The first solo exhibition of artist belit sağ in North America, comprised of five new works investigating the state of being racialized in Europe and taking a series of brutal murders by the German National Socialist Underground as its context.

Can we make techno-social systems that don’t suck? Or is the future already prescribed by the obsessive intrusion of social media platforms, machine recognition systems, and the AI arms race to come?

Thinking about the futures and histories of communities who have suffered most at the hands of this myth, The North is a Lie present a series of performances, installations, screenings, and potlucks, with the participation of guest artists.

Utilizing collage, video, and sound installations, this exhibition by Philadelphia-based Black Quantum Futurism draws from quantum physics, futurist traditions, and Black/African cultural traditions of consciousness, time, and space.