art\, and had a commercial theatrical release in the U.S\, France\, Japan\, and other countries. Rivera’s second feature\, The Infiltrators\, won the NEXT: Audience Award and the Innovator Award at the 2019 Sundance Film Festival. The Infiltrators uses documentary and scripted forms to tell the true story of Dreamers who ‘infiltrate’ a detention center to get immigrants out. Rivera is currently developing a few new cyberpunk projects and\, with support from the Ford Foundation\, a feature documentary on the history of deportation titled Banishment. Alex Rivera is a 2021 MacArthur Fellow\, Sundance Fellow\, Creative Capital Grantee and was The Rothschild Lecturer at Harvard University. He studied at Hampshire College and lives in Los Angeles. He is an Associate Professor of Filmmaking Practice at ASU’s Sidney Poitier New American Film School. \nKhaled Jarrar was born in Jenin\, Occupied Palestine in 1976. He lives and works in Ramallah. Jarrar completed his studies in interior design at Palestine Polytechnic University in 1996. Upon graduating he smuggled himself to work as a carpenter in Nazareth\, living as an underground “illegal” worker. In 1998 Jarrar enlisted in an intensive military training which resulted in working for Arafat as a personal body guard until Arafat’s death in 2004. Attempting to create a life between the military and an artistic practice\, Jarrar entered the field of photography in 2005. Jarrar graduated from the International Academy of Art – Palestine\, Ramallah in 2011 and completed an MFA in fine art from the University of Arizona in 2019. \nJarrar\, a multidisciplinary artist\, explores modern power struggles and their sociocultural impact on ordinary citizens through highly symbolic photographs\, videos\, film\, and performative interventions. His State of Palestine project was featured in the 7th Berlin Biennale. Where We Lost Our Shadows\, his filmic collaboration with Pulitzer prize winning composer Du Yun\, was shown at Carnegie Hall and the Kennedy Center for Performing Arts. Jarrar’s work has been featured at Maraya Art Centre\, Sharjah; the New Museum\, New York City; the University of Applied Arts\, Vienna; the 15th Jakarta Biennale; 52nd October Salon\, Belgrade; Al-Ma’mal Foundation\, Jerusalem; and the London Film Festival. Infiltrators\, Jarrar’s first feature length film\, was a documentary about the business of Palestinian’s “illegally” crossing and won the FIPRESCI Award for Best Documentary\, Jury Special Award and the Muhr Arab Documentary Special Jury Prize at the Dubai International Film Festival in 2012. Notes on Displacement\, his second feature length\, about a Palestinian refugee’s flight from Syria to Germany\, received a world premiere at the IDFA Envision Competition in November 2022. \nPhotographs of Alex Rivera courtesy of the artist. Photograph of Khaled Jarrar courtesy of Cinema Politica.
URL:https://squeaky.org/event/alex-rivera-khaled-jarrar/
LOCATION:Virtual\, NY\, United States
CATEGORIES:Artist Talk,Virtual
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2026/03/alex-khaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260319T190000
DTEND;TZID=America/New_York:20260319T190000
DTSTAMP:20260501T133642
CREATED:20260313T160038Z
LAST-MODIFIED:20260313T160833Z
UID:10001290-1773946800-1773946800@squeaky.org
SUMMARY:Alex Rivera's Sleep Dealer
DESCRIPTION:Thursday\, March 19\, 2026\, 7 pm at Burning Books (420 Connecticut St\, Buffalo\, NY 14213)\nFree or $10 suggested donation. Limited seating\, first-come\, first-serve\nSleep Dealer (90 minutes\, 2008) is a science-fiction film set on the U.S. / Mexico border that tells the story of Memo Cruz (Luis Fernando Peña)\, a young man from Mexico who dreams of coming to the United States. However\, in this brave new borderland\, crossing is impossible\, and Memo ‘migrates’ in a new way — over the net. By connecting his body to the net Memo controls a machine that performs his labor in America\, sending his pure work without the body of the worker. \nA film that has gained a cult following since its release (when it was awarded awards at Sundance\, the Gotham Awards\, and the Berlin Film Festival)\, the films ideas on remote labor\, unmanned war\, and border maintenance remains terrifyingly prescient 18 years later. \nSleep Dealer is my first feature film. I made it\, in part\, because I love science fiction. I grew up watching Star Wars\, Brazil and Blade Runner. However\, at a certain point\, I realized that despite the genre’s wild stories and countless special effects\, there were some things that were unimaginable – and that maybe there was an opportunity to do something radically new with sci-fi… The paradox of a world connected by technology\, but divided by borders\, is the central concept of Sleep Dealer. Other present-day realities inspired my futuristic fantasy: violent reality shows like COPS\, private military contractors like Blackwater\, remote control drones like the Predator Drone\, the trend of outsourcing jobs over the web\, the impending global water crisis\, and the ubiquity of video sharing sites YouTube to name a few. This is a science-fiction with many anchors in today’s reality. Sleep Dealer is my first film. It’s not anything like a Star Wars or a Blade Runner. In many ways it’s a humble film. But it’s also an honest attempt to use science- fiction film to say something new\, and something true\, about our world today. – Alex Rivera\, 2008 \nFor attendees: The screening will take place at Burning Books located at 420 Connecticut Street\, Buffalo\, NY 14213. Street parking is available. For transportation by bus\, it is near stops for the 3\, 19\, 22\, and 101 bus lines. Seating is first-come\, first-serve. \nThis screening is presented as part of the series\, Infiltrators: Films on borders and resistance. Support for this program is provided by Teiger Foundation and the Andy Warhol Foundation for the Visual Arts. Special thank you to Leo Goldsmith and Paige Sarlin. \n \nAbout the filmmakers\nAlex Rivera is an award-winning filmmaker whose work explores themes of globalization\, migration\, and technology. Rivera’s first feature film\, Sleep Dealer\, a cyberpunk thriller set on the U.S./Mexico border\, won awards at the 2008 Sundance Film Festival and the Berlin International Film Festival\, was screened at the Museum of Modern Art\, and had a commercial theatrical release in the U.S\, France\, Japan\, and other countries. Rivera’s second feature\, The Infiltrators\, won the NEXT: Audience Award and the Innovator Award at the 2019 Sundance Film Festival. The Infiltrators uses documentary and scripted forms to tell the true story of Dreamers who ‘infiltrate’ a detention center to get immigrants out. Rivera is currently developing a few new cyberpunk projects and\, with support from the Ford Foundation\, a feature documentary on the history of deportation titled Banishment. Alex Rivera is a 2021 MacArthur Fellow\, Sundance Fellow\, Creative Capital Grantee and was The Rothschild Lecturer at Harvard University. He studied at Hampshire College and lives in Los Angeles. He is an Associate Professor of Filmmaking Practice at ASU’s Sidney Poitier New American Film School. \nBanner image: A still from Alex Rivera’s film Sleep Dealer. A man with his mouth obstructed by some strange technology is connected to a larger machine by a mess of blue wires. He is looking intently ahead as if looking somewhere else.
URL:https://squeaky.org/event/alex-riveras-sleep-dealer/
LOCATION:Burning Books\, 420 Connecticut Street\, Buffalo\, 14213\, United States
CATEGORIES:Screenings
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2026/02/Screenshot-2026-02-11-at-12.20.41-PM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260318T183000
DTEND;TZID=America/New_York:20260318T203000
DTSTAMP:20260501T133642
CREATED:20260313T160554Z
LAST-MODIFIED:20260313T161613Z
UID:10001287-1773858600-1773865800@squeaky.org
SUMMARY:A/V Club March
DESCRIPTION:Wednesday\, March 18\, 6:30-8:30pm\nFree\, sign up below\nWe’ve added preceding Saturdays as A/V Studio days where members are encouraged to convene and work on projects in our lab to present for the meetup. Future dates will be: \n  \nWednesday\, March 18\, 6:30-8:30pm A/V Club Meetup \nSaturday\, April 18\, 2-5pm A/V Studio \nWednesday\, April 22\, 6:30-8:30pm A/V Club Meetup \nSaturday\, May 16\, 2-5pm A/V Studio \nWednesday\, May 20\, 6:30-8:30pm A/V Club Meetup \n  \n  \nJoin us for the next round of Squeaky’s A/V Club\, a monthly meetup for digital artists\, media artists\, sound artists\, video artists\, filmmakers\, animators\, game designers\, etc etc.  Come share works in progress\, talk skills and experiences\, and embrace the challenges of making media work in an informal\, constructive and exploratory environment. New members are always welcome and appreciated- we want to see your work! \n  \nHave a skill you want to share with the group? We’re looking for ways to share the little tidbits of wisdom we’ve picked up along the way from the various working methods we’ve employed while toiling in the studio. If you’ve found an interesting art hack\, have a passion for technical skill\, or find yourself knowledgeable in a topic you think might be good to pass along to fellow artists\, fill out this form and let us know! We’d like to include informal skill sharing as part of the A/V Club structure in the future. \n  \nNote: This is an interdisciplinary group\, so if you’re only interested in talking about a single art form\, then this might not be the right group for you. If you’re interested in sharing\, learning\, exploring\, and experimenting across forms\, genres\, styles\, processes\, and mediums\, then you’ll be right at home! \n 
URL:https://squeaky.org/event/a-v-club-march/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Open Call,Skill Share
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2026/01/03-AV-Mar-Web.jpg
GEO:42.8906261;-78.8721258
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260311T190000
DTEND;TZID=America/New_York:20260311T210000
DTSTAMP:20260501T133643
CREATED:20260211T171808Z
LAST-MODIFIED:20260225T194248Z
UID:10001289-1773255600-1773262800@squeaky.org
SUMMARY:Alex Rivera and Cristina Ibarra's The Infiltrators
DESCRIPTION:Wednesday\, March 11\, 2026\, 7 pm at Burning Books (420 Connecticut St\, Buffalo\, NY 14213)\nFree or $10 suggested donation. Limited seating\, first-come\, first-serve\nThe Infiltrators (95 minutes\, 2019) is a docu-thriller that tells the true story of young undocumented immigrants who get arrested by Border Patrol\, and put in a shadowy for-profit detention center – on purpose. \nThe protagonists are members of the National Immigrant Youth Alliance\, a group of radical Dreamers who are on a mission to stop deportations. And the best place to stop deportations\, they believe\, is in detention. However\, when the activists try to pull off their heist – a kind of ‘prison break’ in reverse – things don’t go according to plan. \nBy weaving together documentary footage of the real infiltrators with scripted re-enactments of the events inside the detention center\, The Infiltrators tells this incredible true story in a boundary-crossing new cinematic language. \nTaking place during the Obama years\, the award winning film (including Audience Award at the Sundance Film Festival and Best Documentary at the Blackstar Film Festival)\, The Infiltrators is an in turn chilling reminder of long-standing immigrant rights activists and the history of the nation’s exclusionary migration policies. \nFor attendees: The screening will take place at Burning Books located at 420 Connecticut Street\, Buffalo\, NY 14213. Street parking is available. For transportation by bus\, it is near stops for the 3\, 19\, 22\, and 101 bus lines. Seating is first-come\, first-serve. \nThis screening is presented as part of the series\, Infiltrators: Films on borders and resistance. Support for this program is provided by Teiger Foundation and the Andy Warhol Foundation for the Visual Arts. Special thank you to Leo Goldsmith and Paige Sarlin. \n \nAbout the filmmakers\nAlex Rivera is an award-winning filmmaker whose work explores themes of globalization\, migration\, and technology. Rivera’s first feature film\, Sleep Dealer\, a cyberpunk thriller set on the U.S./Mexico border\, won awards at the 2008 Sundance Film Festival and the Berlin International Film Festival\, was screened at the Museum of Modern Art\, and had a commercial theatrical release in the U.S\, France\, Japan\, and other countries. Rivera’s second feature\, The Infiltrators\, won the NEXT: Audience Award and the Innovator Award at the 2019 Sundance Film Festival. The Infiltrators uses documentary and scripted forms to tell the true story of Dreamers who ‘infiltrate’ a detention center to get immigrants out. Rivera is currently developing a few new cyberpunk projects and\, with support from the Ford Foundation\, a feature documentary on the history of deportation titled Banishment. Alex Rivera is a 2021 MacArthur Fellow\, Sundance Fellow\, Creative Capital Grantee and was The Rothschild Lecturer at Harvard University. He studied at Hampshire College and lives in Los Angeles. He is an Associate Professor of Filmmaking Practice at ASU’s Sidney Poitier New American Film School. \nCristina Ibarra is a Sundance award-winning filmmaker with a 20-year practice rooted in her border crossing roots along the Texas-Mexico border. The Infiltrators is a docu-thriller about undocumented activists on a secret mission inside a detention center is currently being distributed by Oscilloscope. It won the Audience and the Innovator Award in the NEXT section at the Sundance Film Festival in 2019\, among other notable festival awards. The New York Times calls her previous award-winning documentary\, Las Marthas\, about wealthy South Texas border debutantes who honor George Washington in Laredo\, Texas “a striking alternative portrait of border life”. It premiered on PBS’s Independent Lens in 2014 and is distributed by Women Make Movies. The Last Conquistador\, a documentary about the racially conflicted construction of a monument to a conquistador in El Paso\, Texas\, was broadcast on POV in 2008. USA Today describes it as “Heroic”. Her award-winning directorial debut\, Dirty Laundry: A Homemade Telenovela\, was broadcast on PBS in 2001. She is the recipient of fellowships from Soros\, Rauschenberg\, Rockefeller\, NYFA\, CPB/PBS\, NALIP\, Firelight\, the Sundance Women’s Initiative and Creative Capital\, among others. \nBanner image: A still from the 2019 film The Infiltrators. A row of detainees in orange jumpsuits. Two people are clearly in focus. Image courtesy of Alex Rivera.
URL:https://squeaky.org/event/alex-rivera-and-cristina-ibarras-the-infiltrators/
LOCATION:Burning Books\, 420 Connecticut Street\, Buffalo\, 14213\, United States
CATEGORIES:Screenings
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2026/02/INFILTRATORS-KEY-LARGE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260304T190000
DTEND;TZID=America/New_York:20260304T210000
DTSTAMP:20260501T133643
CREATED:20260211T204239Z
LAST-MODIFIED:20260225T194213Z
UID:10001291-1772650800-1772658000@squeaky.org
SUMMARY:Khaled Jarrar's Notes on Displacement
DESCRIPTION:Wednesday\, March 4\, 2026\, 7 pm at Burning Books (420 Connecticut St\, Buffalo\, NY 14213)\nFree or $10 suggested donation. Limited seating\, first-come\, first-serve\nThe news is full of disturbing images of overcrowded boats and vast tent camps. But how much do we really know about what refugees are going through? Khaled Jarrar’s Notes on Displacement (74 minutes\, Palestine / Germany / Qatar\, 2022) takes a deep dive by following a single family on a grueling journey: destination Germany. Their fear\, disorientation\, and solidarity is palpable. \nNadira\, an elderly Palestinian\, has been a refugee since the age of 12. Now she has to evacuate Damascus\, too. She and her daughter Mona feared for their lives there\, but the idea of a safe existence elsewhere is a distant dream. Filmmaker Khaled Jarrar receives unsettling videos and voice messages as they cross to the Greek island of Lesbos. He joins them there\, on the long road to a new life. \nJarrar has personal reasons for going through this experience in order to eliminate\, through his own images\, the distance so dominant in Western media coverage. He worms his way through the thronging crowds\, gets lost in the night with his group\, discovers how dangerous language barriers can be\, and wanders around in the dehumanizing camps. And in a sense he—along with the viewer— becomes a true member of this family. \nMy grandmother Shafiqa was forced to leave her home in Haifa\, her Jasmine tree\, her cup of tea on her balcony and her view of the sea. I inherited this pain print of hers through haunted memories both beautiful and painful at the same time. They chased me in my dreams like ghosts that never intended to leave. I tried to escape through geography\, through emotion\, through psychology\, but leaving the past behind proved impossible\, something always forced me back in time. Nadira’s plea brought me to the front lines; creating new memories by walking this new exodus together. We were real time inside the frame capturing the present to battle the past – creating a communication between the two. As the director from behind the camera I was driven to offer images of our own making\, outside the never-ending western paparazzi image onslaught of displaced refugees. This film is for us\, our values\, our knowledge\, our experiences. – Khaled Jarrar\, November 2022 \nFor attendees: The screening will take place at Burning Books located at 420 Connecticut Street\, Buffalo\, NY 14213. Street parking is available. For transportation by bus\, it is near stops for the 3\, 19\, 22\, and 101 bus lines. Seating is first-come\, first-serve. \nThis screening is presented as part of the series\, Infiltrators: Films on borders and resistance. Support for this program is provided by Teiger Foundation and the Andy Warhol Foundation for the Visual Arts. Film courtesy of Cinema Politica. \n \nAbout the filmmaker\nKhaled Jarrar was born in Jenin\, Occupied Palestine in 1976. He lives and works in Ramallah. Jarrar completed his studies in interior design at Palestine Polytechnic University in 1996. Upon graduating he smuggled himself to work as a carpenter in Nazareth\, living as an underground “illegal” worker. In 1998 Jarrar enlisted in an intensive military training which resulted in working for Arafat as a personal body guard until Arafat’s death in 2004. Attempting to create a life between the military and an artistic practice\, Jarrar entered the field of photography in 2005. Jarrar graduated from the International Academy of Art – Palestine\, Ramallah in 2011 and completed an MFA in fine art from the University of Arizona in 2019. \nJarrar\, a multidisciplinary artist\, explores modern power struggles and their sociocultural impact on ordinary citizens through highly symbolic photographs\, videos\, film\, and performative interventions. His State of Palestine project was featured in the 7th Berlin Biennale. Where We Lost Our Shadows\, his filmic collaboration with Pulitzer prize winning composer Du Yun\, was shown at Carnegie Hall and the Kennedy Center for Performing Arts. Jarrar’s work has been featured at Maraya Art Centre\, Sharjah; the New Museum\, New York City; the University of Applied Arts\, Vienna; the 15th Jakarta Biennale; 52nd October Salon\, Belgrade; Al-Ma’mal Foundation\, Jerusalem; and the London Film Festival. Infiltrators\, Jarrar’s first feature length film\, was a documentary about the business of Palestinian’s “illegally” crossing and won the FIPRESCI Award for Best Documentary\, Jury Special Award and the Muhr Arab Documentary Special Jury Prize at the Dubai International Film Festival in 2012. Notes on Displacement\, his second feature length\, about a Palestinian refugee’s flight from Syria to Germany\, received a world premiere at the IDFA Envision Competition in November 2022. \nBanner image: A still from Khaled Jarrar’s film\, Notes on Displacement. A man and two women are walking along train tracks on a cloudy day. The man is carrying an umbrella. One of the women has multiple bags hanging from her shoulder.
URL:https://squeaky.org/event/khaled-jarrars-notes-on-displacement/
LOCATION:Burning Books\, 420 Connecticut Street\, Buffalo\, 14213\, United States
CATEGORIES:Screenings
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2026/02/Screenshot-2026-02-11-at-3.34.38-PM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260304
DTEND;VALUE=DATE:20260326
DTSTAMP:20260501T133643
CREATED:20260313T170400Z
LAST-MODIFIED:20260325T162938Z
UID:10001294-1772582400-1774483199@squeaky.org
SUMMARY:Infiltrators: Films on borders and resistance
DESCRIPTION:Begins March 4\, 2026\nScreenings take place at Burning Books. Artist talk with Alex Rivera and Khaled Jarrar online.\nSqueaky Wheel presents four films\, by Alex Rivera\, Alex Rivera and Cristina Ibarra\, and Khaled Jarrar\, that take on the human toll of borders and the organized and individual ways people evade and resist them. Featuring both cult classic works and acclaimed documentaries\, the films – with Rivera’s work focusing on the maintenance and violence of the US border\, and Jarrar’s focusing on power struggles\, in particular as they relate to Palestine and the Palestinian diaspora – showcases the logistical\, ethical\, and bureaucratic logics of border regimes\, and points to intertwined solidarities. \nAll screenings will take place at our friends at Burning Books. This event series is supported by Teiger Foundation and the Andy Warhol Foundation for the Visual Arts. Thank you to our co-presenters at Jewish Voice for Peace – Buffalo. Khaled Jarrar’s Infiltrators is courtesy of Third World Newsreel\, and his film Notes on Displacement is courtesy of Cinema Politica. Special thank you to Paige Sarlin and Leo Goldsmith. \nFor attendees\nThe screenings will take place at Burning Books located at 420 Connecticut Street\, Buffalo\, NY 14213. Street parking is available. For transportation by bus\, it is near stops for the 3\, 19\, 22\, and 101 bus lines. Seating is first-come\, first-serve. \nThe artist talk with Alex Rivera and Khaled Jarrar will take place online. The films and artist talk will be available online for a weekend on March 27–March 29. \nEvent dates\nWednesday\, March 4th\, 7pm\nKhaled Jarrar’s Notes on Displacement \nWednesday\, March 11th\, 7pm\nAlex Rivera & Cristina Ibarra’s The Infiltrators \nThursday\, March 19th\, 7pm\nAlex Rivera’s Sleep Dealer \nTuesday\, March 24th\, 7pm EST\nVirtual artist talk: Alex Rivera & Khaled Jarrar \nWednesday\, March 25th\, 7pm\nKhaled Jarrar’s Infiltrators \nFriday\, March 27–Sunday\, March 29\nOnline access | Infiltrators: Films on borders and resistance \nBiographies of the artists\nAlex Rivera is an award-winning filmmaker whose work explores themes of globalization\, migration\, and technology. Rivera’s first feature film\, Sleep Dealer\, a cyberpunk thriller set on the U.S./Mexico border\, won awards at the 2008 Sundance Film Festival and the Berlin International Film Festival\, was screened at the Museum of Modern Art\, and had a commercial theatrical release in the U.S\, France\, Japan\, and other countries. Rivera’s second feature\, The Infiltrators\, won the NEXT: Audience Award and the Innovator Award at the 2019 Sundance Film Festival. The Infiltrators uses documentary and scripted forms to tell the true story of Dreamers who ‘infiltrate’ a detention center to get immigrants out. Rivera is currently developing a few new cyberpunk projects and\, with support from the Ford Foundation\, a feature documentary on the history of deportation titled Banishment. Alex Rivera is a 2021 MacArthur Fellow\, Sundance Fellow\, Creative Capital Grantee and was The Rothschild Lecturer at Harvard University. He studied at Hampshire College and lives in Los Angeles. He is an Associate Professor of Filmmaking Practice at ASU’s Sidney Poitier New American Film School. \nCristina Ibarra is a Sundance award-winning filmmaker with a 20-year practice rooted in her border crossing roots along the Texas-Mexico border. The Infiltrators is a docu-thriller about undocumented activists on a secret mission inside a detention center is currently being distributed by Oscilloscope. It won the Audience and the Innovator Award in the NEXT section at the Sundance Film Festival in 2019\, among other notable festival awards. The New York Times calls her previous award-winning documentary\, Las Marthas\, about wealthy South Texas border debutantes who honor George Washington in Laredo\, Texas “a striking alternative portrait of border life”. It premiered on PBS’s Independent Lens in 2014 and is distributed by Women Make Movies. The Last Conquistador\, a documentary about the racially conflicted construction of a monument to a conquistador in El Paso\, Texas\, was broadcast on POV in 2008. USA Today describes it as “Heroic”. Her award-winning directorial debut\, Dirty Laundry: A Homemade Telenovela\, was broadcast on PBS in 2001. She is the recipient of fellowships from Soros\, Rauschenberg\, Rockefeller\, NYFA\, CPB/PBS\, NALIP\, Firelight\, the Sundance Women’s Initiative and Creative Capital\, among others. \nKhaled Jarrar was born in Jenin\, Occupied Palestine in 1976. He lives and works in Ramallah. Jarrar completed his studies in interior design at Palestine Polytechnic University in 1996. Upon graduating he smuggled himself to work as a carpenter in Nazareth\, living as an underground “illegal” worker. In 1998 Jarrar enlisted in an intensive military training which resulted in working for Arafat as a personal body guard until Arafat’s death in 2004. Attempting to create a life between the military and an artistic practice\, Jarrar entered the field of photography in 2005. Jarrar graduated from the International Academy of Art – Palestine\, Ramallah in 2011 and completed an MFA in fine art from the University of Arizona in 2019. \nJarrar\, a multidisciplinary artist\, explores modern power struggles and their sociocultural impact on ordinary citizens through highly symbolic photographs\, videos\, film\, and performative interventions. His State of Palestine project was featured in the 7th Berlin Biennale. Where We Lost Our Shadows\, his filmic collaboration with Pulitzer prize winning composer Du Yun\, was shown at Carnegie Hall and the Kennedy Center for Performing Arts. Jarrar’s work has been featured at Maraya Art Centre\, Sharjah; the New Museum\, New York City; the University of Applied Arts\, Vienna; the 15th Jakarta Biennale; 52nd October Salon\, Belgrade; Al-Ma’mal Foundation\, Jerusalem; and the London Film Festival. Infiltrators\, Jarrar’s first feature length film\, was a documentary about the business of Palestinian’s “illegally” crossing and won the FIPRESCI Award for Best Documentary\, Jury Special Award and the Muhr Arab Documentary Special Jury Prize at the Dubai International Film Festival in 2012. Notes on Displacement\, his second feature length\, about a Palestinian refugee’s flight from Syria to Germany\, received a world premiere at the IDFA Envision Competition in November 2022. \nBanner image: A bright orange background with a jagged white line and white text. The text states “Screenings series | Starts March 4\, 2026 at Burning Books. INFILTRATORS. Films on borders and resistance”
URL:https://squeaky.org/event/infiltrators-films-on-borders-and-resistance/
LOCATION:Burning Books\, 420 Connecticut Street\, Buffalo\, 14213\, United States
CATEGORIES:Event Series
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2026/02/Infiltrators-Card.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260218T183000
DTEND;TZID=America/New_York:20260218T203000
DTSTAMP:20260501T133643
CREATED:20260124T201829Z
LAST-MODIFIED:20260124T202040Z
UID:10001277-1771439400-1771446600@squeaky.org
SUMMARY:A/V Club
DESCRIPTION:Wednesday\, February 18\, 6:30-8:30pm\nFree\, sign up below\nWe’ve added preceding Saturdays as A/V Studio days where members are encouraged to convene and work on projects in our lab to present for the meetup. Future dates will be: \n  \nSaturday\, February 14\, 2-5pm A/V Studio \nWednesday\, February 18\, 6:30-8:30pm A/V Club Meetup \nSaturday\, March 14\, 2-5pm A/V Studio \nWednesday\, March 18\, 6:30-8:30pm A/V Club Meetup \n  \nJoin us for the next round of Squeaky’s A/V Club\, a monthly meetup for digital artists\, media artists\, sound artists\, video artists\, filmmakers\, animators\, game designers\, etc etc.  Come share works in progress\, talk skills and experiences\, and embrace the challenges of making media work in an informal\, constructive and exploratory environment. New members are always welcome and appreciated- we want to see your work! \n  \nHave a skill you want to share with the group? We’re looking for ways to share the little tidbits of wisdom we’ve picked up along the way from the various working methods we’ve employed while toiling in the studio. If you’ve found an interesting art hack\, have a passion for technical skill\, or find yourself knowledgeable in a topic you think might be good to pass along to fellow artists\, fill out this form and let us know! We’d like to include informal skill sharing as part of the A/V Club structure in the future. \n  \nNote: This is an interdisciplinary group\, so if you’re only interested in talking about a single art form\, then this might not be the right group for you. If you’re interested in sharing\, learning\, exploring\, and experimenting across forms\, genres\, styles\, processes\, and mediums\, then you’ll be right at home! \n 
URL:https://squeaky.org/event/a-v-club-14/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Open Call,Skill Share
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260214T130000
DTEND;TZID=America/New_York:20260214T140000
DTSTAMP:20260501T133643
CREATED:20260128T194908Z
LAST-MODIFIED:20260128T194908Z
UID:10001288-1771074000-1771077600@squeaky.org
SUMMARY:FX6 Camera Orientation
DESCRIPTION:Saturday\, February 14 1:00 – 2:00 pm\nFree (Squeaky Wheel Members only. Not yet a member? Click here for details)\nopen to ages 16+\nRegister with the “tickets” button at the bottom of this page\n  \nRent the Sony FX6 and create beautiful\, professional looking productions. This workshop is required in order to reserve the camera and and any associated peripherals unless approved by our Tech Director. Squeaky Wheel membership is also required. \n  \nClass limited to 6 participants. \nContact Mark at mark@squeaky.org or (716) 884-7172 with any questions! \nInstructor: Mark Longolucco \n  \nMARK LONGOLUCCO is Squeaky Wheel’s Tech Director. An artist and musician based out of Buffalo\, NY\, both his audio and visual works seep out into the world through traditionally uncharacteristic formats and venues\, often marrying older analog media tools with new digital technologies in an attempt to create forms that both familiar and nostalgic as well as unconventional and anomalous. \n 
URL:https://squeaky.org/event/fx6-camera-orientation-4/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Equipment
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260203T190000
DTEND;TZID=America/New_York:20260203T200000
DTSTAMP:20260501T133643
CREATED:20260122T174015Z
LAST-MODIFIED:20260122T174015Z
UID:10001276-1770145200-1770148800@squeaky.org
SUMMARY:Info-session: Workspace Residency\, Summer 2026
DESCRIPTION:Tuesday\, February 3\, 2026\, 7 pm ET\nVirtual on Zoom; register here\nJoin us for a virtual info-session with Squeaky Wheel Curator Ekrem Serdar on how to apply to Squeaky Wheel’s Workspace Residency. The curator will go over the program\, the application questions\, how panels rating criteria\, and answer questions from the audience. Click here to learn more and apply to the residency. \nBanner image: A GIF of Jaehoon Choi working on a 3D mapped projection project in a dark room.
URL:https://squeaky.org/event/info-session-workspace-residency-summer-2026-2/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Residencies,Virtual
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260126T120000
DTEND;TZID=America/New_York:20260126T130000
DTSTAMP:20260501T133643
CREATED:20260121T222323Z
LAST-MODIFIED:20260121T222411Z
UID:10001274-1769428800-1769432400@squeaky.org
SUMMARY:Info-session: Workspace Residency\, Summer 2026
DESCRIPTION:Monday\, January 26\, 2026\, 12 pm ET\nVirtual on Zoom; register here\nJoin us for a virtual info-session with Squeaky Wheel Curator Ekrem Serdar on how to apply to Squeaky Wheel’s Workspace Residency. The curator will go over the program\, the application questions\, how panels rating criteria\, and answer questions from the audience. A recording of the info-session will be released on the residency page a week after the event. \nClick here to learn more and apply to the residency. \nSqueaky Wheel’s Workspace Residency is made possible with support from Teiger Foundation and The Andy Warhol Foundation for the Visual Arts. \nBanner image: A GIF of Jaehoon Choi working on a 3D mapped projection project in a dark room.
URL:https://squeaky.org/event/info-session-workspace-residency-summer-2026/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Residencies,Virtual
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GEO:42.8906261;-78.8721258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Squeaky Wheel 2495 Main Street Suite 310 Buffalo NY 14214 United States;X-APPLE-RADIUS=500;X-TITLE=2495 Main Street\, Suite 310:geo:-78.8721258,42.8906261
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260126T000000
DTEND;TZID=America/New_York:20260227T235900
DTSTAMP:20260501T133643
CREATED:20260122T170529Z
LAST-MODIFIED:20260227T214234Z
UID:10001275-1769385600-1772236740@squeaky.org
SUMMARY:Workspace Residency\, Summer 2026
DESCRIPTION:Application period: Opens January 26 2026. Deadline Friday\, February 27\, 2026.\nResidency dates: August 14–September 5\, 2026 (three-weeks)\nSupport provided: $1400 stipend\, $300 artist fees\, additional $500 artist fee for Silo City resident\, accommodations\, up to $400 in travel support for non-local residents\, up to $1400 optional financial assistance for childcare and/or disability support.\nNotification date: May 15\, 2026\nClick here to learn more and apply\nSqueaky Wheel is excited to share the open call for the Summer 2026 residency program. The short-term residency is open to applicants from Buffalo and across the United States who are seeking resources\, time\, and support for ongoing projects or the creation of new work. \nResidents have tailored access to facilities\, equipment\, technical consultation\, from Squeaky Wheel\, as well as our partners Buffalo Game Space\, The Foundry\, Mirabo Press\, and Silo City. Residents present on their work together in a public event\, present a workshop for the Squeaky Wheel community\, and participate in tailored activities\, such as field trips\, critiques\, among others. \nWe aim to support our residents’ careers and continue our relationships after the residency has concluded. Former residents have been invited to present exhibitions\, performances\, screenings\, among other activities. \nBanner image: A tour of Silo City with their Director of Ecology Joshua Smith\, and Squeaky Wheel residents Ahmed T. Ragheb\, Lily Ekimian Ragheb\, and Kathryn Ramey and her son. Behind them is a large grain silo\, Marine A.
URL:https://squeaky.org/event/workspace-residency-summer-2026/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Open Call,Residencies
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260121T183000
DTEND;TZID=America/New_York:20260121T203000
DTSTAMP:20260501T133643
CREATED:20260108T195650Z
LAST-MODIFIED:20260113T162323Z
UID:10001273-1769020200-1769027400@squeaky.org
SUMMARY:A/V Club
DESCRIPTION:Wednesday\, January 21\, 6:30-8:30pm\nFree\, sign up below\nWe’ve added preceding Saturdays as A/V Studio days where members are encouraged to convene and work on projects in our lab to present for the meetup. Future dates will be: \nSaturday\, January 17\, 2-4pm A/V Studio \nSaturday\, February 14\, 2-5pm A/V Studio \nWednesday\, February 18\, 6:30-8:30pm A/V Club Meetup \nSaturday\, March 14\, 2-5pm A/V Studio \nWednesday\, March 18\, 6:30-8:30pm A/V Club Meetup \nJoin us for the next round of Squeaky’s A/V Club\, a monthly meetup for digital artists\, media artists\, sound artists\, video artists\, filmmakers\, animators\, game designers\, etc etc.  Come share works in progress\, talk skills and experiences\, and embrace the challenges of making media work in an informal\, constructive and exploratory environment. New members are always welcome and appreciated- we want to see your work! \n  \nHave a skill you want to share with the group? We’re looking for ways to share the little tidbits of wisdom we’ve picked up along the way from the various working methods we’ve employed while toiling in the studio. If you’ve found an interesting art hack\, have a passion for technical skill\, or find yourself knowledgeable in a topic you think might be good to pass along to fellow artists\, fill out this form and let us know! We’d like to include informal skill sharing as part of the A/V Club structure in the future. \n  \nNote: This is an interdisciplinary group\, so if you’re only interested in talking about a single art form\, then this might not be the right group for you. If you’re interested in sharing\, learning\, exploring\, and experimenting across forms\, genres\, styles\, processes\, and mediums\, then you’ll be right at home! \n 
URL:https://squeaky.org/event/a-v-club-12/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Open Call,Skill Share
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251220T120000
DTEND;TZID=America/New_York:20251220T140000
DTSTAMP:20260501T133643
CREATED:20251202T174927Z
LAST-MODIFIED:20251210T200736Z
UID:10001265-1766232000-1766239200@squeaky.org
SUMMARY:Writing Diasporic Dreams and Futures with CAO Collective
DESCRIPTION:Saturday\, December 20\, 3–5pm ET / 12–2 PT over Zoom\nFree; register here\nJoin us in the deep of December as we  welcome Chinese Artists & Organizers (CAO) Collective to lead a virtual writing workshop on dreams\, nostalgia\, and diasporic home-making. What alternative knowledges\, homes\, and futures can we access through dreaming and writing together? How do dreams and nostalgia open up a portal for future-making\, in connection with our own bodies and the bodies of land\, water\, and time? Join CAO Collective’s huiyin zhou and Laura Dudu for a virtual session on dreaming as a relational method and collective writing practice. Participants are invited to share bedtime stories\, dreams\, and reflect on their relationships to home/land\, rest and sleep. Through somatic practice\, guided writing activities and facilitated conversations\, participants are invited to weave a collective dreamscape for resistance and healing. \nPlease ensure stable access to the internet and writing tools such as journals\, pens\, and online collaborative documents. This event will be facilitated in English but participants are encouraged to write/doodle/create in whatever languages they feel called to. \nThe stories co-created in this workshop will be included in CAO Collective’s long-term social practice project\, “One Thousand and One Nights: A Queer Journey of Dreams & Diaspora”\, culminating in a collective dream archive. This event is presented as an invitation to deepen into Olivia Ong Evans’ upcoming film Kota Hujan (City of Rain) on December 5. This event is supported by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature and Teiger Foundation. \nAbout the artists\n \nhú-tu (Laura 嘟嘟 & huiyin zhou) is an artist duo with backgrounds in social practice and anthropology\, working across moving image\, photography\, performance\, and collaborative writing. Dedicated to multidisciplinary art and transnational organizing\, huiyin and Laura co-founded and co-direct the Chinese Artists and Organizers (CAO) Collective 离离草. \nAbout CAO Collective\n\n  \nFounded in 2022\, CAO Collective creates art to empower relational community healing. Their works investigate systems of discipline\, control\, censorship\, and capitalist extraction and reimagine memory/memorials\, rituals\, intimacy\, and queer/feminist kinship to (re)build sustainable community infrastructures. caocollective.com / @caocollective \nBanner image: Image courtesy of CAO Collective. Colorful handwriting in blue\, green\, orange\, and black in both Chinese and English. Someone with a red bracelet is seen writing on white rice paper.
URL:https://squeaky.org/event/writing-diasporic-dreams-and-futures-with-cao-collective/
LOCATION:Virtual\, NY\, United States
CATEGORIES:Artist Talk,Virtual,Workshop
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2025/12/Screenshot-2025-12-02-at-1.22.56-PM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251205T190000
DTEND;TZID=America/New_York:20251205T190000
DTSTAMP:20260501T133643
CREATED:20251122T175750Z
LAST-MODIFIED:20251203T162837Z
UID:10001264-1764961200-1764961200@squeaky.org
SUMMARY:Olivia Ong Evans' Kota Hujan (City of Rain)
DESCRIPTION:Friday\, December 5\, 7 pm\nFree or suggested donation\nSqueaky Wheel is excited to present a behind the scenes look in Olivia Ong Evans’ upcoming film Kota Hujan (City of Rain). \nKota Hujan is a collection of nostalgic memories and playful tales that trace the shifting meanings of home through time and across diasporas. The film features my mother’s narration of stories from her childhood in Bogor\, Indonesia during the 1960s and ’70s. These recollections are interwoven with scenes of the city and its landscapes from our return visit to her hometown in 2024. The soundtrack for the film features recordings from a live performance by the Nusantara Arts Javanese Gamelan group in Buffalo\, NY. \nThe artist will present on the process of making the in-progress film\, including traveling to Bogor in 2024\, editing the footage filmed at that time\, subtitling and translation\, as well as the challenges and insights that have come up through the process. The talk will feature selected footage of the work in progress to show how the film is taking shape. \nThis is the first of two events celebrating Evans’ work; on Saturday\, December 20\, CAO Collective (Chinese Artists & Organizers Collective) will lead a virtual writing workshop offering participants the chance to dive deeper into the film’s themes through their own reflections and connections. Learn more and register here. \nThis project is supported by a Support for Artists grant from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \nAttendees: Please note that you cannot enter Tri-Main Center after 7:30 pm. Squeaky Wheel is located in Suite 310 of Tri-Main Center. Take the elevator to the third floor\, and head left. Click here to see parking\, transportation\, and accessibility information. \nBiography of the artist\nOlivia Ong Evans is an artist based in Buffalo\, NY. Her work often explores themes of diasporic identity and connection to nature. She was a 2021 Workspace Resident at Squeaky Wheel\, where she worked on the video art project Identity Karma. \nBanner image: A still from Olivia Ong Evans’ film Kota Hujan (City of Rain). A still of Bogor\, Indonesia at dusk or dawn\, with a pink and orange sky. Shorter buildings with flat roofs are on the bottom\, and skyscrapers and mountains are visible in the distance. A bird is flying through the frame.
URL:https://squeaky.org/event/olivia-ong-evans-kota-hujan-city-of-rain/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Work-in-progress
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251122T150000
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260501T133643
CREATED:20251022T200545Z
LAST-MODIFIED:20251119T173815Z
UID:10001261-1763823600-1763830800@squeaky.org
SUMMARY:Joan Nobile's Drop in the Ocean
DESCRIPTION:Saturday\, November 22\, 3–5 pm\, artist talk at 4 pm\nFree or suggested donation\nSqueaky Wheel invites you for an afternoon to experience Joan Nobile’s visual novel video game Drop in the Ocean\, with an artist talk by the artist. The work provides audiences with a space to explore how women and marginalized communities resist hostile gaming environments dominated by white\, straight\, cisgender men while finding companionship\, community\, and solidarity. \nThe video game is about Emily\, a lonely gamer who struggles to find companionship. She finds an online community for her favorite video game\, finding friendship and community for the first time\, while simultaneously meeting a new potential love interest and catching up with an old offline friend. She struggles to balance these new social responsibilities when a new game comes out based on her favorite series. While online\, Emily and another female-identified player are harassed\, leading to the latter leaving the community and Emily becoming the target of continued harassment both on and offline. As Emily\, the player must choose how to respond to 1) social obligations\, 2) harassment\, and 3) finding ways to improve the situation\, if possible. The game will have multiple endings based on the player’s major choices along the way. \n“The project aims to immerse audiences in the experience of a woman who struggles to find community while simultaneously facing harassment in gaming spaces\, highlighting a sadly common occurrence in online spaces. For women and other marginalized people who might play\, I want to show them that they are not alone\, that this happens to other folks like them\, and to provide both solidarity and possibilities towards recovery and online/offline community reconnection. Choosing a visual novel format over more traditional action games ensures accessibility and intimacy for players of all skill levels\, utilizing text and simple imagery to explore themes of community\, connection\, resistance\, and cyberfeminism.” – Joan Nobile \nAttendees: Several computers will be available for audiences to experience the game. Squeaky Wheel is located in Suite 310 of Tri-Main Center. Take the elevator to the third floor\, and head left. Click here to see parking\, transportation\, and accessibility information. Light refreshments will be available. \nJoan Nobile’s Drop in the Ocean is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \nBiography of the artist\nJoan Nobile (she/her) is an interdisciplinary artist-scholar from Brooklyn\, NY. She holds a BA in Media Production from Buffalo State College and an MFA in Media Arts Production from the University at Buffalo. Her research and work broadly focus on media theory and critique\, gaming\, cyberfeminism\, and glitch aesthetics/feminism. Her practice involves work in film\, video\, zines\, and video games. When she’s not working or creating\, Joan enjoys visiting farmer’s markets\, reading & watching non-fiction\, and spending too much time playing video games. She currently lives in Buffalo\, NY with her partner. \nImage: A still from Drop in the Ocean. An illustration of an upset looking femme person in hoody in a woodsy area with autumn colors. On top of the illustration are selection boxes with the options “with caution”\, “with snark”\, “oh\, fuck this! I’m pissed” and a larger box with options and the text “I had to handle this…”
URL:https://squeaky.org/event/joan-nobiles-drop-in-the-ocean/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Artist Talk,Video Games
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2025/10/Joan-Nobile-1.jpg
GEO:42.8906261;-78.8721258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Squeaky Wheel 2495 Main Street Suite 310 Buffalo NY 14214 United States;X-APPLE-RADIUS=500;X-TITLE=2495 Main Street\, Suite 310:geo:-78.8721258,42.8906261
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251114T193000
DTEND;TZID=America/New_York:20251114T210000
DTSTAMP:20260501T133643
CREATED:20251111T222306Z
LAST-MODIFIED:20251114T205041Z
UID:10001262-1763148600-1763154000@squeaky.org
SUMMARY:A/V Club Presents
DESCRIPTION:Come enjoy the work being made by the A/V Club! From documentary to music video to animation\, the variety of work created by this talented and prolific group will be on full display in this free screening. It’s also a great way to meet the artists and filmmakers that have been attending the meetings and to see if A/V Club is something you might want to be a part of yourself! \n  \nArtists included in the screening: \nRebecca Fasanello \nTony Nash \nLisa Czapla \nEli Jarra \nAmanda Besl \nMichael Chernoff \nLukia Costello \n  \n  \n  \n 
URL:https://squeaky.org/event/a-v-club-presents/
LOCATION:Journey’s End Refugee Services\, 2495 Main Street\, Suite #530\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Screenings
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2025/11/There-Was-still_9-Amanda-Besl.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251107T183000
DTEND;TZID=America/New_York:20251107T183000
DTSTAMP:20260501T133643
CREATED:20251030T191055Z
LAST-MODIFIED:20251031T164021Z
UID:10001260-1762540200-1762540200@squeaky.org
SUMMARY:Bit Depth\, Episode 2 | Songs and Justice
DESCRIPTION:Friday\, November 7\, 2025\nDoor: 6:30 pm | Event start: 7 pm\nTickets below. $15 General / Free for Squeaky Wheel members.\nSqueaky Wheel invites you to the second episode of Bit Depth\, a new critical Squeaky variety show and event series! In Episode 2\, Songs and Justice\, we’ll be focusing on revolutionary figures\, from Buffalo and beyond\, whose impact has been felt in our community and across the world. The event will feature a screening of Frame-up! The Imprisonment of Martin Sostre (1974); a conversation with Geraldine Robinson\, James Coughlin\, and Brandon Schlia from the Justice for Geraldine and Martin Campaign; and a screening of John Akomfrah’s Seven Songs for Malcolm X (1995)\, introduced by Donte McFadden. All of this will be accompanied by a delicious spread (including vegan and gluten free options) by celebrated chef Kevin Thurston. Join us! \nBit Depth is Squeaky’s take on the Buffalo arts variety show. Each “episode” will feature a mix of films\, artists\, hackers\, magicians\, scientists\, performances\, mini-workshops\, scholars and more\, accompanied by a special spread of food by local celebrity chefs. Inspired in equal part by events such as Just Buffalo’s Big Night\, Hallwalls’ Art+Science Cabaret\, and Arika’s Episodes\, Bit Depth are one-of-a-kind evenings featuring luminaries and rarities from around the world in critical and joyous engagement with media art in all that it can entail. \nThis event is supported by Teiger Foundation. Frame-up! The Imprisonment of Martin Sostre is courtesy of Cinema Guild. Seven Songs for Malcolm X is courtesy of Icarus Films. Special thank you to Pooja Rangan and Jesse Trussel. \nAttendees: Please note that you cannot enter Tri-Main Center after 7:30 pm. Squeaky Wheel is located in Suite 310 of Tri-Main Center. Take the elevator to the third floor\, and head left.  Click here to see parking\, transportation\, and accessibility information. Food will feature vegetarian and gluten free options. The program will be in three parts\, with short breaks in between. Members can email office@squeaky.org with the subject “Bit Depth” and we’ll reserve their spot within 24 hours. Not a member? Annual rates start at just $30 – sign up here. \nProgram\n \nSteven Fischler Joel Sucher Howard Blatt\, Frame-up! The Imprisonment of Martin Sostre\n30 minutes\, 16mm on digital video\, 1974 \nExamining the case of Martin Sostre\, a black Puerto Rican bookstore owner in Buffalo\, New York who was framed on drug possession charges in 1967 and sentenced to prison\, this film shows how the American justice system can be abused for purposes of political repression.\n \n \nTalk | Justice for Geraldine and Martin Campaign\, with Geraldine Robinson\, James Coughlin\, and Brandon Schlia \nThe Justice for Geraldine and Martin Campaign has been working intensively for years to clear the names of both Martin Sostre\, and Geraldine Robinson who was arrested with Martin Sostre in 1967. We’ll be joined by Geraldine (Pointer) Robinson\, who will be accompanied by James Coughlin and artist Brandon Schlia who will present a brief documentary on the work of the campaign. Donations for the campain will be accepted during the event\, and books our friends at from Burning Books will be available. \n“On the night of July 14\, 1967\, Geraldine Pointer (then Robinson) was helping Martin Sostre close the Afro-Asian Bookshop on Jefferson Avenue. The two met and started dating the previous year\, soon after he opened the city’s first Black revolutionary bookstore. Sostre eventually opened two more stores\, including the East-West Bookshop which Pointer managed. In the early morning of July 15th\, plainclothes police and FBI agents raided the store on Jefferson and arrested the two\, scapegoating Sostre as the cause of the city’s recent uprising. \n​Geraldine Robinson became one of the first Black women political prisoners of the Black Power era\, yet her struggle remains virtually unknown today. Any dedication to the excavation and dissemination of Martin Sostre’s legacy must also acknowledge the importance of Geraldine’s struggle and the enduring impact of state repression on her and her family.” – Read more at the Martin Sostre Insititute and sign the campaign here. \n \nJohn Akomfrah\, Seven Songs for Malcolm X\n52 minutes\, 16mm on digital video\, 1993\n \nAn homage to the inspirational African-American civil rights leader\, Seven Songs for Malcolm X collects testimonies\, eyewitness accounts and dramatic reenactments to tell the life\, legacy\, loves\, and losses of Malcolm X. Featuring interviews with Malcolm’s widow Betty Shabazz\, Spike Lee\, and many other\, Seven Songs looks for the meaning behind the resurgence of interest in the man whose X always stood for the unknown. The film will be introduced by Donte McFadden. \n“What makes Seven Songs so provocative is that Akomfrah shows respect for many different interpretations of Malcolm\, suggesting that this revolutionary figure belongs to everybody.”—The Chicago Reader \n“Seven Songs for Malcolm X combines riveting footage of the man himself\, extracts from his writing\, recollections of his family\, friends and fellow activists\, with [brief] staged tableaux. It’s all here: Malcolm X’s charisma\, the struggle to clarify his beliefs\, and the context in which they evolved… an engrossing portrait.”—Geoff Ellis\, Time Out (London) \nMenu\n \nThe menu prepared and selected by artist and chef Kevin Thurston will include glutenfree and vegan options\, including: \n\nTurkey meatballs\, cinnamon scented tomato sauce (gf)\nRoasted vegetable platter (v/gf)\nMuhamara and pita (v)\nDolmades (v/gf)\nBarrel+Brine pickles (gf)\nSelected treats from Arabic Sweets\n\n            </p>\n<h4>Biographies of the artists\, filmmakers\, and chef</h4>\n<p>                        \nDonte McFadden\, PhD\, is a leader\, educator and mentor. Donte previously served as the Director of the Distinguished Visiting Scholars from 2021-2024. Prior to joining UB\, he served as the Senior Associate Director for Undergraduate Research and High Impact Practices for the Educational Opportunity Program at Marquette University. In this role\, he served as the Director of the Ronald E. McNair Post Baccalaureate Achievement Program. He has held other leadership roles with the Educational Opportunity Program at Marquette\, including serving as its Interim Director and Associate Director of Administration\, Curriculum and Evaluation. Donte received his PhD in English with an emphasis in Film Studies from the University of Wisconsin-Milwaukee. He earned a master’s degree in English and a BFA/BA in Film/Film Studies also from the University of Wisconsin-Milwaukee. Donte is co-founder of Black Lens\, a showcase for African American filmmakers as part of the Milwaukee Film Festival. \nBorn in Accra\, Ghana\, in 1957\, to radical political activist parents\, John Akomfrah was widely recognized as one of the most influential figures of black British culture in the 1980s. An artist\, lecturer\, and writer as well as a filmmaker\, his twenty-year body of work is among the most distinctive in the contemporary British art world\, and his cultural influence continues today. As a teen\, Akomfrah was a Super 8 filmmaker and enthusiast. With several underground cine clubs in London\, he helped bring Asian and European arthouse cinema\, militant cinema from Africa and Latin America\, and American independent and avant-garde cinema to minority audiences. In 1982\, Akomfrah helped found the seminal\, cine-cultural workshop the Black Audio Film Collective. He directed a broad range of work for the group\, including fiction films\, tape slides\, single-screen gallery pieces\, experimental videos\, music videos\, and documentaries. Since 1987\, Akomfrah’s work has been shown in galleries including Documenta (Germany)\, the De Balie (Holland)\, Centre George Pompidou (France)\, the Serpentine and Whitechapel Galleries (UK); and The Museum of Modern Art (USA). A major new retrospective of Akomfrah’s gallery-based work with the Black Audio Film Collective premiered at the FACT and Arnolfini galleries (UK) and is now making a tour of galleries and museums throughout Europe. In 2000\, Akomfrah was awarded the Gold Digital Award at the Cheonju International Film Festival\, South Korea\, for his innovative use of digital technology. He has been an artist-in-residence at universities including\, most recently\, New York University\, and a jury member at festivals including\, most recently the BFI London Film Festival\, UK\, and the Tarifa International Film Festival\, Spain. He has lectured at institutions including CalArts\, the Art Institute of Chicago\, and the London Institute. He was a member of the Arts Council Film Committee\, and Governor of the British Film Institute from 2001 through 2007. John Akomfrah is currently a Governor of Film London\, a visiting professor of film at the University of Westminster (United Kingdom)\, and an officer of the Order of the British Empire. \nThe Justice for Geraldine and Martin campaign is an ongoing\, volunteer-led effort to exonerate Geraldine Pointer and Martin Sostre\, for their frame up and wrongful arrests at Buffalo\, New York’s Afro-Asian Book Shop July 15th\, 1967. Along with teaching the history of Geraldine and Martin’s struggle and sacrifice\, the campaign is raising funds to steward the site of the former Afro-Asian Book Shop at 1412 Jefferson Avenue\, a mural dedicated to Geraldine and Martin\, and forthcoming events. \nKevin Thurston is the Chef and General Manager of Tipico Coffee. Prior to that\, he co-owned Cafe Godot. In addition to his culinary work\, he wrote Color Me White (BlazeVox) which was illustrated by Mickey Harmon and has numerous publication credits. He has performed with the ensemble BuffFluxus for over 20 years. He lives with his wife and daughter in a Polish workman’s cottage on the outskirts of Buffalo. \n             \n  \nBanner image: A black and white still from Seven Songs for Malcolm X by John Akomfrah.
URL:https://squeaky.org/event/bit-depth-episode-2-songs-and-justice/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:BitDepth,Special Event
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DTSTART;TZID=America/New_York:20251105T190000
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SUMMARY:Village of Widows: The Story of the Sahtu Dene and the Atomic Bomb
DESCRIPTION:Wednesday\, November 5\, 7 pm\n$10 General / Free for Members\nPeter Blow’s documentary Village of Widows: The Story of the Sahtu Dene and the Atomic Bomb (53 minutes\, 1999) recounts the tragedy of the Sahtu Dene people used by the Canadian Government as “coolies” to transport the uranium ore that went into the bombs that shattered Hiroshima and Nagasaki. The Eldorado mine (situated on the remote shores of Great Bear Lake in Canada’s Northwest Territories) fueled the U.S. Military’s atomic bomb program from 1942 to 1960. Deadly radiation poisoning has left the Sahtu Dene village of Deline a community without grandfathers. 1.7 million tonnes of radioactive waste remains at the minesite and in their lake. The Sahtu Dene have travelled from the Stone Age to the Atomic Age in one generation. \nVillage Of Widows chronicles their struggle to come to terms with the legacy of the world’s first uranium mine on their traditional homeland. The film concludes with the remarkable spiritual journey taken by the group of Sahtu Dene who attended the Hiroshima Peace Ceremonies\, and the friendship that developed between the Dene and the Hiroshima hibakusha. \nVillage Of Widows was broadcast to much acclaim on Canada’s VISION TV in 1999. It premiered at the prestigious Margaret Mead Film and Video Festival in New York; it was the 2nd prize winner of the RigobertaMenchu Tum Foundation Award at the First Peoples of the Americas Festival in Montreal\, and won the VISION Humanitarian Award at the Hot Docs 2000 Festival in Toronto\, where it was also nominated for Best Political Documentary. \nShown as part of the public programs as part of our exhibition\, Radiation Borders\, Peter Blow’s award-winning film showcases the both a little-known and far-reaching consequences of the U.S.’ atomic bomb\, and how solidarities can form and be established across national and colonial borders. Special thank you to The Gem Theater in Bethel\, ME. This event is supported by Teiger Foundation. \nAttendees: Please note that you cannot enter Tri-Main Center after 7:30 pm. Squeaky Wheel is located in Suite 310 of Tri-Main Center. Take the elevator to the third floor\, and head left. Click here to see parking\, transportation\, and accessibility information. Vegetarian samosas will be available. Members can email office@squeaky.org with the subject “Village of Widows” and we’ll reserve their spot within 24 hours. Not a member? Annual rates start at just $30 – sign up here. \nBiography of the filmmaker\nPeter Blow is a veteran award winning documentary filmmaker\, who has worked on over 100 broadcast documentaries in England and Canada. \nHe graduated from the London International Film School and worked on two Oscar nominated specials\, Mysterious Castles Of Clay and Leopard That Changed Its Spots for Anglia Television’s World Of Survival environmental series.\nEmigrating to Canada in 1977\, career highlights include – working as writer/researcher and story consultant on the Oscar nominated doc Harvest Of Despair\, which chronicled the Stalin Engineered famine in Ukraine\, that aired on PBS. In the mid eighties he started writing\, producing and directing documentaries including Borrowed Time\, a TVO/BBC Scotland co-production on the collapse of family farms\, and The Barrens Quest\, an NFB/CBC co-production for Nature Of Things. Village Of Widows\, a doc he made in association with the Deline Band Council\, won the VISION 2000 Humanitarian Award at Toronto’s Hot Docs Festival; the Rigoberta Menchu Tum Foundation Award (2nd prize) at the First Peoples of the Americas Festival\, as well as the top documentary prize at the New York International Film Festival. \nIn the early 2000’s he began a long collaboration with Roman Kroitor\, one of the inventors of IMAX\, co-writing a 3D IMAX comedic animation fable entitled The Cosmic Junkyard with Roman. He is presently writing a semi-factual novel called Whack\, which tells the remarkable story of the Irish Canadian adventurer who fought to end slavery in 19th century Cuba\, and recently wrote and directed an affectionate portrait of his own small town Ontario community entitled\, Last Beer At The Pig’s Ear. \nImage: A black and white photograph from the production of Village of Widows. A number of people are standing around a train station in Japan with luggage around them. Two of them are holding a sign “Welcome Dene People” and underneath “Article 9 Society in Hiroshima”. Photograph courtesy of Peter Blow.
URL:https://squeaky.org/event/village-of-widows-the-story-of-the-sahtu-dene-and-the-atomic-bomb/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Screenings
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DTEND;TZID=America/New_York:20251103T120000
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SUMMARY:Wave Farm & NYSCA: Media Arts Breakfast Zoom with Squeaky and BIFF
DESCRIPTION:Monday\, November 3\, 2025\, 10:30 am – 12 pm\nOnline on zoom\nRegister here\nWaveFarm & NYSCA present their latest online convening in early November for the next Media Arts Breakfast with a focus on the media arts ecosystem in Buffalo\, NY\, along with updates from NYSCA’s Fabiana Chiu-Rinaldi and Wave Farm’s Galen Joseph-Hunter. Recent Media Arts Assistance Fund (MAAF) grantees Squeaky Wheel Film & Media Art Center and the Buffalo International Film Festival will share updates from MAAF-funded projects and will highlight recent and upcoming programming. Finally\, we’ll go round the room to hear updates from attendees! \nMeeting Agenda: \n\nWelcome and introductions from Wave Farm’s Galen Joseph-Hunter\nNYSCA updates from Fabiana Chiu-Rinaldi\nMAAF for Organizations grantees share short presentations:\n\nAnna Scime\, Executive Director of the Buffalo International Film Festival\nEkrem Serdar\, Curator at Squeaky Wheel Film & Media Art Center\n\n\nQ&A\nRound the Room updates from all of you!\n\nBanner image: Dense\, black and white television static.
URL:https://squeaky.org/event/wave-farm-nysca-media-arts-breakfast-zoom-with-squeaky-and-biff/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Partners,Special Event,Virtual
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DTSTART;TZID=America/New_York:20251024T190000
DTEND;TZID=America/New_York:20251024T210000
DTSTAMP:20260501T133643
CREATED:20250930T202257Z
LAST-MODIFIED:20251030T212243Z
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SUMMARY:Bit Depth\, Episode 1: Nuclear Set
DESCRIPTION:Friday\, October 24\, 7 pm\n$15 General / Free for Squeaky Wheel members\nSqueaky Wheel invites you to the first episode of Bit Depth\, a new critical Squeaky variety show and event series! In Episode 1\, Nuclear Set\, we will be featuring artist talks\, films\, and music focusing on nuclear harm and anxieties\, tying in to our current exhibition Radiation Borders. The event will feature exhibition artist Elizabeth Tannie Lewin in conversation with former resident Dana Murray Tyrrell (both former Workspace Residents in 2017)\, a performance by the luminous cellist Katie Weissmann\, a screening of Arwa Aburawa and Turab Shah’s And still\, it remains (2023 Best Experimental Film\, Blackstar Film Festival)\, the short film sound of a million insects\, light of a thousand stars in memory of the recently deceased filmmaker Tomonari Nishikawa\, and the 1953 3D “documentary” Doom Town. All of this accompanied by a delicious Mediterranean spread (including vegan and gluten free options) by celebrated chef Kevin Thurston. Join us! \nBit Depth is Squeaky’s take on the Buffalo arts variety show. Each “episode” will feature a mix of films\, artists\, hackers\, magicians\, scientists\, performances\, mini-workshops\, scholars and more\, accompanied by a special spread of food by local celebrity chefs. Inspired in equal part by events such as Just Buffalo’s Big Night\, Hallwalls’ Art+Science Cabaret\, and Arika’s Episodes\, Bit Depth are one-of-a-kind evenings featuring luminaries and rarities from Buffalo and beyond in critical and joyous engagement with media art in all that it can entail. \nThis event is supported by Teiger Foundation. Arwa Aburawa and Turab Shah’s And still\, it remains is courtesy of LUX (London\, UK). Tomonari Nishikawa’s sound of a million insects\, light of a thousand stars is courtesy of Canyon Cinema (San Francisco\, CA). Doom Town is courtesy of the 3D Film Archive. Special thank you to Flicker Alley. \nAttendees: Please note that you cannot enter Tri-Main Center after 7:30 pm. Squeaky Wheel is located in Suite 310 of Tri-Main Center. Take the elevator to the third floor\, and head left.  Click here to see parking\, transportation\, and accessibility information. Food will feature vegetarian and gluten free options. The program will be in three parts\, with short breaks in between. Members can email office@squeaky.org with the subject “Bit Depth” and we’ll reserve their spot within 24 hours. Not a member? Annual rates start at just $30 – sign up here. \nFilms\n \nTomonari Nishikawa\, sound of a million insects\, light of a thousand stars\n2 minutes\, 35 mm on digital video\, Japan/USA\, 2014 \nI buried a 100-foot 35mm negative film under fallen leaves alongside a country road\, which was about 25 km away from the Fukushima Daiichi Nuclear Power Station\, from the sunset of June 24\, 2014\, to the sunrise of the following day. The night was beautiful with a starry sky\, and numerous summer insects were singing loud. The area was once an evacuation zone\, but now people live there after the removal of the contaminated soil. – Tomonari Nishikawa \nThis project is made possible with funds from the Media Arts Assistance Fund\, a regrant program of the New York State Council on the Arts\, Electronic Media and Film\, with the support of Governor Andrew Cuomo and the New York State Legislature; administered by Wave Farm. \n \nArwa Aburawa and Turab Shah\, And still\, it remains\n28 mins\, 4K Video\, Algeria/UK\, 2023 \nAnd still\, it remains is a new film by Arwa Aburawa and Turab Shah which carries forward their long-term dedication to exploring race and environmental legacies of colonialism. In this work\, they examine the ongoing impact of French toxic colonialism in Mertoutek\, a village nestled in the Hoggar Mountains of Algeria’s Southern Sahara and a home to the Escamaran community of Black Algerians. Used as a testing ground for nuclear bombs by the French between 1961 and 1966\, the area continues to suffer the consequences of radioactive fallout circulating in the water and soil. \nThe film examines Mertoutek’s encounter with French nuclear colonialism without restricting the region’s history to a narrow colonial temporality. Juxtaposed with slow meditative shots of the mountains\, Escamaran ways of life and ancient rock art\, experiences of French nuclear experiments\, faith and spirituality are narrated by the voices of multiple residents. Summoning the landscape as a witness and protagonist\, And still\, it remains reflects on the deep inscription of colonial violence into the landscape’s body and ecology. It also pushes against forms of visual capture that reproduce a colonial gaze while challenging visibility as the currency for political redress. Winds migrating across the Sahara have recently carried sand containing nuclear remains from the Algerian Sahara back to France\, serving as a reminder that the environmental afterlives of colonialism cannot be contained or forgotten. \nBy focussing on the experiences of Mertoutek residents\, Aburawa and Shah throw into sharp relief the racial oversight in the ‘end of the world’ discourse by asking what worlds have already ended and what does a life after the end of the world look like? What does intimacy with toxic colonialism afford its survivors and how does it shape their ideas around justice? How does one recover from ongoing violence and how\, ultimately\, do you carry on? \n \nDoom Town\n18 min\, Dunning 3D process presented on anaglyphic 3D\, USA\, 1953\nDirected by Allan Milner. Screenplay by Gerald Schnitzer. Produced by Lee Savin. 2003 recreation by Peter Kuran and Greg Kintz. \nThe first 3-D documentary\, Doom Town was made by independent producer Lee Savin\, who was intrigued by the atomic-bomb tests at Yucca Flats in Nevada. Filming began March 17\, 1953. Photographed with the Dunning Three-Dimensional Process\, it captured the devastating effects of an atomic blast. \nDoom Town was written by screenwriter-director-author Gerald Schnitzer\, whose credits included scripts for Bela Lugosi (The Corpse Vanishes\, Bowery at Midnight) and The Bowery Boys. Schnitzer also created several acclaimed TV commercials for Kodak (“Kodak Moment”)\, Chevrolet\, and Clairol. \nDoom Town was sneak-previewed on April 30 at the Paramount Theaterin Hollywood and opened ni Los Angeles on July 2 with The Maze and Lippert’s 3-D short\, College Capers. The next day it opened at the Telenews theaters ni San Francisco and Oakland. After these bookings\, it was mysteriously pulled from circulation. Although the project was approved by proper channels\, the anti-atomic testing stance was hardly a message the government wanted to promote. Was Doom Town suppressed? Nobody seems to know but the movie disappeared without a trace in July 1953. \nIt was lost for decades until the negatives\, slated to be junked\, were discovered and salvaged by the 3-D Film Archive in 1985. The separate reel with the color atomic bomb shots was missing; a recreation was done in 2003 by Peter Kuran\, using actual 3D- atomic bomb footage. The original “multi-sound” has been recreated by Greg Kintz. \nYears ahead of its time\, Doom Town is a prescient social statement and an excellent example of 3-D filmmaking. – Ted Okuda\, 3-D Rarities\, Blu-Ray published by Flicker Alley\, 2015 \nArtist talk with Elizabeth Tannie Lewin with Dana Murray Tyrrell\n \nVisiting artist Elizabeth Tannie Lewin will be speaking with Dana Murray Tyrrell about her work in our exhibition Radiation Borders\, and which names the first episode of Bit Depth: Nuclear Set. Nuclear Set interweaves Jorge Luis Borges’s Library of Babel\, poetry by Maquis\, Rene Char\, the journals of Italian Futurist\, Filippo Tommaso Marinetti\, historical footage of the United States’ nuclear testing in the Marshall Islands\, and a 3D video game landscape of Bikini Atoll to speculate a future that will survive our extinction. This artist talk reunites the two artists who were both part of Squeaky Wheel’s Workspace Residency program in 2018\, and both of whom have significantly investigated the legacies of nuclear toxicity and harm in their work. \nPerformance by Katie Weissman\n \nKatie Weissman began playing the cello at the age of three at Buffalo Suzuki Strings after seeing Yo-Yo Ma appear on Sesame Street and holds a Bachelor of Music in Cello Performance from Boston University. When at home in Buffalo\, Katie is a cellist and vocalist in the contemporary music ensemble Wooden Cities and is a substitute for the Buffalo Philharmonic Orchestra and Shea’s Performing Arts Center. She also plays with the composition think-tank Evolution of the Arm\, free jazz group Root Cellar\, folk-rock bands Haunted Continents and Birddog\, and various other chamber music outfits in the Western New York area. She has toured at home and abroad and has lent her playing to many recording projects in the studio\, including multiple albums and stage performances by Buffalo’s own Goo Goo Dolls. She teaches privately in her own studio and currently lives in Williamsville with her dogs\, rabbits\, and birds. \nMenu by Kevin Thurston\n \nThe menu prepared and selected by artist and chef Kevin Thurston will include glutenfree and vegan options\, including: \n\nTurkey meatballs\, cinnamon scented tomato sauce\nMuhammara (vegan/gf) + pita\nCreamy cucumbers (gf)\nPickle tray from Barrel + Brine (vegan/gf)\nAssorted sweets from Arabic Sweets\nand more!\n\nBiographies of the artists\, filmmakers\, and chef\nArwa Aburawa and Turab Shah are a directing duo dedicated to exploring race\, migration\, the environment and other ongoing legacies of colonialism through film. Together they also co-founded Other Cinemas\, a project dedicated to supporting Black and non-white communities in London through free film screenings and a free\, year-long film school. \nDana Murray Tyrrell is an artist\, curator\, and writer from Niagara Falls\, New York. His artwork can be found in the permanent collections of the Castellani Art Museum\, Roger Tory Peterson Institute\, University at Buffalo Department of Art\, and the Pride Center of Western New York. Recent solo exhibitions include Love Canal at the Earl W. Brydges Library (2024-25)\, Floater at Kingfish Gallery (2021)\, and Blue at the Castellani Art Museum (2017). Select group exhibits include Black Rock Arts (2025)\, the Burchfield Penney Art Center (2023\, 2021)\, and ECHO Art Fair (2016). He currently works at the Burchfield Penney with past roles at Rivalry Projects\, the Niagara Arts & Cultural Center\, and former Albright-Knox Art Gallery. \nElizabeth (Betsy) Tannie Lewin is a digital media artist interested in: technology\, landscape\, identity\, disappearance\, history\, and utopia. \nKatie Weissman began playing the cello at the age of three at Buffalo Suzuki Strings after seeing Yo-Yo Ma appear on Sesame Street and holds a Bachelor of Music in Cello Performance from Boston University. When at home in Buffalo\, Katie is a cellist and vocalist in the contemporary music ensemble Wooden Cities and is a substitute for the Buffalo Philharmonic Orchestra and Shea’s Performing Arts Center. She also plays with the composition think-tank Evolution of the Arm\, free jazz group Root Cellar\, folk-rock bands Haunted Continents and Birddog\, and various other chamber music outfits in the Western New York area. She has toured at home and abroad and has lent her playing to many recording projects in the studio\, including multiple albums and stage performances by Buffalo’s own Goo Goo Dolls. She teaches privately in her own studio and currently lives in Williamsville with her dogs\, rabbits\, and birds. \nKevin Thurston is the Chef and General Manager of Tipico Coffee. Prior to that\, he co-owned Cafe Godot. In addition to his culinary work\, he wrote Color Me White (BlazeVox) which was illustrated by Mickey Harmon and has numerous publication credits. He has performed with the ensemble BuffFluxus for over 20 years. He lives with his wife and daughter in a Polish workman’s cottage on the outskirts of Buffalo. \nTomonari Nishikawa’s (1969-2025) films explore the idea of documenting situations/phenomena through chosen medium and techniques\, often focusing on the process of art making. His films have been screened at numerous film festivals and art venues\, including Berlinale\, Edinburgh International Film Festival\, Hong Kong International Film Festival\, International Film Festival Rotterdam\, London Film Festival\, New York Film Festival\, Media City Film Festival\, Singapore International Film Festival\, and Toronto International Film Festival. In 2010\, he showed a series of 8mm and 16mm films at MoMA P.S.1 Contemporary Art Center\, and his film installation\, Building 945\, received the 2008 Grant from the Museum of Contemporary Cinema in Spain. He taught in the Cinema Department at Binghamton University.
URL:https://squeaky.org/event/bit-depth-episode-1-nuclear-set/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:BitDepth,Special Event
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DTSTART;TZID=America/New_York:20251022T183000
DTEND;TZID=America/New_York:20251022T203000
DTSTAMP:20260501T133643
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SUMMARY:A/V Club
DESCRIPTION:Wednesday\, October 22\, 6:30-8:30pm\nFree\, sign up below\nWe’ve added preceding Saturdays as A/V Club studio days where members are encouraged to convene and work on projects in our lab to present for the meetup. Future dates will be: \nSaturday\, October 18\, 2-5pm A/V Studio \nWednesday\, October 22\, 6:30-8:30pm A/V Club Meetup \nFriday\, November 14 is A/V Club Presents\, a showcase of A/V Club participants’ work (more info to come!) \nJoin us for the next round of Squeaky’s A/V Club\, a monthly meetup for digital artists\, media artists\, sound artists\, video artists\, filmmakers\, animators\, game designers\, etc etc.  Come share works in progress\, talk skills and experiences\, and embrace the challenges of making media work in an informal\, constructive and exploratory environment. New members are always welcome and appreciated- we want to see your work! \n  \nHave a skill you want to share with the group? We’re looking for ways to share the little tidbits of wisdom we’ve picked up along the way from the various working methods we’ve employed while toiling in the studio. If you’ve found an interesting art hack\, have a passion for technical skill\, or find yourself knowledgeable in a topic you think might be good to pass along to fellow artists\, fill out this form and let us know! We’d like to include informal skill sharing as part of the A/V Club structure in the future. \n  \nNote: This is an interdisciplinary group\, so if you’re only interested in talking about a single art form\, then this might not be the right group for you. If you’re interested in sharing\, learning\, exploring\, and experimenting across forms\, genres\, styles\, processes\, and mediums\, then you’ll be right at home! \n 
URL:https://squeaky.org/event/a-v-club-13/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Open Call,Skill Share
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251021T160000
DTEND;TZID=America/New_York:20251211T180000
DTSTAMP:20260501T133643
CREATED:20251003T203614Z
LAST-MODIFIED:20251017T151057Z
UID:10001254-1761062400-1765476000@squeaky.org
SUMMARY:NEW PROGRAM! Youth Film Lab
DESCRIPTION:New in Fall 2025!\nYouth Film Lab\nOctober 21- December 13\nTuesdays & Thursdays\n4-6pm\n8 weeks (no class Nov 27)\n  \nSqueaky Wheel’s Youth Film Lab is an intensive and fun filmmaking program for teens ages 13-19. Located at Squeaky Wheel\, in the TriMain Center\, 2495 Main St. Suites 310 & 314\, in Buffalo. Join us to collaborate in every aspect of the filmmaking process – scriptwriting\, storyboarding\, acting\, camera\, lighting\, sound\, editing\, and special effects. You’ll work with professional equipment and software\, highly experienced instructors\, and amazing guest artists. You’ll take field trips to local film sets and production studios. You’ll have the opportunity to submit your films to film festivals\, and you’ll build skills that will prepare you prepare for college and for jobs in the film and television industry. \nQuestions? email caroline@squeaky.org or call 716-884-7172 \n  \nSliding scale fee:  $0 – $240 \nIn order to keep this program accessible to everyone\, we have implemented a sliding scale fee. \n \nPlease choose the ticket price that fits your budget\, including $0. \nIf you would like to contribute an amount that isn’t listed\, please register for the $0 ticket and email caroline@squeaky.org for instructions. \nNo one will be turned away for lack of funds. \n  \n 
URL:https://squeaky.org/event/youth-film-lab/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Youth Program
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DTSTART;TZID=America/New_York:20251015T190000
DTEND;TZID=America/New_York:20251015T210000
DTSTAMP:20260501T133643
CREATED:20251014T195031Z
LAST-MODIFIED:20251014T195337Z
UID:10001257-1760554800-1760562000@squeaky.org
SUMMARY:Beena Sarwar's Democracy in Debt: Sri Lanka – Beyond the Headlines
DESCRIPTION:Wednesday\, October 15\, 7 pm\nFree or suggested donation\nSri Lanka made headlines in 2022 when a massive economic crisis catalyzed sustained\, peaceful protests and forced regime change. Colombo is where policy decisions are made\, but in a democracy\, it is villages like Dutuwewa that make their voices heard. How has the country coped? What lessons does Sri Lanka’s situation hold for the world. Juxtaposing residents of a remote village with the policy makers of the city\, Democracy in Debt: Sri Lanka – Beyond the Headlines (25 minutes\, 2024) combines the thoughts and feelings of villagers with the opinions of economists and politicians. The film will be followed with a Q&A with the filmmaker. Presented by the UB Asia Research Institute\, Department of Geography\, Journalism Program\, Department of English\, Department of Media Study\, Asian Studies Program\, and Squeaky Wheel Film and Media Art Center. \nAttendees: Please note that you cannot enter Tri-Main Center after 7:30 pm. Squeaky Wheel is located in Suite 310 of Tri-Main Center. Take the elevator to the third floor\, and head left. Click here to see parking\, transportation\, and accessibility information. \n \nAbout the filmmaker\nBeena Sarwar is a multimedia journalist\, editor\, and documentary filmmaker from Pakistan who focuses on human rights\, gender\, media\, peace\, extremism\, violence\, and South Asia. She is chief editor of the Sapan News Network\, a syndicated features service she launched in 2021 with a small team of volunteers\, bringing together her decades of experience in journalism\, activism\, and academia. \nBanner image: A still from Democracy in Debt: Sri Lanka – Beyond the Headlines (2024). A blue and orange sunset of water and sky\, with hills in shadows in the Dutuwewa region of Sri Lanka.
URL:https://squeaky.org/event/democracy-in-debt/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Screenings
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