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DTSTART;TZID=America/New_York:20260325T190000
DTEND;TZID=America/New_York:20260325T210000
DTSTAMP:20260604T205046
CREATED:20260313T155757Z
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SUMMARY:Khaled Jarrar's Infiltrators
DESCRIPTION:Wednesday\, March 25\, 2026\, 7 pm at Burning Books (420 Connecticut St\, Buffalo\, NY 14213)\nFree or $10 suggested donation. Limited seating\, first-come\, first-serve\nKhaled Jarrar’s stunning Infiltrators (70 minutes\, Palestine / United Arab Emirates\, 2012) is a visceral road movie that chronicles the daily travails of Palestinians of all backgrounds as they seek routes through\, under\, around\, and over a bewildering matrix of barriers and border walls in the highly militarized West Bank. Alternating between cigarette breaks\, detours\, waiting\, and moving\, Infiltrators depicts the cunning\, unnerving\, and constant struggle to defy captivity and occupation. \nFor attendees: The screening will take place at Burning Books located at 420 Connecticut Street\, Buffalo\, NY 14213. Street parking is available. For transportation by bus\, it is near stops for the 3\, 19\, 22\, and 101 bus lines. Seating is first-come\, first-serve. \nThis screening is presented as part of the series\, Infiltrators: Films on borders and resistance. Support for this program is provided by Teiger Foundation and the Andy Warhol Foundation for the Visual Arts. Film courtesy of Third World Newsreel. \n \nAbout the filmmaker\nKhaled Jarrar was born in Jenin\, Occupied Palestine in 1976. He lives and works in Ramallah. Jarrar completed his studies in interior design at Palestine Polytechnic University in 1996. Upon graduating he smuggled himself to work as a carpenter in Nazareth\, living as an underground “illegal” worker. In 1998 Jarrar enlisted in an intensive military training which resulted in working for Arafat as a personal body guard until Arafat’s death in 2004. Attempting to create a life between the military and an artistic practice\, Jarrar entered the field of photography in 2005. Jarrar graduated from the International Academy of Art – Palestine\, Ramallah in 2011 and completed an MFA in fine art from the University of Arizona in 2019. \nJarrar\, a multidisciplinary artist\, explores modern power struggles and their sociocultural impact on ordinary citizens through highly symbolic photographs\, videos\, film\, and performative interventions. His State of Palestine project was featured in the 7th Berlin Biennale. Where We Lost Our Shadows\, his filmic collaboration with Pulitzer prize winning composer Du Yun\, was shown at Carnegie Hall and the Kennedy Center for Performing Arts. Jarrar’s work has been featured at Maraya Art Centre\, Sharjah; the New Museum\, New York City; the University of Applied Arts\, Vienna; the 15th Jakarta Biennale; 52nd October Salon\, Belgrade; Al-Ma’mal Foundation\, Jerusalem; and the London Film Festival. Infiltrators\, Jarrar’s first feature length film\, was a documentary about the business of Palestinian’s “illegally” crossing and won the FIPRESCI Award for Best Documentary\, Jury Special Award and the Muhr Arab Documentary Special Jury Prize at the Dubai International Film Festival in 2012. Notes on Displacement\, his second feature length\, about a Palestinian refugee’s flight from Syria to Germany\, received a world premiere at the IDFA Envision Competition in November 2022. \nBanner image: A still from Khaled Jarrar’s film\, Infiltrators. The frames of several people can be discerned against a city backdrop at night time. Clouds are lit in orange from the city lights.
URL:https://squeaky.org/event/khaled-jarrars-infiltrators/
LOCATION:Burning Books\, 420 Connecticut Street\, Buffalo\, 14213\, United States
CATEGORIES:Screenings
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2026/02/Infiltrators-film.00_54_22_06.Still007.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260319T190000
DTEND;TZID=America/New_York:20260319T190000
DTSTAMP:20260604T205046
CREATED:20260313T160038Z
LAST-MODIFIED:20260313T160833Z
UID:10001290-1773946800-1773946800@squeaky.org
SUMMARY:Alex Rivera's Sleep Dealer
DESCRIPTION:Thursday\, March 19\, 2026\, 7 pm at Burning Books (420 Connecticut St\, Buffalo\, NY 14213)\nFree or $10 suggested donation. Limited seating\, first-come\, first-serve\nSleep Dealer (90 minutes\, 2008) is a science-fiction film set on the U.S. / Mexico border that tells the story of Memo Cruz (Luis Fernando Peña)\, a young man from Mexico who dreams of coming to the United States. However\, in this brave new borderland\, crossing is impossible\, and Memo ‘migrates’ in a new way — over the net. By connecting his body to the net Memo controls a machine that performs his labor in America\, sending his pure work without the body of the worker. \nA film that has gained a cult following since its release (when it was awarded awards at Sundance\, the Gotham Awards\, and the Berlin Film Festival)\, the films ideas on remote labor\, unmanned war\, and border maintenance remains terrifyingly prescient 18 years later. \nSleep Dealer is my first feature film. I made it\, in part\, because I love science fiction. I grew up watching Star Wars\, Brazil and Blade Runner. However\, at a certain point\, I realized that despite the genre’s wild stories and countless special effects\, there were some things that were unimaginable – and that maybe there was an opportunity to do something radically new with sci-fi… The paradox of a world connected by technology\, but divided by borders\, is the central concept of Sleep Dealer. Other present-day realities inspired my futuristic fantasy: violent reality shows like COPS\, private military contractors like Blackwater\, remote control drones like the Predator Drone\, the trend of outsourcing jobs over the web\, the impending global water crisis\, and the ubiquity of video sharing sites YouTube to name a few. This is a science-fiction with many anchors in today’s reality. Sleep Dealer is my first film. It’s not anything like a Star Wars or a Blade Runner. In many ways it’s a humble film. But it’s also an honest attempt to use science- fiction film to say something new\, and something true\, about our world today. – Alex Rivera\, 2008 \nFor attendees: The screening will take place at Burning Books located at 420 Connecticut Street\, Buffalo\, NY 14213. Street parking is available. For transportation by bus\, it is near stops for the 3\, 19\, 22\, and 101 bus lines. Seating is first-come\, first-serve. \nThis screening is presented as part of the series\, Infiltrators: Films on borders and resistance. Support for this program is provided by Teiger Foundation and the Andy Warhol Foundation for the Visual Arts. Special thank you to Leo Goldsmith and Paige Sarlin. \n \nAbout the filmmakers\nAlex Rivera is an award-winning filmmaker whose work explores themes of globalization\, migration\, and technology. Rivera’s first feature film\, Sleep Dealer\, a cyberpunk thriller set on the U.S./Mexico border\, won awards at the 2008 Sundance Film Festival and the Berlin International Film Festival\, was screened at the Museum of Modern Art\, and had a commercial theatrical release in the U.S\, France\, Japan\, and other countries. Rivera’s second feature\, The Infiltrators\, won the NEXT: Audience Award and the Innovator Award at the 2019 Sundance Film Festival. The Infiltrators uses documentary and scripted forms to tell the true story of Dreamers who ‘infiltrate’ a detention center to get immigrants out. Rivera is currently developing a few new cyberpunk projects and\, with support from the Ford Foundation\, a feature documentary on the history of deportation titled Banishment. Alex Rivera is a 2021 MacArthur Fellow\, Sundance Fellow\, Creative Capital Grantee and was The Rothschild Lecturer at Harvard University. He studied at Hampshire College and lives in Los Angeles. He is an Associate Professor of Filmmaking Practice at ASU’s Sidney Poitier New American Film School. \nBanner image: A still from Alex Rivera’s film Sleep Dealer. A man with his mouth obstructed by some strange technology is connected to a larger machine by a mess of blue wires. He is looking intently ahead as if looking somewhere else.
URL:https://squeaky.org/event/alex-riveras-sleep-dealer/
LOCATION:Burning Books\, 420 Connecticut Street\, Buffalo\, 14213\, United States
CATEGORIES:Screenings
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2026/02/Screenshot-2026-02-11-at-12.20.41-PM.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260311T190000
DTEND;TZID=America/New_York:20260311T210000
DTSTAMP:20260604T205046
CREATED:20260211T171808Z
LAST-MODIFIED:20260225T194248Z
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SUMMARY:Alex Rivera and Cristina Ibarra's The Infiltrators
DESCRIPTION:Wednesday\, March 11\, 2026\, 7 pm at Burning Books (420 Connecticut St\, Buffalo\, NY 14213)\nFree or $10 suggested donation. Limited seating\, first-come\, first-serve\nThe Infiltrators (95 minutes\, 2019) is a docu-thriller that tells the true story of young undocumented immigrants who get arrested by Border Patrol\, and put in a shadowy for-profit detention center – on purpose. \nThe protagonists are members of the National Immigrant Youth Alliance\, a group of radical Dreamers who are on a mission to stop deportations. And the best place to stop deportations\, they believe\, is in detention. However\, when the activists try to pull off their heist – a kind of ‘prison break’ in reverse – things don’t go according to plan. \nBy weaving together documentary footage of the real infiltrators with scripted re-enactments of the events inside the detention center\, The Infiltrators tells this incredible true story in a boundary-crossing new cinematic language. \nTaking place during the Obama years\, the award winning film (including Audience Award at the Sundance Film Festival and Best Documentary at the Blackstar Film Festival)\, The Infiltrators is an in turn chilling reminder of long-standing immigrant rights activists and the history of the nation’s exclusionary migration policies. \nFor attendees: The screening will take place at Burning Books located at 420 Connecticut Street\, Buffalo\, NY 14213. Street parking is available. For transportation by bus\, it is near stops for the 3\, 19\, 22\, and 101 bus lines. Seating is first-come\, first-serve. \nThis screening is presented as part of the series\, Infiltrators: Films on borders and resistance. Support for this program is provided by Teiger Foundation and the Andy Warhol Foundation for the Visual Arts. Special thank you to Leo Goldsmith and Paige Sarlin. \n \nAbout the filmmakers\nAlex Rivera is an award-winning filmmaker whose work explores themes of globalization\, migration\, and technology. Rivera’s first feature film\, Sleep Dealer\, a cyberpunk thriller set on the U.S./Mexico border\, won awards at the 2008 Sundance Film Festival and the Berlin International Film Festival\, was screened at the Museum of Modern Art\, and had a commercial theatrical release in the U.S\, France\, Japan\, and other countries. Rivera’s second feature\, The Infiltrators\, won the NEXT: Audience Award and the Innovator Award at the 2019 Sundance Film Festival. The Infiltrators uses documentary and scripted forms to tell the true story of Dreamers who ‘infiltrate’ a detention center to get immigrants out. Rivera is currently developing a few new cyberpunk projects and\, with support from the Ford Foundation\, a feature documentary on the history of deportation titled Banishment. Alex Rivera is a 2021 MacArthur Fellow\, Sundance Fellow\, Creative Capital Grantee and was The Rothschild Lecturer at Harvard University. He studied at Hampshire College and lives in Los Angeles. He is an Associate Professor of Filmmaking Practice at ASU’s Sidney Poitier New American Film School. \nCristina Ibarra is a Sundance award-winning filmmaker with a 20-year practice rooted in her border crossing roots along the Texas-Mexico border. The Infiltrators is a docu-thriller about undocumented activists on a secret mission inside a detention center is currently being distributed by Oscilloscope. It won the Audience and the Innovator Award in the NEXT section at the Sundance Film Festival in 2019\, among other notable festival awards. The New York Times calls her previous award-winning documentary\, Las Marthas\, about wealthy South Texas border debutantes who honor George Washington in Laredo\, Texas “a striking alternative portrait of border life”. It premiered on PBS’s Independent Lens in 2014 and is distributed by Women Make Movies. The Last Conquistador\, a documentary about the racially conflicted construction of a monument to a conquistador in El Paso\, Texas\, was broadcast on POV in 2008. USA Today describes it as “Heroic”. Her award-winning directorial debut\, Dirty Laundry: A Homemade Telenovela\, was broadcast on PBS in 2001. She is the recipient of fellowships from Soros\, Rauschenberg\, Rockefeller\, NYFA\, CPB/PBS\, NALIP\, Firelight\, the Sundance Women’s Initiative and Creative Capital\, among others. \nBanner image: A still from the 2019 film The Infiltrators. A row of detainees in orange jumpsuits. Two people are clearly in focus. Image courtesy of Alex Rivera.
URL:https://squeaky.org/event/alex-rivera-and-cristina-ibarras-the-infiltrators/
LOCATION:Burning Books\, 420 Connecticut Street\, Buffalo\, 14213\, United States
CATEGORIES:Screenings
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2026/02/INFILTRATORS-KEY-LARGE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260304T190000
DTEND;TZID=America/New_York:20260304T210000
DTSTAMP:20260604T205046
CREATED:20260211T204239Z
LAST-MODIFIED:20260225T194213Z
UID:10001291-1772650800-1772658000@squeaky.org
SUMMARY:Khaled Jarrar's Notes on Displacement
DESCRIPTION:Wednesday\, March 4\, 2026\, 7 pm at Burning Books (420 Connecticut St\, Buffalo\, NY 14213)\nFree or $10 suggested donation. Limited seating\, first-come\, first-serve\nThe news is full of disturbing images of overcrowded boats and vast tent camps. But how much do we really know about what refugees are going through? Khaled Jarrar’s Notes on Displacement (74 minutes\, Palestine / Germany / Qatar\, 2022) takes a deep dive by following a single family on a grueling journey: destination Germany. Their fear\, disorientation\, and solidarity is palpable. \nNadira\, an elderly Palestinian\, has been a refugee since the age of 12. Now she has to evacuate Damascus\, too. She and her daughter Mona feared for their lives there\, but the idea of a safe existence elsewhere is a distant dream. Filmmaker Khaled Jarrar receives unsettling videos and voice messages as they cross to the Greek island of Lesbos. He joins them there\, on the long road to a new life. \nJarrar has personal reasons for going through this experience in order to eliminate\, through his own images\, the distance so dominant in Western media coverage. He worms his way through the thronging crowds\, gets lost in the night with his group\, discovers how dangerous language barriers can be\, and wanders around in the dehumanizing camps. And in a sense he—along with the viewer— becomes a true member of this family. \nMy grandmother Shafiqa was forced to leave her home in Haifa\, her Jasmine tree\, her cup of tea on her balcony and her view of the sea. I inherited this pain print of hers through haunted memories both beautiful and painful at the same time. They chased me in my dreams like ghosts that never intended to leave. I tried to escape through geography\, through emotion\, through psychology\, but leaving the past behind proved impossible\, something always forced me back in time. Nadira’s plea brought me to the front lines; creating new memories by walking this new exodus together. We were real time inside the frame capturing the present to battle the past – creating a communication between the two. As the director from behind the camera I was driven to offer images of our own making\, outside the never-ending western paparazzi image onslaught of displaced refugees. This film is for us\, our values\, our knowledge\, our experiences. – Khaled Jarrar\, November 2022 \nFor attendees: The screening will take place at Burning Books located at 420 Connecticut Street\, Buffalo\, NY 14213. Street parking is available. For transportation by bus\, it is near stops for the 3\, 19\, 22\, and 101 bus lines. Seating is first-come\, first-serve. \nThis screening is presented as part of the series\, Infiltrators: Films on borders and resistance. Support for this program is provided by Teiger Foundation and the Andy Warhol Foundation for the Visual Arts. Film courtesy of Cinema Politica. \n \nAbout the filmmaker\nKhaled Jarrar was born in Jenin\, Occupied Palestine in 1976. He lives and works in Ramallah. Jarrar completed his studies in interior design at Palestine Polytechnic University in 1996. Upon graduating he smuggled himself to work as a carpenter in Nazareth\, living as an underground “illegal” worker. In 1998 Jarrar enlisted in an intensive military training which resulted in working for Arafat as a personal body guard until Arafat’s death in 2004. Attempting to create a life between the military and an artistic practice\, Jarrar entered the field of photography in 2005. Jarrar graduated from the International Academy of Art – Palestine\, Ramallah in 2011 and completed an MFA in fine art from the University of Arizona in 2019. \nJarrar\, a multidisciplinary artist\, explores modern power struggles and their sociocultural impact on ordinary citizens through highly symbolic photographs\, videos\, film\, and performative interventions. His State of Palestine project was featured in the 7th Berlin Biennale. Where We Lost Our Shadows\, his filmic collaboration with Pulitzer prize winning composer Du Yun\, was shown at Carnegie Hall and the Kennedy Center for Performing Arts. Jarrar’s work has been featured at Maraya Art Centre\, Sharjah; the New Museum\, New York City; the University of Applied Arts\, Vienna; the 15th Jakarta Biennale; 52nd October Salon\, Belgrade; Al-Ma’mal Foundation\, Jerusalem; and the London Film Festival. Infiltrators\, Jarrar’s first feature length film\, was a documentary about the business of Palestinian’s “illegally” crossing and won the FIPRESCI Award for Best Documentary\, Jury Special Award and the Muhr Arab Documentary Special Jury Prize at the Dubai International Film Festival in 2012. Notes on Displacement\, his second feature length\, about a Palestinian refugee’s flight from Syria to Germany\, received a world premiere at the IDFA Envision Competition in November 2022. \nBanner image: A still from Khaled Jarrar’s film\, Notes on Displacement. A man and two women are walking along train tracks on a cloudy day. The man is carrying an umbrella. One of the women has multiple bags hanging from her shoulder.
URL:https://squeaky.org/event/khaled-jarrars-notes-on-displacement/
LOCATION:Burning Books\, 420 Connecticut Street\, Buffalo\, 14213\, United States
CATEGORIES:Screenings
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2026/02/Screenshot-2026-02-11-at-3.34.38-PM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260304
DTEND;VALUE=DATE:20260326
DTSTAMP:20260604T205046
CREATED:20260313T170400Z
LAST-MODIFIED:20260325T162938Z
UID:10001294-1772582400-1774483199@squeaky.org
SUMMARY:Infiltrators: Films on borders and resistance
DESCRIPTION:Begins March 4\, 2026\nScreenings take place at Burning Books. Artist talk with Alex Rivera and Khaled Jarrar online.\nSqueaky Wheel presents four films\, by Alex Rivera\, Alex Rivera and Cristina Ibarra\, and Khaled Jarrar\, that take on the human toll of borders and the organized and individual ways people evade and resist them. Featuring both cult classic works and acclaimed documentaries\, the films – with Rivera’s work focusing on the maintenance and violence of the US border\, and Jarrar’s focusing on power struggles\, in particular as they relate to Palestine and the Palestinian diaspora – showcases the logistical\, ethical\, and bureaucratic logics of border regimes\, and points to intertwined solidarities. \nAll screenings will take place at our friends at Burning Books. This event series is supported by Teiger Foundation and the Andy Warhol Foundation for the Visual Arts. Thank you to our co-presenters at Jewish Voice for Peace – Buffalo. Khaled Jarrar’s Infiltrators is courtesy of Third World Newsreel\, and his film Notes on Displacement is courtesy of Cinema Politica. Special thank you to Paige Sarlin and Leo Goldsmith. \nFor attendees\nThe screenings will take place at Burning Books located at 420 Connecticut Street\, Buffalo\, NY 14213. Street parking is available. For transportation by bus\, it is near stops for the 3\, 19\, 22\, and 101 bus lines. Seating is first-come\, first-serve. \nThe artist talk with Alex Rivera and Khaled Jarrar will take place online. The films and artist talk will be available online for a weekend on March 27–March 29. \nEvent dates\nWednesday\, March 4th\, 7pm\nKhaled Jarrar’s Notes on Displacement \nWednesday\, March 11th\, 7pm\nAlex Rivera & Cristina Ibarra’s The Infiltrators \nThursday\, March 19th\, 7pm\nAlex Rivera’s Sleep Dealer \nTuesday\, March 24th\, 7pm EST\nVirtual artist talk: Alex Rivera & Khaled Jarrar \nWednesday\, March 25th\, 7pm\nKhaled Jarrar’s Infiltrators \nFriday\, March 27–Sunday\, March 29\nOnline access | Infiltrators: Films on borders and resistance \nBiographies of the artists\nAlex Rivera is an award-winning filmmaker whose work explores themes of globalization\, migration\, and technology. Rivera’s first feature film\, Sleep Dealer\, a cyberpunk thriller set on the U.S./Mexico border\, won awards at the 2008 Sundance Film Festival and the Berlin International Film Festival\, was screened at the Museum of Modern Art\, and had a commercial theatrical release in the U.S\, France\, Japan\, and other countries. Rivera’s second feature\, The Infiltrators\, won the NEXT: Audience Award and the Innovator Award at the 2019 Sundance Film Festival. The Infiltrators uses documentary and scripted forms to tell the true story of Dreamers who ‘infiltrate’ a detention center to get immigrants out. Rivera is currently developing a few new cyberpunk projects and\, with support from the Ford Foundation\, a feature documentary on the history of deportation titled Banishment. Alex Rivera is a 2021 MacArthur Fellow\, Sundance Fellow\, Creative Capital Grantee and was The Rothschild Lecturer at Harvard University. He studied at Hampshire College and lives in Los Angeles. He is an Associate Professor of Filmmaking Practice at ASU’s Sidney Poitier New American Film School. \nCristina Ibarra is a Sundance award-winning filmmaker with a 20-year practice rooted in her border crossing roots along the Texas-Mexico border. The Infiltrators is a docu-thriller about undocumented activists on a secret mission inside a detention center is currently being distributed by Oscilloscope. It won the Audience and the Innovator Award in the NEXT section at the Sundance Film Festival in 2019\, among other notable festival awards. The New York Times calls her previous award-winning documentary\, Las Marthas\, about wealthy South Texas border debutantes who honor George Washington in Laredo\, Texas “a striking alternative portrait of border life”. It premiered on PBS’s Independent Lens in 2014 and is distributed by Women Make Movies. The Last Conquistador\, a documentary about the racially conflicted construction of a monument to a conquistador in El Paso\, Texas\, was broadcast on POV in 2008. USA Today describes it as “Heroic”. Her award-winning directorial debut\, Dirty Laundry: A Homemade Telenovela\, was broadcast on PBS in 2001. She is the recipient of fellowships from Soros\, Rauschenberg\, Rockefeller\, NYFA\, CPB/PBS\, NALIP\, Firelight\, the Sundance Women’s Initiative and Creative Capital\, among others. \nKhaled Jarrar was born in Jenin\, Occupied Palestine in 1976. He lives and works in Ramallah. Jarrar completed his studies in interior design at Palestine Polytechnic University in 1996. Upon graduating he smuggled himself to work as a carpenter in Nazareth\, living as an underground “illegal” worker. In 1998 Jarrar enlisted in an intensive military training which resulted in working for Arafat as a personal body guard until Arafat’s death in 2004. Attempting to create a life between the military and an artistic practice\, Jarrar entered the field of photography in 2005. Jarrar graduated from the International Academy of Art – Palestine\, Ramallah in 2011 and completed an MFA in fine art from the University of Arizona in 2019. \nJarrar\, a multidisciplinary artist\, explores modern power struggles and their sociocultural impact on ordinary citizens through highly symbolic photographs\, videos\, film\, and performative interventions. His State of Palestine project was featured in the 7th Berlin Biennale. Where We Lost Our Shadows\, his filmic collaboration with Pulitzer prize winning composer Du Yun\, was shown at Carnegie Hall and the Kennedy Center for Performing Arts. Jarrar’s work has been featured at Maraya Art Centre\, Sharjah; the New Museum\, New York City; the University of Applied Arts\, Vienna; the 15th Jakarta Biennale; 52nd October Salon\, Belgrade; Al-Ma’mal Foundation\, Jerusalem; and the London Film Festival. Infiltrators\, Jarrar’s first feature length film\, was a documentary about the business of Palestinian’s “illegally” crossing and won the FIPRESCI Award for Best Documentary\, Jury Special Award and the Muhr Arab Documentary Special Jury Prize at the Dubai International Film Festival in 2012. Notes on Displacement\, his second feature length\, about a Palestinian refugee’s flight from Syria to Germany\, received a world premiere at the IDFA Envision Competition in November 2022. \nBanner image: A bright orange background with a jagged white line and white text. The text states “Screenings series | Starts March 4\, 2026 at Burning Books. INFILTRATORS. Films on borders and resistance”
URL:https://squeaky.org/event/infiltrators-films-on-borders-and-resistance/
LOCATION:Burning Books\, 420 Connecticut Street\, Buffalo\, 14213\, United States
CATEGORIES:Event Series
ATTACH;FMTTYPE=image/jpeg:https://squeaky.org/wp-content/uploads/2026/02/Infiltrators-Card.jpg
END:VEVENT
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