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DTSTART;TZID=America/New_York:20190619T190000
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SUMMARY:Blissfully Yours
DESCRIPTION:Wednesday\, June 19\, 7pm\n$7 General / $5 Members / Free for ArtsAccess pass holders \nThe feature debut of Thai director Apichatpong Weeserakathul\, Blissfully Yours (2002) is an enigmatic\, surprising film that charts a road trip and picnic in a jungle between three people –a Burmese national working in Thailand without documentation\, his girlfriend\, and an older woman. Gestures\, glances\, and a lush landscape  releasing emotions\, superstitions\, and eroticism. This is a transformative summer movie of pop music and naps\, sex and sun through leaves\, and launched the director to international acclaim. \nOne of the best entries at Cannes…with its languid pacing and poetic sense of quiet and gesture\, Blissfully Yours would eventually uncover a world of hope\, possibility and bliss at the crossroads of human connection and aesthetic achievement. – Manohla Dargis (LA Weekly) \n\nThis screening is part of our summer film series\, Three Storms for Summer Eves. These three dreamy films to provide moments to restore\, heal\, and gather strength for the months ahead. Taking place on Wednesday evenings\, we invite audiences to leave work\, join us to find relief in the dark\, and to exit and see the night anew. Feel free to bring pillows. Co-presented with Cultivate Cinema Circle. \nJune 19: Blissfully Yours \nJuly 12: Hale County This Morning\, This Evening \nAugust 14: Endless Dreams and Water Between \nCultivate Cinema Circle is an emerging screening series that aims to help foster a healthy\, fervent film culture in the Buffalo area.
URL:https://squeaky.org/event/blissfully-yours/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Screenings
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DTSTART;TZID=America/New_York:20190405T190000
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SUMMARY:Worldline ⃝ Timeline
DESCRIPTION:With filmmaker Bryan Oliver Green in-person\, and a live Skype performance by Dana McKnight\nFriday\, April 5\, 7pm\n$7 General / $5 Members / Free for ArtsAccess Pass holders\n***A limited amount of free tickets for this screening will be set aside for members of the Black and indigenous community. Click here to claim your ticket.***\n \nSqueaky Wheel presents an evening of films and performances that form a constellation of times and spaces outside of colonial thought. The screening features a live science-fiction Skype performance by artist Dana McKnight; Bryan Oliver Green’s Recurrence Plot: The Family Circle (2018)\, adapted from a short story by Black Quantum Futurism’s Rasheedah Phillips; Amanda Strong’s Mia’ (2015)\, a supernatural stop-motion film of a young Indigenous female street artist who finds ways to root herself within her ancestry; and concluding with John Akomfrah’s essential 1996 film\, The Last Angel of History\, which examines the relationships between Pan-African culture\, science fiction\, intergalactic travel\, and rapidly progressing computer technology. Join us for a special evening traveling through space and time\, with visiting filmmaker Bryan Oliver Green in person. \nThis event is presented as part of the public programming accompanying Black Quantum Futurism: ON THE EDGE OF THE BUSH / A LONG WALK INTO THE UNKNOWN\, on view at Squeaky Wheel\, Jan 25–April 20\, 2019. Special thanks to Vtape and Icarus Films. \nProgram \n\nMia’ (Salmon)\nAmanda Strong\n8 min\, digital\, sound\, 2015\nA young Indigenous female street artist named Mia’ walks through the city streets painting scenes rooted in the supernatural history of her people. Lacking cultural resources and familial connection within the city\, she paints these images from intuition and blood memory. She has not heard the stories from her Elders lips\, but has found her own methods to re-discover them. The alleyways become her sanctuary and secret gallery\, and her art comes to life. Mia’ is pulled into her own transformation via the vessel of a salmon. In the struggle to return home\, she traverses through polluted waters and skies\, witnessing various forms of industrial violence and imprint that have occurred upon the land. \nMia’ is a hybrid documentary using animation and sound as a vehicle to tell the story of transformation and re-connection. Indigenous people in Canada experienced displacement once commercial trade turned into settlement. Today the urban population of Native people now outnumbers those living on-reserve. Many struggle being disconnected from their land\, rites\, and protocol. This film is not an adaptation or a re-telling of a traditional story but is based in the circular time of\, and passage of\, oral history. Mia’ challenges the notions and format of conventional documentaries and presents Indigenous oral traditions as truth and not myth or legend. (Description courtesy of Vtape.) \n\nRecurrence Plot: The Family Circle\nBryan Oliver Green\, adapted from a short story by Rasheedah Phillips\n16 min\, digital\, sound\, 2018\nA crystal\, memory-storing bracelet transports a young mother back to the day of her own mother’s traumatic death and challenges the notion that time flows in only one direction… \nUntitled live skype performance\nDana McKnight\n~10 min\, 2019 \n\nThe Last Angel of History\nJohn Akomfrah\n45 min\, digital\, sound\, 1996 \nJohn Akomfrah\, director of Seven Songs of Malcolm X\, returns with an engaging and searing examination of the hitherto unexplored relationships between Pan-African culture\, science fiction\, intergalactic travel\, and rapidly progressing computer technology. \nThis cinematic essay posits science fiction (with tropes such as alien abduction\, estrangement\, and genetic engineering) as a metaphor for the Pan-African experience of forced displacement\, cultural alienation\, and otherness. \nAkomfrah’s analysis is rooted in an exploration of the cultural works of Pan-African artists\, such as funkmaster George Clinton and his Mothership Connection\, Sun Ra’s use of extraterrestrial iconography\, and the very explicit connection drawn between these issues in the writings of black science fiction authors Samuel R. Delaney and Octavia Butler. \nIncluded are interviews with black cultural figures\, from musicians DJ Spooky\, Goldie\, and Derek May\, who discuss the importance of George Clinton to their own music\, to George Clinton himself. Astronaut Dr. Bernard A. Harris Jr. describes his experiences as one of the first African-Americans in space\, while Star Trek actress Nichelle Nichols tells of her campaign for a greater role for African-Americans in NASA. Novelist Ismael Reed and cultural critics Greg Tate and Kodwo Eshun tease out the parallels between black life and science fiction\, while Delaney and Butler discuss the motivations behind their choice of the genre to express ideas about the black experience. \nIn keeping with the futuristic tenor of the film\, the interviews are intercut with images of Pan-African life from different periods of history\, jumping between time and space from the past to the future to the present\, not unlike the mode of many rock videos or surfing the Internet. \nBanner image: John Akomfrah\, The Last Angel of History\,1996. Courtesy of Icarus Films.
URL:https://squeaky.org/event/worldline-timeline/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Screenings
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DTSTART;TZID=America/New_York:20190323T133000
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SUMMARY:Youth Workshop: A Children's Book with LIZN'BOW
DESCRIPTION:1:30–3pm\nOpen to youth ages 7-12\nFree to participate.\nClick here to register. \nSqueaky Wheel invites youth ages 7-12 to participate in A CHILDREN’S BOOK with LIZN’BOW! In this new media youth workshop\, the artists and youth will collaborate on a book that expands on ideas of identity\, representation\, power\, and possibility. Participating young creatives will create drawings\, portraits\, and texts\, exploring identity\, gender\, and feminism. The workshop will conclude with youth participating in a green screen recording/portrait session that will be remixed into the book. \nContact ekrem@squeaky.org with any questions. \nThis workshop is led by LIZN’BOW (Miami\, FL)\, Squeaky Wheel’s Spring 2019 Workspace Residents. LIZN’BOW is a project in which Liz Ferrer and Bow Tie use media technology\, digital tools\, and community building exercises as vehicles to visualize\, play\, and explore different social and creative possibilities. The artists start most of their pieces in a workshop setting. Our workshops focus on providing space for people to form nuanced and expanded ideas of identity\, representation\, power\, and possibility. They usually choose a mainstream cultural format as starting point then deconstruct and experiment from there. LIZN’BOW have worked with The Bass Museum\, Institute of Contemporary Art Miami\, Breakthrough Miami\, Hands to Help\, La Sierra Artist Residency Columbia\, Tempest Projects\, Cunsthaus\, Miami Lighthouse for the Blind\, En Residencia at the Koubek Center\, Borscht Film Festival\, and Mana Contemporary Miami. \nSqueaky Wheel’s Workspace Residency is supported by generous support by the County of Erie and County Executive Mark Poloncarz\, the National Endowment for the Arts \, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature\, The Andy Warhol Foundation for the Visual Arts\, individual members\, businesses\, and supporters.
URL:https://squeaky.org/event/youth-workshop-a-childrens-book-with-liznbow/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Education,Residencies
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DTSTART;TZID=America/New_York:20190322T190000
DTEND;TZID=America/New_York:20190322T190000
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SUMMARY:Workspace Presentations: Alison Nguyen and LIZN'BOW
DESCRIPTION:Friday\, March 22\, 7pm\nFree and open to the public \nJoin us for a night of artist talks by Squeaky Wheel’s Spring 2019 Workspace Residents Alison Nguyen and Liz Ferrer & Bow Tie. Nguyen will speak of her multimedia installation work which draws from home movies\, social media\, soft pornography\, and videos created by religious cults/extremists and explores the porous visual relationships between domestic intimacy\, terror and technology. Liz Ferrer and Bow Tie will be speaking on their project LIZN’BOW\, often featuring youth and utilizing technology and community building exercises to visualize\, play\, and explore different social and creative possibilities. \nBios of the artists \nAlison Nguyen is a New York-based artist working in video and installation. She received her B.A from Brown University\, Providence\, RI. Nguyen’s work has been screened at Ann Arbor Film Festival\, True/False Film Festival\, Crossroads presented by SF Cinemateque/SF MoMA\, San Diego Underground Film Festival\, Microscope Gallery\, Tai Kwun Contemporary\, Leeds International Film Festival\, Unseen Film Festival\, L’Alternativa\, Marfa Film Festival\, San Francisco Art Book Fair at Minnesota Street Projects\, Traverse Vidéo\, Palace Film Festival\, Outpost Artists\, and Zumzeig Cine. Her work has been exhibited at Centre Des Arts Actuels Skol\, The University of Oklahoma\, BOSI Contemporary\, and Satellite Art Show\, Miami. She has participated in group performances at The Whitney Museum of Art: Dreamlands Expanded\, The Parrish Museum\, and Mana Contemporary (in collaboration with Optipus). Nguyen has received residencies and fellowships from the International Studio & Curatorial Program\, The Institute of Electronic Arts\, BRIC\, Signal Culture\, and Vermont Studio Center. She has been awarded grants from NYSCA and The New York Community Trust. \nLIZN’BOW is a project in which Liz Ferrer and Bow Tie use media technology\, digital tools\, and community building exercises as vehicles to visualize\, play\, and explore different social and creative possibilities. The artists start most of their pieces in a workshop setting. Our workshops focus on providing space for people to form nuanced and expanded ideas of identity\, representation\, power\, and possibility. They usually choose a mainstream cultural format as starting point then deconstruct and experiment from there. LIZN’BOW have worked with The Bass Museum\, Institute of Contemporary Art Miami\, Breakthrough Miami\, Hands to Help\, La Sierra Artist Residency Columbia\, Tempest Projects\, Cunsthaus\, Miami Lighthouse for the Blind\, En Residencia at the Koubek Center\, Borscht Film Festival\, and Mana Contemporary Miami.
URL:https://squeaky.org/event/workspace-presentations-alison-nguyen-and-liznbow/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Artist Talk,Residencies
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DTSTART;TZID=America/New_York:20190320T180000
DTEND;TZID=America/New_York:20190320T200000
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CREATED:20251230T191228Z
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SUMMARY:The Conflicted Image with Alison Nguyen
DESCRIPTION:Wednesday\, March 20 th\, 6-8pm \n$10 Non-Members / $7 Members \nContact kevin@squeaky.org for registration or complete the registration form here. SPACE IS LIMITED! \n\nJoin us for an experimental media workshop led by Workspace resident artist Alison Nguyen. The workshop will explore strategies of critique\, homage\, voyeurism\, parody\, deconstruction\, and fragmentation in works that have appropriated found footage while also teaching participants how to make their own short works using found footage.\n\n\n \n\n\nA beginners knowledge of video editing is required.\n\n\n \n\n\nThe workshop will be divided equally between screenings\, discussion\, and practical explorations. Each participant will be given a thumb drive of heterogeneous found footage as a starting point\, and they will produce their own investigations through a variety of manipulations and interventions using editing\, re-filming\, and projection processes.\n\n\n \n\n\nSpace is limited please contact kevin@squeaky.org for registration.\n\n\n \n\n\nAlison Nguyen’s work explores the ways in which images are produced\, disseminated\, and consumed within the current media landscape\, exposing the socio-political conditions from which they arise. Creating strategies for dissent\, she re-articulates mainstream cinematic language in unsettlingly seductive installation\, video\, and sculptural works.\n\n\n \n\n\nAlison Nguyen received her B.A. from Brown University. She has presented work at Ann Arbor Film Festival; CROSSROADS by San Francisco Cinematheque and San Francisco Museum of Modern Art; and Microscope Gallery\, Brooklyn\, among others. She has received residencies and fellowships from The International Studio & Curatorial Program\, Institute of Electronic Arts\, BRIC\, and Signal Culture. In 2018\, Nguyen was featured in Filmmaker Magazine’s 25 New Faces of Independent Film.
URL:https://squeaky.org/event/conflicted-image/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Residencies,Skill Share
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DTSTART;TZID=America/New_York:20190316T140000
DTEND;TZID=America/New_York:20190316T190000
DTSTAMP:20260502T050247
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SUMMARY:Art + Feminism Wikipedia Edit-a-Thon: Gender + The Non-Binary
DESCRIPTION:Saturday\, March 16\, 2–7pm\nFree and open to the public\nCoffee\, refreshments\, research\, and guidance provided. Email ekrem@squeaky.org for childcare requests.\nRSVP Here \nJoin us for the global do-it-yourself and do-it-with-others campaign teaching people of all gender identities and expressions to edit Wikipedia. \nAs Art+Feminism enters its sixth year of worldwide activities\, they announce an evolution of their project: Gender+ The Non-Binary. This focus breaks apart “the myth that people are only as valuable as their adherence to gendered stereotypes – only as honorable as their ability to fit into one of two categories: assigned girl at birth or assigned boy.” \nCome to Squeaky Wheel for a day of learning\, and bringing to light histories unknown while impacting the world’s dictionary. Research materials\, coffee\, and food will be provided. Onsite childcare is available by request for those who RSVP by March 13th. \nSupported by Buffalo State University’s Women & Gender Studies Interdisciplinary Minor\, UB Departments of Art and the Department of Media Study\, and the Wikimedia Foundation. \nImage credit: Detail of Wendy Red Star\, Ashkaamne (matrilineal inheritance)\, 2019. This artwork was produced for the 2019 Art+Feminism Call to Action Art Commission.
URL:https://squeaky.org/event/art-feminism-wikipedia-edit-a-thon-gender-the-non-binary/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Education,Special Event
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DTSTART;TZID=America/New_York:20190215T190000
DTEND;TZID=America/New_York:20190215T210000
DTSTAMP:20260502T050247
CREATED:20251230T191228Z
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SUMMARY:Love & Sex Show: Play with Me
DESCRIPTION:Friday\, February 15\, 7pm\nGeneral Admission: $10\n*Limited Online only* Threesome Special: 3 Tickets for $25\nFree with ArtsAccess Pass\nClick here to buy your tickets \nThis event is for ages 18+\n \nSqueaky Wheel’s annual erotica bash\, the Love & Sex Show returns\, with a special video game edition curated by Toronto-based Dames Making Games (DMG)! Featuring a lusty\, critical line-up of independent video games that include dating simulators\, coop play-a-longs\, and more\, DMG representatives Izzie Colpitts-Campbell and Jennie Faber will lead group playthroughs\, and highlight works by milkymilkface\, Maxwell Lander\, Robert Yang\, Spooklight games\, and other games that explore how we navigate and understand intimacy. Come\, play\, and flirt! \nDress up in cosplay to enter a costume contest sponsored by Evergreen Health! \nBanner image: Pretzel After Dark by milkymilkface
URL:https://squeaky.org/event/love-sex-show-play-with-me/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Special Event
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DTSTART;TZID=America/New_York:20190209T140000
DTEND;TZID=America/New_York:20190209T170000
DTSTAMP:20260502T050247
CREATED:20251230T191228Z
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SUMMARY:Futurism Now: Limitless Hope through Speculative Fiction
DESCRIPTION:Futurism Now: Limitless Hope through Speculative Fiction\nBlack Magnolias x Black Quantum Futurism\nSaturday\, February 9\, 2019\, 2–5pm\nFree and open to the public\n \nWhat if your future dreams for society became the dominant narrative for hope in the present? How do we imagine a more liberated future for ourselves? This discussion group and creative workshop led by Black Magnolias will use speculative fiction–Afrofuturism\, science fiction and fantasy–as a tool to create new worlds of hope and change. Participants will be engaged in using ideas of limitless technology\, fantasy\, and science to rewrite the world and walk away with a sci-fi story that replaces negative narratives with possibility and power. \nResponding to a newly commissioned essay by Rasheedah Phillips written for the exhibition by Black Quantum Futurism\, this three hour workshop will be accompanied by presentations\, short films\, and free coffee. Pens and writing materials will be provided. \nInitiated by Marielle Smith and Richmond Wills\, Black Magnolias was created as a creative space to share\, build and develop a strong community of writers of color. This transient workshop series responds to a need for space for Black & Brown\, Queer and LGBT+ writers of all platforms and extend the invitation to those that belong to this community. This event is open to participants ages 14 and up. \nMarielle Smtih is a Buffalo native and mother of two\, who enjoys writing and performing poetry\, essays\, and folklore that are reflective of her life experience and ancestry as a queer Black person. Marielle has been organizing with Just Resisting since 2016\, a people of color community organization that focuses on social justice. She believes one of the greatest acts of resistance is finding healing through artistic expression. She currently co- facilitates Black Magnolias\, a Black and people of color creative writing workshop with Richie Willis. \nRichmond Wills (He/Him) is a poet\, storyteller and cultural organizer currently based in Buffalo New York. He co-founded Black Magnolias\, an ongoing creative workshop series targeting black/brown inner-city populations. He also coordinated outreach for Words on the Street\, an initiative to make literary arts more accessible to disenfranchised communities. From being a social justice activist with Black Love Resist in the Rust\, a not for profit grassroots organization currently involved in a lawsuit against the city of Buffalo over illegal checkpoints to being a sexual health advocate and tour de force for youth who identify as LGBT+\, Richmond hopes to mobilize and grow with Black & Brown communities to work towards collective solidarity and liberation. \nThis event is presented as part of the public programming accompanying Black Quantum Futurism: ON THE EDGE OF THE BUSH / A LONG WALK INTO THE UNKNOWN\, on view at Squeaky Wheel\, Jan 25–April 20\, 2019. \nBanner image by Richmond Wills.
URL:https://squeaky.org/event/futurism-now/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Education,Special Event
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190125T180000
DTEND;TZID=America/New_York:20190420T170000
DTSTAMP:20260502T050247
CREATED:20251230T191228Z
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SUMMARY:BLACK QUANTUM FUTURISM
DESCRIPTION:ON THE EDGE OF THE BUSH / A LONG WALK INTO THE UNKNOWN\nOpening January 25\, 2019\, 7–9pm\nConversation between Camae Ayewa (aka Moor Mother) and Ineil Quaran at 7:30pm\nOn view through April 20\, 2019\, Tue–Sat\, 12–5pm\nFree and open to the public \nClick here to download the brochure\, featuring Activating Retrocurrences and Reverse Time-Bindings in the Quantum Now(s)\, a new essay by Rasheedah Phillips. \nHow can one examine the unknown? How is this unknown shaped by its temporal realities? How does one resist\, recover\, when facing the erasure of memory? This may involve a reinvestigation and uncovering of hidden histories\, and a hacking into future histories where they have already been erased. \nUtilizing collage\, video\, text\, and sound installations\, this exhibition by Philadelphia-based Black Quantum Futurism (Camae Ayewa aka Moor Mother\, and Rasheedah Phillips aka The Afrofuturist Affair) draws from quantum physics\, speculative fiction\, and Black/Afro-diasporan cultural traditions of observing time and space. The works aim to break free into the unknown futures of past selves\, and to honor the ritual casualties and philosophies of Black ancestry\, culture\, and spirit. \nJoin us at Squeaky Wheel on Friday\, January 25th at 7pm for the opening reception of the exhibition and a conversation with Moor Mother at 7:30pm. \nPublic Programs\nFebruary 9\, 2–5pm | Futurism Now: Limitless Hope through Speculative Fiction: Discussion and Creative Writing Workshop\nApril 5\, 7pm | Worldline ⃝ Timeline: Screening of John Akomfrah’s The Last Angel of History\, and work by Dana McKnight and Amanda Strong \nBios of the artists and contributors \nBlack Quantum Futurism is an interdisciplinary creative practice between Camae Ayewa and Rasheedah Phillips that weaves quantum physics\, afrofuturism\, and Afrodiasporic concepts of time\, ritual\, text\, and sound to present innovative works and tools offering practical ways to escape negative temporal loops\, oppression vortexes\, and the digital matrix. BQF has created a number of community-based projects\, performances\, experimental music projects\, installations\, workshops\, books\, short films\, zines\, including the award-winning Community Futures Lab. BQF Collective is a 2018 Solitude x ZKM Web Resident\, 2017 Center for Emerging Visual Artists Fellow\, a 2017 Pew Fellow\, 2016 A Blade of Grass Fellow\, and a 2015 artist-in-residence at West Philadelphia Neighborhood Time Exchange. The Collective has presented\, exhibited\, or performed at Red Bull Arts NY\, Serpentine Gallery Pavilion\, Philadelphia Art Museum Perelman Building\, MOMA PS1\, Bergen Kunsthall\, Le Gaite Lyrique\, MOFO Festival\, and more. BQF Collective frequently collaborates with other Black Futurists Joy KMT\, Irreversible Entanglements\, Thomas Stanley\, and Metropolarity to produce literature\, present workshops\, lectures\, and performances. \nIneil Quaran is an afro-futurist multidisciplinary artist and ghetto organizer born in Buffalo\, NY and raised in the Kenfield/Langfield Projects. Through his fine art and multimedia collages he recreates memories and dreamscapes incorporating themes of self-preservation\, Black celebration\, imagination\, and grief. He developed his skill by blocking-out neighborhood sidewalks with chalk drawings and studying digital tutorials. Institutionally he attended Buffalo Academy of Visual Performing Arts and briefly\, Villa Maria College majoring in animation. Growing up Ineil indulged in: Walt Disney animations\, climbing trees\, the epics of ancient religions and folklore\, anime\, early 2000’s hip hop and R&B\, science fiction adventure\, and his gullah/geechee heritage.\nIn 2014 he co-owned\, graphic design business and zine distributor\, VENT. Soon after in 2015 he co-founded D.O.P.E. Collective (Dismantling Oppressive Patterns for Empowerment)\, a Black youth-led anti-oppressive arts organization that aims to strengthen local resources for creative and exploited communities which resists through art forms and arts movements considered: white-washed\, extreme\, stigmatized\, political\, and/or experimental.\nIneil Quaran is now developing work for his first solo art show and is continuing to cultivate resources supporting the East Side\, melaninated creatives\, and all the black and brown *QTs! \nBanner image courtesy of Black Quantum Futurism.
URL:https://squeaky.org/event/blackquantumfuturism/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20181202T140000
DTEND;TZID=America/New_York:20181202T160000
DTSTAMP:20260502T050247
CREATED:20251230T191228Z
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SUMMARY:Decolonizing Institutions
DESCRIPTION:Sunday\, December 2\, 2018\n2–4pm\nFree and open to the public \nJoin members of Decolonize this Place\, Amin Husain\, Amy Weng and Marz Saffore\, along with Jodi Lynn Maracle and Caitlin Blue\, for an afternoon of discussion on the urgency of decolonization\, and exploring strategies\, tactics\, and art-making in the struggle for freedom and liberation in Buffalo. Moderated by Nitasha Dhillon. This event is presented on the occasion of The North is a Lie\, on view through December 15\, 2018. \n\nAs a historian and researcher\, Caitlin Blue is focused on making history accessible to the public. Her interests include the African Diaspora in Early Modern Europe\, decolonization\, and repatriation of historical artifacts. Studying through the lens of decolonization\, Caitlin recognizes that it is an ongoing process because colonization continues to happen today. Caitlin currently works as a Visitor Specialist at the new Niagara Falls Underground Railroad Heritage Center. In the fall of 2019\, she hopes to be at the University at Buffalo pursuing her Master’s degree in History so she can eventually go on to get her PhD. Professionally\, Caitlin wants to end up working in a university setting. \nAmin Husain has a B.A. in Philosophy and Political Science\, a J.D. from Indiana University School of Law\, and an LL.M. from Columbia Law School. He practiced law for five years before transitioning to art\, studying at the School of the International Center of Photography and Whitney Independent Study Program. Nitasha Dhillon has a B.A. in Mathematics from St Stephen’s College\, University of Delhi\, and attended the Whitney Independent Study Program in New York and School of International Center of Photography. She is currently a Ph.D. candidate at the Department of Media Study – University of Buffalo in New York. Together\, Amin and Nitasha are MTL Collective\, a collaboration that joins research\, aesthetics\, organizing\, and action in its art practice. MTL is a founder of Tidal: Occupy Theory\, Direct Action Front for Palestine\, Global Ultra Luxury Faction\, and most recently MTL+\, the collective facilitating Decolonize This Place\, an action-oriented movement and decolonial formation around five strands of struggle: Indigenous Struggle\, Black Liberation\, Free Palestine\, Global Wage Worker\, and De-Gentrification. \nBorn and raised in Buffalo\, NY\, Jodi Lynn Maracle is a Kanien’keha:ka mother\, artist\, scholar and activist currently pursuing her dreams of building her Kanien’keha language proficiency. She received her MA from the University of Buffalo while completing the first year of a Mohawk immersion program in Buffalo\, NY. As an artist\, Jodi has shown work throughout Dish with One Spoon territory working primarily in textile and earth based installations invoking Haudenosaunee material forms and language combined with modern forms of making to interrogate multiple experiential realities of specific locations and landscapes. She works as a consultant and presenter with many arts organizations and academic institutions to foster greater understanding of Haudenosaunee philosophies\, languages\, material culture and contemporary realities. She is currently a PhD student at the University of Buffalo. Of her many accomplishments\, she is most proud of hearing her son excitedly speak his Mohawk language each day. \nMarz Saffore is an artist\, organizer\, and educator born and raised in Richmond\, Virginia. In 2015\, she earned her B.A. in Studio Art and Film & Media Studies from University of Rochester\, and she earned her M.F.A. in Studio Art from NYU in 2017. Her multimedia art practice blurs the line between that which is art/culture\, political/personal\, and private/public through video\, performance\, and installation. Marz is also a member of MTL+ Collective\, a group of artists\, writers\, and educators who combine research and aesthetics in political action. MTL+ Collective founded and facilitates Decolonize This Place\, a collaboration between cultural producers and political organizers across struggles and borders. This Fall\, Marz returned to New York University (NYU) for her 4th semester of teaching and her first year as a PhD student in Media\, Culture\, and Communication. \nAmy Weng has a B.A. in Art History and Visual Arts from SUNY Purchase College\, and a M.A. in Sociology from Columbia University. While working in early childhood education\, she participated in group art exhibitions and performances in Brooklyn and Berlin through Lucky Gallery\, now known as De-Construkt Projekts. She has organized with A New World in Our Hearts\, Occupy Sandy\, Direct Action Front for Palestine\, Asians for Black Lives – NYC and Justice for Akai Gurley Family. She is also a member of MTL+ Collective\, a f She is also a member of MTL+ Collective\, a facilitating group of Decolonize This Place\, a decolonial\, action-oriented movement that centers Indigenous struggle\, Black liberation\, free Palestine\, wage workers and de-gentrification. \nBanner image: Decolonize This Place\, Anti-Columbus Day Tour: Decolonize This Museum\, digital video\, 2016
URL:https://squeaky.org/event/decolonizing-institutions/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Artist Talk
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180914T190000
DTEND;TZID=America/New_York:20181208T210000
DTSTAMP:20260502T050247
CREATED:20251230T191207Z
LAST-MODIFIED:20251230T191207Z
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SUMMARY:The North is a Lie
DESCRIPTION:Opening Friday\, September 14\, 7–9pm\nOn view through December 8\, 2018\, Tue–Sat\, 12–5pm\nFree and open to the public\nThis exhibition is accompanied by public programs featuring guests announced throughout the season. Follow Squeaky Wheel on Facebook\, Instagram and Twitter\,  @squeakybuffalo for updates!\n \nThe North is a Lie is a claiming of space against the myth of a tolerant and more equitable “North.” Thinking about the futures and histories of communities who have suffered most at the hands of this myth\, The North is a Lie present a series of performances\, installations\, screenings\, and potlucks\, with the participation of guest artists. This collaboration between Nitasha Dhillon\, Rhys Hall\, and Elisa Peebles will utilize Squeaky Wheel to gather and provoke questions towards liberation and the possibility of a decolonial existence. This exhibition is accompanied by a brochure featuring newly commissioned writing by Dana McKnight.\n\n— \nThe North is a Lie. We know it because we live it. Your grandmother knew it. Latin American refugees separated from their children know it. Marooners running away from plantations into swamps and mountains knew it. \nThere is no North. If you know\, you know. \nIf there were\, racism would stop at the Mason Dixon line. \nIf there were\, fascism would not be on the rise again. \nIf there were\, there’d be no: \nStolen land \nPolice lynchings \nGentrification \nForced eviction \nRed lining \nDeportations \nThe North is a Lie is not a conclusion\, it is a starting point. During the course of this three month residency\, we seek to overcome the growing desire to escape and begin answering the questions of “where to?” and “what’s next?” by examining the truth of what’s been\, rethinking the possibilities of what can be\, and empowering the imaginary. The North is a lie celebrates the histories\, present and futures of people and communities that have suffered the most at the hands of the Northern myth. It brings these narratives together in hopes of building structures that are imagined and tangible\, for the nourishment and survival of these communities. We begin by acknowledging the land we stand on is stolen land\, this was and is haudenosaunee territory. We base the residency at Squeaky Wheel\, and open the space as a commons for the movements of Buffalo. We will create relations with each other through a series of events that include but are not limited to performances\, parties\, potlucks\, screenings\, conversations\, actions and experiences. The attempt is to create conversations that give us better questions to challenge the Northern myth\, and to create a compass that directs us towards better answers for liberation and decolonial existences. – Nitasha Dhillon\, Rhys Hall\, Elisa Peebles \n  \nAbout the Artists and Contributors \nNitasha Dhillon has a B.A. in Mathematics from St Stephen’s College\, University of Delhi\, and attended the Whitney Independent Study Program in New York and School of International Center of Photography. She is currently a Ph.D. candidate at the Department of Media Study – University of Buffalo in New York. Nitasha’s practice joins research\, aesthetics\, organizing\, and action as part of MTL Collective with Amin Husain. As MTL\, they are co-founders of Tidal: Occupy Theory\, Occupy Strategy magazine\, Global Ultra Luxury Faction\, the direct action arm of Gulf Labor Artists Coalition\, Strike Debt and Rolling Jubilee\, Direct Action Front for Palestine\, Decolonial Cultural Front\, and most recently\, Decolonize This Place\, a movement space and formations in New York City that combine cultural events with organizing\, art\, and action around five strands of struggle: Indigenous Struggle\, Black Liberation\, Free Palestine\, Global Wage Worker\, and De-Gentrification. \nRhys Hall is an aspiring medicine man from various parts of Bailey and East Ferry\, in Buffalo NY. Between making ends meet\, he raps\, sings and makes films. This has been a pattern for 18 years now\, which is probably why he doesn’t have kids. He tried to escape Buffalo for the military\, but The Universe wasn’t having it. Fortunately\, the B.A. he received in African American studies from SUNY at Buffalo helped him survive as an Assistant Dean in Queens and an emcee and singer with Grand Phee as the Hip Hop duo\, We Stole The Show. 5 years and 5 grams of mushrooms later\, he returned to Buffalo and helped start the artist collective\, The United Melanin Society\, with several other accomplished vocal and visual artists. An avid meditator\, you might see Mr. Hall walking at a snails pace through Delaware Park\, or finishing his Masters degree in Film and Media Studies at the University at Buffalo. \nDana McKnight is a multidisciplinary Black/Queer artist and writer. She is the founder of Dreamland Arts in Buffalo\, NY. She lives in Austin\, TX. \nElisa Peebles is an artist\, activist and producer originally from the East Side of Buffalo\, NY. After receiving a B.S. in Media\, Culture and Communication Studies from New York University\, Elisa has spent the past several years living\, working and creating in Buffalo and New York City. Her most recent exhibition\, Bodies of Light: Exit Strategy\, at the gallery pop up Decolonize This Place\, brought artists of color from both cities together around the themes of resistance and perseverance. Prior to this\, Elisa created and co-directed the Buffalo Myth Project\, and was a producer on the Sundance and SXSW – selected short Actresses\, as well as several other independent and commercial short films. A hip-hop performer\, Elisa was selected to perform at the Brooklyn Academy of Music’s 2015 Everybooty Pride Festival. She uses music\, film\, audio and other methods of storytelling to contemplate issues around collective memory\, urban development\, social justice\, and the intersection of race\, gender and sexuality. Currently\, Elisa is a producer of the satirical web-series Dark Justice.
URL:https://squeaky.org/event/the-north-is-a-lie/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180808T190000
DTEND;TZID=America/New_York:20180808T203000
DTSTAMP:20260502T050247
CREATED:20251230T191146Z
LAST-MODIFIED:20251230T191146Z
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SUMMARY:Workspace Residency: Public Presentations
DESCRIPTION:Wednesday\, August 8\, 2018\n6:30pm door | 7pm Start\nFree and open to the public \nJoin us for an evening with our Summer 2018 Workspace residents\, Avye Alexandres (Buffalo\, NY)\, Devin Hentz (Dakar\, Senegal)\, and Emily Martinez (Glendale\, CA)\, at the first public event as part of their residency. The artists and researchers will be delivering ~20 minute presentations on their work and projects. This free event is an excellent opportunity to get to know the residents and their projects as they begin their three-week time at Squeaky Wheel! \nResearch resident Devin Hentz will be investigating the linguistic implications of the vocabulary that develops around second-hand clothing in African countries. She will also design and construct new textiles that play or refer to these local names and their literal meanings / translations through the use of 3D models in Blender. Artist Resident Emily Martinez will be working on a series of videos for an escape room that builds towards a live-action multimedia escape room game Eternal Boy Playground. The game explores cultural tropes and trends that spring up around cryptocurrencies like Bitcoin as they relate to the utopian ideals of a group of self-proclaimed “Puertopians” who are flocking to Puerto Rico in the wake of Hurricane Maria. Finally\, Silo City Resident Avye Alexandres will be utilizing Buffalo’s most well-known public landmark\, Silo City\, to present an absurdist performance sparked by the manipulative tactics and rhetoric used in housing market investment education workshops. \nBios of the residents\nAvye Alexandres was born in Athens\, Greece\, and moved to the United States at the age of six. Her multidisciplinary art practice\, which investigates the psychosocial ramifications of structures and space\, stems from her background in photography and theatre. Evolving from site-based performances her work now encompasses immersive sculpture\, locative media\, experimental digital narratives\, conceptual works\, photography and video\, as well as participatory experiences and installations. In 2015\, she received her MFA in Art and Emerging Practices from the University at Buffalo\, and has exhibited at venues such as the Burchfield Penney Art Center\, The Soap Factory\, IFP-MN Center for Media Arts\, and the Weismann Art Museum. \nDevin Hentz is a researcher and writer based in Dakar\, Senegal. She recently participated in the second session of the RAW Academie\, directed by Chimurenga\, at RAW Material Company before working there as a librarian and researcher. She is the founder of the B/Look Club which meets once per month to activate the archive of RAW Base (RAW’s Library). Her writings have been published in LESS Magazine and the upcoming issue of Something We Africans Got. Her areas of interests include\, Afro/African futures\, development narratives in Africa\, dress practices\, and radical pedagogy. \nEmily Martinez is a new media artist\, front-end developer\, digital strategist\, educator\, and serial collaborator. She believes in the tactical misuse of technology\, and makes artworks that take on the sharing economy\, digital labor struggles\, algorithmic bias\, surveillance capitalism\, crypto colonialism\, tech bros\, and tech culture at large. Emily’s art and research has been published in Leonardo Journal (MIT Press)\, Entreprecariat (Institute of Network Cultures)\, Temporary Art Review\, and Filmmaker Magazine. She has exhibited at The Wrong Biennale\, Transmediale\, Yerba Buena Center for the Arts\, MoMA PS1\, V2_ Institute for the Unstable Media\, WRO Media Art Biennale\, and The Luminary. \nAbout the program\nWorkspace Residency is a unique artist residency which supports local\, regional and national media artists and researchers who are working on projects in film\, video\, audio\, interactive media and emerging technologies in any stage of production. Founded in 2016 by Squeaky Wheel Film and Media Art Center in Buffalo\, New York\, in collaboration with local partners Buffalo Game Space\, The Foundry\, and Silo City\, the residency provides support through equipment\, facilities\, and technical support for artists experimenting across a range of old and new technologies\, such as video\, sound\, digital platforms\, interactivity\, virtual reality\, and 3D printing. Community outreach and public engagement components include presentation and education activities.
URL:https://squeaky.org/event/workspace-residency-public-presentations/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Artist Talk,Residencies
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DTSTART;TZID=America/New_York:20180630T153000
DTEND;TZID=America/New_York:20180630T170000
DTSTAMP:20260502T050247
CREATED:20251230T191145Z
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SUMMARY:Let's Start the Conversation: Hues of Humanity
DESCRIPTION:Saturday\, June 30\, 2018\n3:30pm\nFree and open to the public \nAs part of Squeaky Wheel’s Community Screenings\, we are pleased to present Hues of Humanity\, a film produced by Rachel and Dianna Henderson\, co-founders of Colorfully Beautiful. Addressing topics such as empathy and emotional awareness the film attempts to build permanent bridges through authentic conversation. Join us for an audience/filmmaker talk back on how we can all contribute something in order to help positively co-create our existing realities. \nMember Profile: Rachel Henderson \n \nIf you walked into our media lab at any given time this Spring you probably would have come across Squeaky Wheel member\, Rachel Henderson editing her latest film on one of our lab stations. This season we are pleased to introduce Rachel here in our special Members Spotlight.  \nBorn and raised in Buffalo\, Rachel joined Squeaky Wheel as an Artist Member in July of 2017. After a move back home from Los Angeles\, California\, she found that Squeaky Wheel answered all her technical questions! Rachel began her journey in film after receiving her B.A. in Communication from Roberts Wesleyan College where she was also awarded title of Alum of the Year. From the workshops provided to equipment rental\, Squeaky Wheel has given her both the access and the freedom to create her own work. Currently she is assisting on productions for both the Albright Knox and Buffalo Public Schools and is working on her own independent mini-doc.  \nOn her latest film Henderson states: \n“I’m extremely invested in creating a story that the audience feels like it’s something they’ve never seen before or creating a perspective they’ve never thought of. Illuminating new ideas\, concepts\, realities.”
URL:https://squeaky.org/event/lets-start-the-conversation-hues-of-humanity/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Screenings
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180623T140000
DTEND;TZID=America/New_York:20180623T190000
DTSTAMP:20260502T050247
CREATED:20251230T191146Z
LAST-MODIFIED:20251230T191146Z
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SUMMARY:Art+Feminism Wikipedia Edit-a-thon!
DESCRIPTION:Saturday\, June 23\, 2018\n2–7pm\nFree and open to the public\nRSVP here \nSqueaky Wheel will host an Art+Feminism Wikipedia Edit-a-thon to take place 2-7pm on Saturday\, June 23\, 2018 at 617 Main St\, Buffalo\, NY. This all-day event is designed to improve coverage of women\, gender\, feminism\, and the arts on Wikipedia. \nWhy we edit? Less than 10% of editors on Wikipedia are women. Wikipedia is the largest and most popular general reference work on the internet with more than 40 million articles in more than 250 different languages. The fact is when we don’t tell our stories or participate in the ways our history is preserved\, it gets erased. Let’s build our local contribution to the movement! \nWe provide tutorials for the beginner Wikipedian\, ongoing editing support\, reference materials\, childcare\, and refreshments. People of all gender identities and expressions are invited to participate\, particularly transgender and cisgender women. \nSqueaky Wheel invites back Toronto artist and Wikipedian extraordinaire Zeesy Powers to facilitate tutorials and discussions. This summer\, we are also excited to host Heather Gring\, archivist at the Burchfield Penney Art Center\, who will be speaking about the woman artists in their collection. \nIf you require childcare\, please email caitcoder@gmail.com with the first names of children requiring care\, their ages\, and what time you plan on attending. \nPlease create a Wikipedia account before the event\, click here to learn how! And remember during the event to hashtag and post online so everyone around the world can see what you’re working on: #artandfeminism #noweditingaf @squeakybuffalo . \nAbout the instructor\nZeesy Powers is an interdisciplinary artist. She teaches programs for digital illustration\, animation and video through community groups in Toronto\, and facilitates workshops on contributing to Wikipedia as part of the Art+Feminism edit-a-thons. During her 2017 National Artist-in-Residence at the Toronto Animated Image Society\, she produced This Could be You\, an interactive piece exploring practices of confinement in VR. She has performed and exhibited internationally\, and has been artist-in-residence at CCA Kitakyushu (Japan)\, Palomar5 (Berlin)\, the Banff New Media Institute\, and Studio XX (Montreal). In Toronto\, Powers has worked on several community-based project with children and youth in partnership with organizations like UrbanArts\, Axis Music and the Toronto Public Library. Currently\, she is working on a Canada Council and Chalmers Fellowship funded project on how consumer surveillance impacts how we relate to ourselves and others. She lives in Toronto.
URL:https://squeaky.org/event/artfeminism-wikipedia-edit-a-thon/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Special Event
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180615T080000
DTEND;TZID=America/New_York:20180825T170000
DTSTAMP:20260502T050247
CREATED:20251230T191146Z
LAST-MODIFIED:20251230T191146Z
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SUMMARY:Yvette Granata | #d8e0ea: post-cyberfeminist datum
DESCRIPTION:Opening Friday\, June 15\, 7–9pm\nConversation with Yvette Granata and Maiko Tanaka at 7:30pm.\nOn view through August 25\, 2018\, Tue–Sat\, 12–5pm\nFree and open to the public\n \nSee a review of the exhibition in Canadian Art magazine here.\nSee a review of the exhibition in Buffalo Rising here. \nSqueaky Wheel is proud to present the first solo exhibition of media theorist/artist Yvette Granata. The exhibition poses the concept of a ‘post-cyberfeminist datum’ as a type of data that has been banned in the future. Works in the show include performance video works\, immersive 360 videos\, AI devices in conversation with each other\, and more. \nJoin us on Friday\, June 15th for the opening reception of the exhibition at Squeaky Wheel at 7pm. A newly commissioned essay on Granata’s work by scholar Bogna M. Konior accompanies the exhibition. \nPublic programs presented as part of this exhibition\nJune 15\, 7–9pm: Opening reception\, with conversation between Yvette Granata and Maiko Tanaka at 7:30pm.\nJune 29\, 7pm: Performance: XENOYOGA((I REALLY WANT SOME)) by DJ xenoyoga\nJuly 6\, 9pm: Locative Media Tour with Yvette Granata at secret site. RSVP here.\nAugust 18\, 3pm: Curator’s Tour with Ekrem Serdar of d8e0ea \n\nThere is no freedom celebrated here. Everything is deliberate\, made to function within the same constraints evoked by the materials: disease\, depression\, fear\, fever\, bondage\, torture\, addiction\, the life of “a one-legged glowingly beautiful ex-whore. . .” It’s a far cry from the corporate dream of a cheerful interactivity which lets users choose\, not lose control. . . She isn’t making pictures: these are diagrams. She isn’t an artist\, but a software engineer. —Sadie Plant (Zeros and Ones) \nCan we exploit the fact that our techno-social systems suck? Or is the future already prescribed by the obsessive intrusion of social media platforms\, machine recognition bias\, and the AI arms race to come? \nData is no longer just captured; it is used to predict a particular slice of the future\, to move beyond the 180 degree limit of human linear space-time. Social intelligence is now energy intelligence. Everyone is a data farm. Machine learning systems consume vasts amount of data in order to learn the decisional arc of human-mindsteps. But are we building data walls that make intel-silos? Are we building AI assistant gender-tyrants? Are recognition systems making us into boring products for a shelf? What can we do with the empty silos of this data wasteland? \nThe show thinks through these questions by positing (and depositing) a cyberfeminist data form. It imagines electronic torture chambers in the future used for the policing of data-bodies and poses the concept of a post-cyberfeminist datum as a type of data that has already been banned in the future. From the age of technological reproduction to the age of data reduction\, the topology of cyber-feminist data bytes are an endless VR day\, confined and trapped already. \nWorks include: a webVR essay that explores Google’s Machine Vision API in a fictional cyberfeminist design office\, a series of dead drops that contain intersectional cryptographic syn-sets for machine learning models for training future non-targets (human-bots and/or creatures-fems and/or slime-minds)\, a cyberfem sound sculpture of an AI named ‘Evie’ in conversation with Siri and Alexa (broadcast on the sidewalk)\, and a secret exploration of a possible factory. \n#D8e8ea thinks through a possible fall-out shelter for social intelligence\, a new information ontology that re-spins humans and data\, and performs an interface of zero a user-experience. – Yvette Granata \nYvette Granata. XDDDDDDD\, 3 minutes\, HD video\, 2017-2018  \n \nYvette Granata. Womxn with a Google API (mobile version)\, webVR\, 3-D prints\, 2018 \n \nYvette Granata. Hello Evie\, AI assistant sound sculpture\, Alexa\, Siri\, HD video\, 2018 \n\nAncestral Cyberspace: On the Technics of Secrecy\nBy Bogna M. Konior \n‘Hiding the self through a faithful mapping of the universe is the only path to eternity.’ – Liu Cixin  \nIt was women’s fingers that enfolded the data-corpse into the fabric of the world. Sadie Plant tells us that these fingers are like a spider’s spinnerets\, extruding digital silk\, weaving the history of networked technology\, which at its core is a cunning practice of emasculation: ‘cyberspace is out of man’s control\, [it] destroys his identity…at the peak of his triumph\, the culmination of his machinic erections\, man confronts the system he built for his own protection and finds it female and dangerous.’ For Plant\, man sentenced himself to annihilation when he let the feminine hydra of digital technology out of its black box. Now\, it is everywhere\, slyly completing its task. \n \nCyberfeminism is an occult form of warfare. It understands about ‘cyberspace’ what Liu Cixin’s ‘dark forest’ theory understands about the cosmos: all existence is determined by hostility and so the highest form of intelligence lies in occluding one’s coordinates. The hypothesis explains why the universe\, statistically full of life\, is dead silent. It is not because\, as is commonly thought\, life has not found a way to communicate\, but because it understands that silence is the most advanced form of intelligence. Our physical and virtual spaces\, which are increasingly inseparable\, are alike a dark forest\, where every step must be taken with care\, as revealing one’s existence portends annihilation. The most desirable skill\, the most coveted trick\, and the most longed for disposition can only be this – a fluency in the trading of secrets. The skills we need to strategically deploy concealment\, de-concealment and re-concealment.  \nIn this secrecy lies a genealogy of a post-cyberfeminism that always has been: an ancestral politics of cyberspace. Any feminism is a practice of genealogy but also of desecration – so much technical knowledge has been buried and its practitioners eliminated that a post-cyberfeminist must engage in the excavation\, encoding and decoding of data-corpses\, buried in wet soil of the earth and in the knots of submarine communication cables. \nDecrypting ancestral secrecy trade and a cyberfeminist ancestry\, one might find the corpse of Caterina Sforza\, the progenitrix of the Medici family and one of the women who defined the burgeoning scientific culture of the Italian Renaissance. Remembered for her military genius and personal bravado (in response to an enemy threatening her with the death of her children\, she grabbed her crotch and retorted that she could easily make more)\, she held a keen interest in the trading of secrets\, especially pertaining to natural philosophy\, medicine and alchemy. In Daughters of Alchemy\, Meredith Ray describes the specular economy of secrecy in the early modern Italy\, where secrets circulated in letters\, manuscripts – libri di segreti – and through word of mouth. Secrets were a valued gift and a fitting expression of loyalty.  \nThis arcane internet was a networked web of secrets\, where the exchange of occult data between women formed a clandestine practice of science. From beauty recipes to alchemical attempts at the transmutation of matter into gold (believed to mirror the forming of a fetus in the womb)\, Sforza’s research into concealed knowledge served her in military\, intellectual and political endeavors. In her notebooks\, never intended for publication\, she recorded recipes for poisons distilled from scorpion venom as well as instructions for concealing written text with slowly disappearing\, ‘invisible’ ink. This non-formal practice of science was a way of interacting with the unknown not for its presupposed sanctity but its pragmatic utility. \nSecrets\, Ray writes\, were synonymous with experimentation\, ‘referring not to something unknown but rather to something that was proven.’ The most prized secrets were those that\, when deployed\, produced the desired results. A post-cyberfeminist secret is the proven unknown that loses none of its stealth: a secret is the instruction built for calculated obfuscation\, a mechanism of encryption. Books of secrets\, Ray tells us\, could be deciphered according to a ‘generic code\,’ meant for distinguishing valuable information from mere noise. Reading\, writing\, and circulating libri di segreti was a form of data analysis\, a structural technique of (de)classifying information\, contingent on maintaining the balance between obfuscation and analysis.  \nThis cryptic practice of science was also an alternate economy. Secrets were a non-monetary currency used to establish debt and political influence. This specular economy of occluded knowledge built extended social\, technical and publishing networks between women during the Scientific Revolution. Camilla Erculiani\, an apothecary from Padua\, attracted the attention of the Inquisition for her visibly public contribution to the scientific community and her heretical interpretation of theology. She later found protection with Anna Jagiellon\, the queen of Poland\, herself an intellectual and a potion mistress. Women’s work is a priori heretical by the very fact of its existence. Secrecy thus becomes a necessary form\, both in the web of political life and in the approach to technology and knowledge. Post-cyberfeminist data is a priori banned in the future and exists in a banished land. Predicting its own illegality\, it nevertheless codes a possibility: une autre fin du monde est possible (another end of the world is possible)\, as an anonymous French graffiti recently proclaimed. What post-cyberfeminist data has been already imprisoned in the future?  \nErculiani’s interest was in the material fabric of the world: ‘the causes of the universal deluge\, the composition of rainbows.’  \nAmong Caterina’s medicinal recipes [were] a number of distilled waters\, unguents\, and elixirs produced through alchemical procedures such as multiplication\, a kind of progressive distillation whereby a substance assumes greater and more diverse powers during the course of preparation. \nEncrypting data could be for a post-cyberfeminism a pata-political model. Just like pata-physics is a science of the imaginary realm beyond philosophical metaphysics\, pata-politics is a political science of the coming data-wasteland\, beyond current political practices. Treated as non-existent and excluded from history\, women’s technology endures both in its erased past and its banned future. These technologies do not promise liberation – they instead assure our survival. Post-cyberfeminist data is a type of camouflage: an ancestral practice now augmented and automated with algorithmic technologies. From its genealogy of secrecy into the future\, it mutates and updates itself: what once was a book of secrets now becomes machine vision\, a camera for algorithmic secrecy.♦      \nBibliography  \nEvans\, Claire L. Broad Band: The Untold Story of Women Who Made the Internet. Portfolio\, 2018.  \nCixin\, Liu. The Dark Forest. Translated by Joel Martinsen. Tor Books\, 2015.  \nRay\, Meredith. Daughters of Alchemy: Women and Scientific Culture in Early Modern Italy. Harvard University Press\, 2015.  \nPlant\, Sadie. On The Matrix: The Cyberculture Reader. Edited by David Bell and Barbara Kennedy. Psychology Press\, 2000. \n  \n\nAbout the artist and the contributors \nYvette Granata is a media artist and Phd Candidate at SUNY Buffalo in the Department of Media Study. Her work intersects new media art-research\, design\, theory\, and philosophy. She explores techno-philosophical and socio-political technology\, non-philosophy\, cyberfeminism and feminist media tech art practice. She has presented her work at the Harvard Carpenter Center for the Arts\, The Eye Film Institute in Amsterdam\, The Kunsthalle in Detroit\, Papy Gyro Nights in Norway and Hong Kong\, and Hallwalls Contemporary Arts Center and Squeaky Wheel Media Arts Center in Buffalo\, among others. Her film design work has appeared on screens at the Sundance film festival\, Tribeca film festival\, Rotterdam\, Cannes\, Berlinale\, the Rome International Film Fest\, SXSW\, and CPH:PIX. She has published in Ctrl-Z: New Media Philosophy Journal\, TRACE: Journal of Writing\, Media\, and Ecology\, NECSUS: European Journal of Media Studies\, and the International Journal of Cultural Studies. She received a NYS Council of the Arts Grant in 2017 and was a visiting researcher at the Senselab at Concordia\, where she developed some of the work included in the current exhibit. See more at yvettegranata.com \nBogna M. Konior is the Media and Technology editor at the Hong Kong Review of Books and the director of the Institute for Critical Animal Studies\, Asia. She holds a Research Masters in Media Studies\, a PhD in Cultural Analysis and was a visiting researcher in Media and Culture at the ICON Center for the Humanities at the University of Utrecht. Her recent work in media cultures and the Anthropocene is published in Transformations: Journal of Media and Culture and forthcoming in PostMemes from Punctum Press. She is the Polish translator of the Xenofeminist Manifesto. Her curatorial and collaborative work exploring theory in the Anthropocene has been exhibited internationally and can be viewed at http://www.bognamk.com. \nMaiko Tanaka is the Executive Director of Squeaky Wheel. She holds a BFA from OCADU and a Masters of Visual Studies from the University of Toronto. For over ten years Maiko has curated projects with prestigious and widely recognized arts institutions in Canada and abroad\, including Trinity Square Video\, Nuit Blanche at OCAD University\, Justina M. Barnicke Gallery (now Art Museum – University of Toronto)\, InterAccess\, all in Toronto\, as well as Casco – Office for Art\, Design\, and Theory in Utrecht\, NL. Maiko also currently serves on programming committee of Gendai Gallery and editorial advisory of C Magazine. She is the co-editor of several catalogue publications including\, The Grand Domestic Revolution Handbook published by Casco and Valiz\, and Model Minority\, published by Gendai Gallery and Publication Studio. \nBanner image: Yvette Granata. Hello Evie\, AI assistant sound sculpture\, Alexa\, Siri\, HD video\, 2018
URL:https://squeaky.org/event/post-cyberfeminist-datum/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180509T170000
DTEND;TZID=America/New_York:20180509T190000
DTSTAMP:20260502T050247
CREATED:20251230T191125Z
LAST-MODIFIED:20251230T191125Z
UID:10000927-1525885200-1525892400@squeaky.org
SUMMARY:Summer Youth Workshop: Open House
DESCRIPTION:Squeaky Wheel and CEPA Gallery are hosting Summer Youth Workshop Open House! Find out about all of our summer classes\, take a tour of our spaces and get a 10% discount if you register at the event. See examples of students work in our Youth Exhibition and participate in a character animation demo! Be sure to arrive before 6 pm to be entered into a raffle to receive a 25% discount on one workshop at both Squeaky Wheel and CEPA! RSVP and check for updates on our facebook event 🙂 \n 
URL:https://squeaky.org/event/summer-youth-workshop-open-house/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Education
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180428T060000
DTEND;TZID=America/New_York:20180519T090000
DTSTAMP:20260502T050247
CREATED:20251230T191125Z
LAST-MODIFIED:20251230T191125Z
UID:10000691-1524895200-1526720400@squeaky.org
SUMMARY:Story Twine
DESCRIPTION:Story Twine\n4/28/18 – 5/19/18 \nUsing the online open-source storytelling tool Twine\, students will design\, write\, and digitally publish their own non-linear\, choose your own adventure story. This is a fun and powerful tool for storytelling and self expression that can be accessed and published just about anywhere. \n\n \n\nMembers $40 | Non-Members $60 \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nIf you have any additional questions\, please contact kevin@squeaky.org\, or reach us by phone at (716) 884-7172.
URL:https://squeaky.org/event/tag-story-twine/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Tech Arts for Girls
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Squeaky Wheel 2495 Main Street Suite 310 Buffalo NY 14214 United States;X-APPLE-RADIUS=500;X-TITLE=2495 Main Street\, Suite 310:geo:-78.8721258,42.8906261
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180425T190000
DTEND;TZID=America/New_York:20180425T210000
DTSTAMP:20260502T050247
CREATED:20251230T191125Z
LAST-MODIFIED:20251230T191125Z
UID:10000907-1524682800-1524690000@squeaky.org
SUMMARY:Chris Marker’s Level Five
DESCRIPTION:Laura\, a French programmer\, is tasked with creating a video game about the Battle of Okinawa. Using the internet to conduct her research she is led down a rabbit hole of philosophical debates\, while she tries to make sense of her own history in relation to human history. \nReleased when the internet was still in its infancy\, Level Five (104min\, 1997) offers a startlingly prophetic vision of the ability to archive and alter history\, while probing the limitations of human memory. The film is a mesmerizing and utterly unique hybrid of documentary and science fiction. Curated with an introduction by Squeaky Wheel’s Fall 2018 Curatorial Intern James Werick. Courtesy of Icarus Films. \n Preview \nBio of the curator\nJames Werick graduated from the University at Buffalo in 2017\, with a BA in Media Study. In addition\, he spent one semester in 2017 at Kansai Gaidai University in Osaka\, Japan. He is currently writing a film script\, and working at the Buffalo & Erie County Public Library.
URL:https://squeaky.org/event/level-five/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Screenings
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Squeaky Wheel 2495 Main Street Suite 310 Buffalo NY 14214 United States;X-APPLE-RADIUS=500;X-TITLE=2495 Main Street\, Suite 310:geo:-78.8721258,42.8906261
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180331T060000
DTEND;TZID=America/New_York:20180421T090000
DTSTAMP:20260502T050247
CREATED:20251230T191126Z
LAST-MODIFIED:20251230T191126Z
UID:10000689-1522476000-1524301200@squeaky.org
SUMMARY:Kwick Docs
DESCRIPTION:Kwick Docs\n3/31/18 – 4/21/18 \nStudents will learn the art of quick visual storytelling in this documentary based workshop. Using animation\, motion graphics and video\, students will have the task of putting together a 60 sec or less biographical story. \n\n \n\nMembers $40 | Non-Members $60 \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nIf you have any additional questions\, please contact alex@squeaky.org\, or reach us by phone at (716) 884-7172.
URL:https://squeaky.org/event/tag-kwick-docs/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Tech Arts for Girls
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GEO:42.8906261;-78.8721258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Squeaky Wheel 2495 Main Street Suite 310 Buffalo NY 14214 United States;X-APPLE-RADIUS=500;X-TITLE=2495 Main Street\, Suite 310:geo:-78.8721258,42.8906261
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180313T140000
DTEND;TZID=America/New_York:20180322T160000
DTSTAMP:20260502T050247
CREATED:20251230T191124Z
LAST-MODIFIED:20251230T191124Z
UID:10000902-1520949600-1521734400@squeaky.org
SUMMARY:Intro to Screenwriting
DESCRIPTION:Before the set is lit and cameras roll\, almost every film production has a script in place to guide the project. This workshop will cover the basics of screenwriting\, one of the greatest creative influences on the filmmaking process. \nTopics include: \n\nResearching story ideas\nDeveloping a narrative\nWriting a screenplay\nStrategies for pitching screenplays to producers\n\n\n \n\nMembers $135 | Non-Members $175 \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nIf you have any additional questions\, please contact alex@squeaky.org\, or reach us by phone at (716) 884-7172.
URL:https://squeaky.org/event/intro-to-screenwriting/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Education
ATTACH;FMTTYPE=image/png:https://squeaky.org/wp-content/uploads/2017/11/screenwriting.png
GEO:42.8906261;-78.8721258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Squeaky Wheel 2495 Main Street Suite 310 Buffalo NY 14214 United States;X-APPLE-RADIUS=500;X-TITLE=2495 Main Street\, Suite 310:geo:-78.8721258,42.8906261
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180303T140000
DTEND;TZID=America/New_York:20180303T190000
DTSTAMP:20260502T050247
CREATED:20251230T191125Z
LAST-MODIFIED:20251230T191125Z
UID:10000911-1520085600-1520103600@squeaky.org
SUMMARY:Art + Feminism Wikipedia Edit-a-Thon!
DESCRIPTION:Free and open to the public\nRSVP here \nSqueaky Wheel will host an Art+Feminism Wikipedia Edit-a-thon to take place 2-7pm on Saturday\, March 3\, 2018 at 617 Main St\, Buffalo\, NY. This all-day event is designed to improve coverage of women\, gender\, feminism\, and the arts on Wikipedia. \nWhy we edit? Less than 10% of editors on Wikipedia are women. Wikipedia is the largest and most popular general reference work on the internet with more than 40 million articles in more than 250 different languages. The fact is when we don’t tell our stories or participate in the ways our history is preserved\, it gets erased. Let’s build our local contribution to the movement! \nWe provide tutorials for the beginner Wikipedian\, ongoing editing support\, reference materials\, childcare\, and refreshments. People of all gender identities and expressions are invited to participate\, particularly transgender and cisgender women. \nSqueaky Wheel invites back Toronto artist and Wikipedian extraordinaire Zeesy Powers to facilitate tutorials and discussions. New this year is a collaboration with the Albright Knox Art Gallery\, who will provide reference materials on the artists featured in their exhibition We Wanted a Revolution: Black Radical Women\, 1965–85 (on view from February 16–May 27). \nIf you require childcare\, please email caitcoder@gmail.com with the first names of children requiring care\, their ages\, and what time you plan on attending. \nPlease create a Wikipedia account before the event\, click here to learn how! And remember during the event to hashtag and post online so everyone around the world can see what you’re working on: #artandfeminism #noweditingaf @squeakybuffalo . \nThis event is co-presented with Peach Mag\, with partnership support from Buffalo State College’s Women & Gender Studies Interdisciplinary Minor\, UB Department of Art\, and UB Department of Media Study. Thank you to our sponsors at the Western New York Book Arts Center & Tipico Coffee. \nAbout the instructor\nZeesy Powers is an interdisciplinary artist. She teaches programs for digital illustration\, animation and video through community groups in Toronto\, and facilitates workshops on contributing to Wikipedia as part of the Art+Feminism edit-a-thons. During her 2017 National Artist-in-Residence at the Toronto Animated Image Society\, she produced This Could be You\, an interactive piece exploring practices of confinement in VR. She has performed and exhibited internationally\, and has been artist-in-residence at CCA Kitakyushu (Japan)\, Palomar5 (Berlin)\, the Banff New Media Institute\, and Studio XX (Montreal). In Toronto\, Powers has worked on several community-based project with children and youth in partnership with organizations like UrbanArts\, Axis Music and the Toronto Public Library. Currently\, she is working on a Canada Council and Chalmers Fellowship funded project on how consumer surveillance impacts how we relate to ourselves and others. She lives in Toronto.
URL:https://squeaky.org/event/art-feminism2018/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Special Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180303T050000
DTEND;TZID=America/New_York:20180324T090000
DTSTAMP:20260502T050247
CREATED:20251230T191125Z
LAST-MODIFIED:20251230T191125Z
UID:10000687-1520053200-1521882000@squeaky.org
SUMMARY:Motion & Graphics
DESCRIPTION:Motion & Graphics\n3/3/18 – 3/24/18 \nUsing a combination of Adobe After Effects & Final Cut Pro X\, students will learn the art of keyframe animation to produce unique and interesting motion graphics. Students are encourage to let their creativity shine in this workshop that will teach them powerful tools of expression. \n\n \n\nMembers $40 | Non-Members $60 \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nIf you have any additional questions\, please contact alex@squeaky.org\, or reach us by phone at (716) 884-7172.
URL:https://squeaky.org/event/motion-graphics/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Tech Arts for Girls
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GEO:42.8906261;-78.8721258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Squeaky Wheel 2495 Main Street Suite 310 Buffalo NY 14214 United States;X-APPLE-RADIUS=500;X-TITLE=2495 Main Street\, Suite 310:geo:-78.8721258,42.8906261
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180227T130000
DTEND;TZID=America/New_York:20180308T150000
DTSTAMP:20260502T050247
CREATED:20251230T191125Z
LAST-MODIFIED:20251230T191125Z
UID:10000901-1519736400-1520521200@squeaky.org
SUMMARY:Web Design
DESCRIPTION:Building your website doesn’t have to require a degree in computer science. This WordPress-based workshop will give you the tools to construct your online presence without any hardcore coding. \nTopics include: \n\nNavigating the WordPress platform\nApplying themes and customizing them to your needs\nUsing posts\, pages\, and events to keep your content up-to-date\n
Preparing videos\, images\, and graphics to be presented on your site\n\n\n \n\nMembers $135 | Non-Members $175 \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nIf you have any additional questions\, please contact alex@squeaky.org\, or reach us by phone at (716) 884-7172.
URL:https://squeaky.org/event/web-design-5/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Education
ATTACH;FMTTYPE=image/png:https://squeaky.org/wp-content/uploads/2017/11/web-design.png
GEO:42.8906261;-78.8721258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Squeaky Wheel 2495 Main Street Suite 310 Buffalo NY 14214 United States;X-APPLE-RADIUS=500;X-TITLE=2495 Main Street\, Suite 310:geo:-78.8721258,42.8906261
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180213T130000
DTEND;TZID=America/New_York:20180222T150000
DTSTAMP:20260502T050247
CREATED:20251230T191124Z
LAST-MODIFIED:20251230T191124Z
UID:10000903-1518526800-1519311600@squeaky.org
SUMMARY:Audio Production for Film
DESCRIPTION:Learn the practice of planning\, recording\, & editing sound for use in short films\, documentaries\, or promotional videos. This workshop will cover the core components of sound design\, from basic syncing techniques to the nuanced nature of foley. \nTopics include: \n\nListening to and identifying various sonic techniques\nFoley production\nIntermediate audio recording techniques\nSyncing external audio for film\n\n\n \n\nMembers $135 | Non-Members $175 \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nIf you have any additional questions\, please contact alex@squeaky.org\, or reach us by phone at (716) 884-7172.
URL:https://squeaky.org/event/audio-production-for-film/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Education
ATTACH;FMTTYPE=image/png:https://squeaky.org/wp-content/uploads/2017/11/audio-production.png
GEO:42.8906261;-78.8721258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Squeaky Wheel 2495 Main Street Suite 310 Buffalo NY 14214 United States;X-APPLE-RADIUS=500;X-TITLE=2495 Main Street\, Suite 310:geo:-78.8721258,42.8906261
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180130T130000
DTEND;TZID=America/New_York:20180208T150000
DTSTAMP:20260502T050247
CREATED:20251230T191109Z
LAST-MODIFIED:20251230T191109Z
UID:10000697-1517317200-1518102000@squeaky.org
SUMMARY:Video Editing
DESCRIPTION:Learn the craft of manipulating narrative and meaning with the art of editing. In this workshop you’ll learn how to take raw footage and assemble it into a narrative\, whether for short films\, documentaries\, interviews\, promotional videos\, or experimental films. \nTopics include: \n\nNavigating the Adobe Premiere interface\nStructuring your workflow for ease and efficiency\nUtilizing continuity editing and juxtaposition to create meaning\nExporting your videos for sharing on various platforms\n\n\n \n\nMembers $135 | Non-Members $175 \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nIf you have any additional questions\, please contact alex@squeaky.org\, or reach us by phone at (716) 884-7172.
URL:https://squeaky.org/event/video-editing-4/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Education
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180119
DTEND;VALUE=DATE:20180415
DTSTAMP:20260502T050247
CREATED:20251230T191109Z
LAST-MODIFIED:20251230T191109Z
UID:10000904-1516320000-1523750399@squeaky.org
SUMMARY:belit sağ : Let Me Remember
DESCRIPTION:Download the brochure with new essays by Almudena Escobar López and Chi-hui Yang \nSqueaky Wheel Film & Media Art Center presents Let Me Remember\, the first solo exhibition of artist and videoactivist belit sağ (Netherlands/Turkey) in North America. Comprised of five new video installations\, Let Me Remember functions as an investigation into the state of being racialized in Europe\, taking a series of brutal murders by the German National Socialist Underground (NSU) as its context. The NSU was a terror group that killed ten people and planted bombs in migrant neighborhoods between 2000–2008. German media reports at the time ignored the racial motivations of their violence.\n \nbelit sağ’s work explores how media imagery can render the visibility (and invisibility) of personhood in a personal and essayistic form. The works in Let Me Remember bring together archival footage of the NSU’s victims\, images of objects from the crime scenes\, and transcripts of the trials made by local activist groups to ask questions on how white supremacy and whiteness in a European context affect and change narratives. Squeaky Wheel is proud to present the first North American exhibition of this emerging artist\, and bring to the public the acuity with which sağ questions the role of media. \nJoin us on Friday January 19th for the opening reception of the exhibition at Squeaky Wheel at 7pm and don’t miss a public conversation between the artist and Jasmina Tumbas at 7:30pm. Two newly commissioned essays on the belit sağ’s work by Almudena Escobar López and Chi-hui Yang also accompany the exhibition. Squeaky Wheel members are invited to a special VIP between 6–7pm with complimentary wine and refreshments. \nLet Me Remember is presented in collaboration with The Flaherty as part of the Flaherty NYC program COMMON VISIONS\, programmed by Almudena Escobar López & Herb Shellenberger. \n  \n \nbelit sağ. overexposed\, HD video (2017)\n  \n \nbelit sağ. overexposed\, installation view (2017)\n  \nAbout the Artists and Contributors \nbelit sağ is a videomaker and visual artist living in Amsterdam. She studied mathematics in Ankara; audio-visual arts in Amsterdam. Her video background is rooted in video-activist groups in Ankara and Istanbul\, where she co-initiated projects like karahaber.org (2000-2007) and bak.ma (a growing online audiovisual archive of social movements in Turkey). Her recent video work focuses on ‘the violence of representation’ and ‘representation of violence’. She completed residencies in Rijksakademie van Beeldende Kunsten\, Amsterdam in 2014-2015; and International Studio and Curatorial Program\, New York in 2016. She has presented her work at museums\, galleries\, and film festivals worldwide\, including Toronto/Rotterdam/San Francisco/New York International Film Festival//International Documentary Film Festival Amsterdam (IDFA); EYE Filmmuseum\, Amsterdam; documenta14\, Kassel; MOCA\, Taipei; Tütün Deposu\, Istanbul; Tabakalera Film Seminar\, San Sebastian; Marabouparken\, Stockholm. \nAlmudena Escobar López is an archivist\, film curator\, and scholar from Spain. She is a PhD student in the Graduate Program in Visual and Cultural Studies at the University of Rochester where she also holds a Public Humanities Fellowship. Her dissertation explores the notion of collaborative aesthetics in relation to ideas of artistic cooperativism\, paying particular attention to the filmmaker’s cooperatives founded in the 1960s in New York\, San Francisco\, and London. She combines her academic research and writing with her practice as a film archivist and curator having worked at institutions such as Lux Artists’ moving image\, The Academy Film Archive\, the Archives of American Art and the Visual Studies Workshop in Rochester. She has published essays in MUBI Notebook\, The Brooklyn Rail\, Afterimage: the Journal of Media Arts and Cultural Criticism\, Journal of Film Preservation\, Little White Lies\, Desistfilm Magazine\, and has collaborated with the Ann Arbor Film Festival\, the London Spanish Film Festival\, and the East End Film Festival of the London International Film Festival. She is co-programmer of the collective screening project On-Film\, serves in the Advisory Board of Squeaky Wheel Film & Media Art Center in Buffalo\, NY\, and in the Board of Trustees of the Visual Studies Workshop in Rochester\, NY. \nJasmina Tumbas is Assistant Professor in the Department of Art\, holds a Ph.D. from Duke University and teaches courses on modern and contemporary art and theory\, histories and theories of performance\, body and conceptual art\, art and activism\, and feminist art. Her research focuses on performance and conceptual art in former Yugoslavia\, as well as contemporary activist art practices by artists of Romani descent in the Balkan region. As a fellow\, Tumbas will be working on the book project\, The Erotics of Dictatorship: Art\, Sex\, and Politics under Yugoslav Socialism. \nChi-hui Yang is a curator based in New York. He is currently Program Officer for Ford Foundation’s JustFilms initiative\, a global effort that supports non-fiction filmmakers and organizations whose work addresses the most urgent social issues of our time. As a curator\, he has presented programs such as: MoMA’s Documentary Fortnight\, “Lines and Nodes: Media\, Infrastructure\, and Aesthetics” (2014\, Anthology Film Archives) and “The Age of Migration” (2008\, Flaherty Film Seminar). From 2000-2010 he was director of the San Francisco International Asian American Film Festival. Yang is also an instructor at Brooklyn’s UnionDocs and has served as an adjunct professor at the Columbia Graduate School of Journalism and Hunter College. He earned a master’s degree in film studies from San Francisco State University and a bachelor’s degree in political science from Stanford University. \nIN COLLABORATION WITH THE FLAHERTY\nThe Flaherty is a nonprofit organization dedicated to the proposition that independent media can illuminate the human spirit. Its mission is to foster exploration\, dialogue\, and introspection about the art and craft of all forms of the moving image. It was established to present the annual Robert Flaherty Film Seminar\, named after the maker of such seminal documentaries as Nanook of the North\, Man of Aran\, and Louisiana Story. The Seminar remains the central and defining activity of The Flaherty. Other activities include: Flaherty NYC\, a seasonal screening series showcasing innovative nonfiction media; Flaherty on the Road\, presenting films from the Seminar at venues across the country; and the preservation and distribution of Robert Flaherty’s Nanook of the North and Louisiana Story\, as well as audio recordings from Seminar discussions dating back to 1958. For more information\, visit www.flahertyseminar.org \nBackground Image: belit sağ. overexposed\, HD still (2017)
URL:https://squeaky.org/event/belit-sag-let-me-remember/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180116T130000
DTEND;TZID=America/New_York:20180125T150000
DTSTAMP:20260502T050247
CREATED:20251230T191109Z
LAST-MODIFIED:20251230T191109Z
UID:10000699-1516107600-1516892400@squeaky.org
SUMMARY:Video Production
DESCRIPTION:Gain the skills you’ll need to light\, shoot\, and record your own films\, documentaries\, interviews\, and advertisements.  Get hands-on experience with professional equipment and software in an intimate\, small-class setting. \nTopics include: \n\nManipulating a camera to properly expose shots\nBasic audio recording for film\nCommunicating ideas with cinematic grammar\nLighting shots for best effect\nPreparing footage for editing\n\n\n \n\nMembers $135 | Non-Members $175 \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nIf you have any additional questions\, please contact alex@squeaky.org\, or reach us by phone at (716) 884-7172. \n 
URL:https://squeaky.org/event/video-production-8/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Education
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180106T050000
DTEND;TZID=America/New_York:20180127T080000
DTSTAMP:20260502T050247
CREATED:20251230T191109Z
LAST-MODIFIED:20251230T191109Z
UID:10000683-1515214800-1517040000@squeaky.org
SUMMARY:Design & Play
DESCRIPTION:Design & Play\n1/6/18 – 1/27/18 \nIn this workshop students will work with Adobe Illustrator and learn this professional design software to produce expressive graphic designs. Students will learn the elements of design and typography and put them to use creating unique logo designs that explore concepts & ideas that are close to them. \n\n \n\nMembers $40 | Non-Members $60 \nRegistration must occur at least three days prior to the start date of workshop. Cancellations must take place 48hrs before to receive a refund. No walk-ins accepted. \nIf you have any additional questions\, please contact alex@squeaky.org\, or reach us by phone at (716) 884-7172.
URL:https://squeaky.org/event/tag-design-play/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Tech Arts for Girls
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171206T140000
DTEND;TZID=America/New_York:20171206T160000
DTSTAMP:20260502T050247
CREATED:20251230T191109Z
LAST-MODIFIED:20251230T191109Z
UID:10000897-1512568800-1512576000@squeaky.org
SUMMARY:Sleeping Sickness
DESCRIPTION:Wednesday\, December 6th\, 2017\nUlrich Köhler’s Sleeping Sickness (2011)\n7pm\n$7 General | $5 Squeaky Wheel Members \nA Silver Bear winning Berlin School post-script to our series on Christian Petzold. Ebbo and Vera have lived in Africa a long time because of Ebbo’s job\, but Vera wants to return to Europe to be close to her daughter\, who is studying at a boarding school. \n“This remarkably assured third feature by the young German director Ulrich Köhler—winner of Best Director at this year’s Berlin Film Festival—transports us to Cameroon\, where German doctor Ebbo (Pierre Bokma) and his wife have spent two decades combating an epidemic of sleeping sickness in the local villages. Soon\, they will return to Europe and to lives long ago put on hold\, and this has created a crisis for Ebbo\, who\, like Joseph Conrad’s Kurtz\, has spent too much time up river to ever come back down. Meanwhile\, a young black doctor—a Frenchman born to Congolese parents—travels to Africa to evaluate the efficiency of Ebbo’s program. But when he arrives\, nothing goes according to plan\, and despite his heritage\, he feels very much a stranger in a strange land. Finally\, the two subjects of this haunting meditation on Africa’s past and future dovetail—effortlessly\, seamlessly—and the cumulative impact is stunning.” – Film Society of Lincoln Center
URL:https://squeaky.org/event/sleeping-sickness/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Screenings
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171129T140000
DTEND;TZID=America/New_York:20171129T160000
DTSTAMP:20260502T050247
CREATED:20251230T191109Z
LAST-MODIFIED:20251230T191109Z
UID:10000900-1511964000-1511971200@squeaky.org
SUMMARY:Chantal Akerman's One Day Pina Asked...
DESCRIPTION:Wednesday\, November 29\, 2017\n7pm\n$7 General | $5 Squeaky Wheel members \nAn encounter between two of the most remarkable women artists of the 20th century\, One Day Pina Asked…(1983) is Chantal Akerman’s look at the work of choreographer Pina Bausch and her Wuppertal\, Germany-based dance company. \nIn the film\, the Belgian film director gives us an opportunity to consider Bausch’s architectural stage and complex emotional practice. Bausch’s work (as expressed in Akerman’s film) expresses a movement that encompasses both gendered violence and expressions of love\, with a kindness generated by pacing. One Day Pina Asked… gives us careful\, sharply aimed shots of stage movements\, backstage practice sequences\, and an iconic eye-to-eye closing sequence with Bausch herself. We’re invited to do more than watch a film transcription of a dance event; instead\, Akerman’s work challenges us by suggesting the interstices of the physical and the emotional\, the structured and incidental\, and the space before the curtain rises. \nCurated\, and featuring an introduction by Squeaky Wheel Curatorial Intern Colleen Stapleton. \n“Both [Bausch and Akerman] create reflective\, large-scale visual compositions that convey a powerful but ambiguous emotional intensity.” —Stephen Holden\, The New York Times
URL:https://squeaky.org/event/one-day-pina-asked/
LOCATION:Squeaky Wheel\, 2495 Main Street\, Suite 310\, Buffalo\, NY\, 14214\, United States
CATEGORIES:Screenings
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END:VEVENT
END:VCALENDAR